Table of Contents
It is an occasion of great pleasure to welcome in advance the release of the volume Art and History: Texts, Contexts and Visual Representations in Ancient and Early Medieval India. This anthology of essays written by an array of scholars, collectively demonstrates new strategies of reading history into the art heritage of our past. Hopefully, in future studies, this collection will help breakdown the conventional barrier between art history and history. The anthology covers a wide field, spatially and thematically, and its inclusive character hopefully will suggest directions for cross-regional comparisons in future research.
B.D. Chattopadhyaya, Professor (retired), Centre for Historical Studies,
Jawaharlal Nehru University, New Delhi
This volume is an ambitious attempt to gather together a number of studies in the admittedly very large area of art (mainly sculpture) and thought (mainly religious) up to c. 1200 AD. The volume constitutes a thought-provoking inroad into the history of Indian art. The editors introduction surveys almost every aspect of the theme, including a critical survey of the previous work on history of the Indian art. By its width and depth, the book will surely long serve as an important work of reference for all present and future students of the field.
Irfan Habib, Professor Emeritus, Aligarh Muslim University
This is a collection of articles by different scholars dealing with the interface between art and various aspects of historical development and underlines the importance of visual representations as a source of History. It emphasises their relevance to historical research and is an indispensable reading for historians and researchers.
D.N. Jha, Professor (retired), Department of History,
University of Delhi, Delhi
As a historian, I am delighted about Prof. Mahalakshmis comprehensive volume as we historians are often still too reluctant to contextualise the visual representations and symbolic elements of our texts. The present volume provides an overdue selection of excellent exemplary studies of understanding historical context from visual material.
Hermann Kulke, Professor Emeritus, University of Kiel
Art and
History
Art and
History
Texts, Contexts and Visual Representations in
Ancient and Early Medieval India
Edited by
R. Mahalakshmi
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First published in India 2020
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For my father, Shri K.S. Ramakrishnan, who passed away while this book
was in press, and my sons Ramakrishna and Vishnuvardhan
Contents
Images
Zeus with the thunderbolt, c. 250 BCE230 BCE |
Seated Heracles with club and lion skin, c. 230 BCE200 BCE |
Sakaraa-Balarma and Vsudeva-Ka, c. 185 BCE170 BCE |
Athena with shield and thunderbolt, c. 155 BCE |
The Dioscuri, Castor and Pollux, c. 171 BCE145 BCE |
bhraka coin, c. first century CE |
Trivikrama, Cave 2, Bdmi, c. 560570 CE |
Narasiha, Cave 3, Bdmi, c. 578 CE |
Tripurntakamrti, Kai Vivevara temple, Pattadakal, Karnataka, c. 745755 CE |
Descent of Gag, Mamallapuram, c. early seventh century CE |
Descent of Gag (partial view), Mamallapuram, c. early seventh century CE |
Gagdhara, Tiruchirappalli, c. early seventh century CE |
Gagdhara, Rjarjevaram temple, Gangaikonda Cholapuram, c. 11th12th centuries CE |
Niumbhasdin/Kl, Ugramahkl temple, Tanjavur, c. 851875 CE |
Caption: Kl, west wall (garbhagha), Lakmaevara temple, Avani, c. 8th14th centuries CE |
Kl, west wall (garbhagha), Lakmaevara temple, Avani, c. 8th14th centuries CE |
Kl, National Museum, most probably from Madras, c. 12th CE |
Kl, National Museum, most probably from Madras, c. 9th CE |
Dancing Kl, r Varayevarar temple, Tiruvalangadu, Late Ca period |
Prajpramit, Cave 10, Ellora, Maharashtra, c. seventh century CE |
Sanskrit Aashasrik Prajpramit Stra manuscript; dvibhuja Kanaka Prajpramit, Nlanda, c. seventheleventh centuries CE |
Caturbhuj Prajpramit, Northeast India, 12th century CE, Pla Period, Bronze exhibit currently in the Fitchburg Art Museum, Fitchburg, Massachusetts, USA |
Thangka with Caturbhuj Prajpramit, Nepal, c. 17th or 18th century CE |
16-armed ruta Dev in corridor ceiling in La Vashi, Mount Abu, c. 11th14th centuries CE |
Image of 16 Mahvidy in Ragamaapa of La Vashi temple, Mount Abu, c. 11th14th centuries CE |
Images of four-armed lalitsana Vajrku, Cakrevar, Prajapti and Vajrakhal, Vimala Vashi temple, Mount Abu, c. 11th14th centuries CE |
Goddess Vairo on a corridor ceiling in Vimala Vashi temple, Mount Abu, c.11th14th centuries CE |
Image of Goddess Acyupt on a corridor ceiling in Vimala Vashi temple, Mount Abu, c.11th14th centuries CE |
A hero stone of Pallava period for a hero and a dog, Eduttanur, Tamil Nadu, c. seventh century CE |
Mahia from Mahiamardin Panel, Mamallapuram, c. seventh century CE |
Polished stone axes (Neolithic Celts); Left: Mulavi, Right: Nettakalankottai, Salem district |
Distribution pattern of different types of shrines in the northern part of Tamil Nadu, CL: shrines with Celts; RP: sites with rock paintings; HS: Hero stones; SC: sites with sculptures of deities |
Image of Kaappar, Darasuram temple |
dimrti-Viu image from Trilocanevara temple complex, Jajpur, c. 6th century CE |
Ekamukha iva Liga from Trilocanevara temple, Jajpur, c. 6th century CE |