First published 2001 by Pearson Education Limited
Published 2013 by Routledge
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Copyright 2001, Taylor & Francis.
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ISBN 13: 978-0-582-32858-7 (pbk)
British Library Cataloguing-in-Publication Data
A catalogue record for this book is
available from the British Library
Library of Congress Cataloging-in-Publication Data
Gkay, Blent.
Eastern Europe since 1970 / Blent Gkay.
p. cm. -- (Seminar studies in history)
Includes bibliographical references and index.
ISBN 0-582-32858-6 (pbk. : alk. paper)
1. Europe, Eastern--History--1945-1989. 2. Europe, Eastern--History--1989- I. Title. II. Series.
DJK50 .G628 2001
947.0009045--dc21
2001022349
Such is the of historical enquiry in the modern world that there is ever-widening gap between the specialist article monograph, incorporating the of research, and general surveys, which invetably out date, Seminar Studies History is designed to bridge this gap. The series was founded by Patrick Richardson in 1966 and his aim was to cover major themes in British, Eiropean and world history. Between 1980 and 1996 Roger LockyerEmsley and Bordon Martal. Clive Emsley Professor History at the Open University, while Gordon Martel is Professor InternationalHistory at the University of Northern British Colurnbia, Canada, and Senior Research Fellow at De Montfort University.
All the books are written by experts in field who are nofamiliar with the latest research but have often contributed to it. are frequently revised, in order to take account of new information and interpretations. They provide a selection documents to illustrate. major themes and provoke dicussion, and also a guide to further reading. The aim of Seminar Studies in History is to clarify complex issue without over-simplifying them, and to stimulate readers into deepening their knowledge and understanding of major themes and topics.
We are grateful to the following for permission to reproduce copyright material:
British Broadcasting Corporation/Czech Radio for an extract from a speech by Alexander Dubek on 21.12.68 taken from Summary of World Broadcasts, 1968; Greenpeace International for an extact from the article Is Poland lost? by Sabine Rosenbladt in Greenpeace 13 (6) November- December 1988, article courtesy of Greenpeace USA; Quartet Books for an extract from Poland: Genesis of a Revolution editied by Abraham Brumberg; Quartet Books/Harcourt for an extract from Antipolitics: An Essay by Gyorgy Konrad 1984 translated by Richard E. Allen 1984; Scribner, a Division of Simon & Schuster for an extract from Germany and Eastern Europe since 1945 Copyright 1973 by Keesings Publications Limited; Taylor & Francis Books Ltd for an extract from Charter 77 and Human Rights in Czechoslovakia by H. Gordon Skilling 1981: Taylor & Francis/ M.E. Sharpe for extracts from The Power of the Powerless by Vclav Havel, published by Routledge (Unwin Hyman); University of California Press for an extract from KOR: A History of the WorkersDefense Committee in Poland 1985 by Jan Jozef Lipski and Letters from Freedom: Post-Cold War Realities and Perspective 1988 by Adam Michnik.
We have been unable to trace the copyright holder of Perestroika Annual edited by Abel A. Ganbegyan and would appreciate any information which would enable us to do so.
Figure 1 from Communist Regimes in Eastern Europe, Third Edition, Hoover Institution Press (Staar, R.F. 1977); Table 2 from Comecon Data 1990, Macmillan Ltd (Vienna Institute for Comparative Economic Studies, 1991).
We have been unable to trace the copyright holder of Nationalism and Communism in Romania by Trond Gilberg and would appreciate any information which would enable us to do so.
Plate 1 reproduced courtesy of Gilles Peress Magnum Photos; Plate 2 reproduced courtesy of The Associated Press Ltd; Plate 3 reproduced courtesy of Smithsonian Institution Traveling Exhibition Service, from Art as Activist: Revolutionary Posters from Central and Eastern Europe; Plate 4 reproduced courtesy of Agence France Presse.
While every effort has been made to trace the owners of copyright material, in a few cases this has proved impossible and we take this opportunity to offer our apologies to any copyright holders whose rights we have unwittingly infringed.