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Jon Stobart - The Comforts of Home in Western Europe, 1700-1900

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Jon Stobart The Comforts of Home in Western Europe, 1700-1900
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Comfort, both physical and affective, is a key aspect in our conceptualization of the home as a place of emotional attachment, yet its study remains under-developed in the context of the European house. In this volume, Jon Stobart has assembled an international cast of contributors to discuss the ways in which architectural and spatial innovations coupled with the emotional assemblage of objects to create comfortable homes in early modern Europe.
The book features a two-section structure focusing on the historiography of architectural and spatial innovations and material culture in the early modern home. It also includes 10 case studies which draw on specific examples, from water closets in Georgian Dublin to wallpapers in 19th-century Cambridge, to illustrate how people made use of and responded to the technological improvements and the emotional assemblage of objects which made the home comfortable. In addition, it explores the role of memory and memorialisation in the domestic space, and the extent to which home comforts could be carried about by travellers or reproduced in places far removed from the home.
The Comforts of Home in Western Europe, 1700-1900 offers a fresh contribution to the study of comfort in the early modern home and will be vital reading for academics and students interested in early modern history, material culture and the history of interior architecture.

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The Comforts of Home in Western Europe
In memory of Rosie MacArthur, 19812018
The Comforts of Home in Western Europe
17001900
Edited by Jon Stobart
Contents John Wood A Series of Plans for Cottages or Habitations of the - photo 1
Contents
John Wood, A Series of Plans, for Cottages or Habitations of the Labourer , 1788
Edward Gyfford, Designs for Elegant Cottages and Small Villas , 1806
Jacques-Franois Blondel, De la Distribution des maisons de plaisance et de la dcoration des difices en gnral , 17378
Carl Wijnblad, Ritningar p fyrtio vningshus, 1755
Jean Erik Rehn, Granhammar House, Faade and Plans, 174959
Olof Fridsberg, Countess Ulla Sparre in her Writing Cabinet, 1760s
Lorentz Svensson Sparrgren, Interior with Clas Julius Ekebland and his wife, Countress Brita Horn , 1783
Pehr Hillestrm, The Wool Winder , c. 178090
Handbill of Pemberton & Co., 1811
The bedroom in the Duchess of Orleans appartement at the Palais-Royal, 1876
James Gillray, The Comforts of a Rumford Stove , 1800.
Old Style Tile Stove and the Improved Model of Cronstedt and Wrede
Plan of the basement rooms at Sir John Soanes house and museum, 1839
Presence of Heating Devices, 18345 and 1880
Lighting Devices by Fuel, 18345 and 1880
Dining Room, H. J. Jennings, Our Homes, and How to Beautify Them , 1902
Drawing Room, H. J. Jennings, Our Homes, and How to Beautify Them , 1902
The Uppark Dolls House, c. 1730
Punt Jan, Sophia Strikes up a Conversation with the Innkeeper after Dinner has been Served , 1749
John Pettit, The Amorous Traveller , 1789
Charles Lamb, 1754
Bed spaces in Horfield Barracks, Gloucestershire Regiment, 1904
Barrack room of Lieutenant Edward Hovell Thurlow at Landguard Fort, 1856
The adjutants idea, pencil sketch, c. 187290
Wallpaper Sandwich, 1795
Great Hall, Audley End, mid-nineteenth century.
Armchair, c. 1725
George Hargreaves, Portrait Miniature of Catherine Hughes, c. 1824
Christmas Day with his Favourite Companions, The Idler , 1897
Diego Bocchini is an engineer and independent researcher. He graduated in 2015 from the University of Bologna with a thesis on John Soane at the outset of the modern movement. His latest interests concern the history of heating systems and domestic architecture.
Aurlien Davrius is assistant professor at the cole nationale suprieure darchitecture Paris-Malaquais. A specialist in the history of architecture in France in the seventeenth to nineteenth centuries, he has published a biography of Jacques-Franois Blondel (1708/9-1774) (Paris, 2018) and is currently writing a book about architecture and politic in France and Germany during the eighteenth and nineteenth century.
Britt Denis is part of the Centre for Urban History of the University of Antwerp. Her PhD research, Domesticity in practice. Material culture, home technologies and space in an age of transition (nineteenth-century Antwerp), questions the lived experience of the domestic ideology based on an innovative empirical study of Antwerp probate inventories. By explicitly focusing on the material, technological and spatial dimensions of home, this research sets out to unravel previously unstudied practices of homemaking for a society in transition.
Serena Dyer is Early Career Academic Fellow at De Montfort University and Associate Fellow of the Institute of Advanced Studies at the University of Warwick. She was previously Curator of the Museum of Domestic Design and Architecture and has previously published works on material culture, consumption and childhood in the eighteenth century. Her book, Material Lives: Women Makers and Consumer Culture in the Eighteenth Century , is forthcoming with Bloomsbury.
Patricia Ferguson is a British Museum Project Curator of eighteenth-century European ceramics, and since 2011 has been the advisor on ceramics to the National Trust. Her research interests focus on ceramics and the country house. Recent publications include Ceramics: 400 years of British Collecting in 100 Masterpieces (London, 2017) and Garnitures: Vase Sets from National Trust Houses (London, 2017). She is currently editing a British Museum research publication, Pots, Prints and Politics: Ceramics with an Agenda .
Jane Hamlett is a Professor of Modern British History at Royal Holloway, University of London. Her research interests include the home, family, domesticity and material culture and her current research project focuses on pets and family life in England and Wales in the nineteenth and twentieth century. Her books include Material Relations: Middle-Class Families and Domestic Interiors in England, 1850-1910 (Manchester University Press, 2010) and At Home in the Institution: Material Life in Asylums, Schools and Lodging Houses in Victorian and Edwardian England (Palgrave, 2015).
Johanna Ilmakunnas is Associate Professor of Nordic History at bo Akademi University, Finland. Her research interests include material culture, gender, lifestyle and consumption in eighteenth-century and early-nineteenth-century Europe. Recently, she has focused on the cultural history of work, particularly handiwork and crafts. Recent publications include A Taste for Luxury in Early Modern Europe: Display, Acquisition and Boundaries (2017, co-edited with Jon Stobart) and Early Professional Women in Northern Europe, c. 16501850 (2017, co-edited with Marjatta Rahikainen & Kirsi Vainio-Korhonen).
Olivier Jandot holds the Agrgation and a PhD in History from the University of Lyon. He teaches in a secondary school in Arras (Lyce Gambetta-Carnot) and at the University of Artois, where he is a member of the History research centre (EA 4027 CREHS). His research focuses on the intersection between the history of material culture, the history of the body and the history of sensibilities. He is the author of Les dlices du feu : lhomme, le chaud et le froid lpoque moderne (Ceyzrieu: Champ Vallon, 2017).
Conor Lucey is Assistant Professor of Architectural History at University College Dublin, and President of the Royal Society of Antiquaries of Ireland. His research interests include early modern urbanism, neoclassicism and print culture, and the contested relationship between architectural design and building production. His most recent book is Building Reputations: Architecture and the Artisan, 17501830 (Manchester, 2018).
Helen Metcalfe was awarded her AHRC-funded doctorate by the University of Manchester in 2017, which explored the social experience of bachelorhood in late-Georgian England. She is a social, gender and family historian of Georgian Britain specializing in the history of masculinities, the home and domestic material culture, and is currently a Teaching Fellow at the University of York. Helen continues to develop her research interests in the history of emotions and sensory history, and in her next research project seeks to evaluate the relationship between physical and emotional responses to, and experiences of, grief, loss and resilience in Georgian society.
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