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Helene Wecker [Wecker - The Golem and the Jinni

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Helene Wecker [Wecker The Golem and the Jinni

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In The Golem and the Jinni, a chance meeting between mythical beings takes readers on a dazzling journey through cultures in turn-of-the-century New York.

Chava is a golem, a creature made of clay, brought to life to by a disgraced rabbi who dabbles in dark Kabbalistic magic and dies at sea on the voyage from Poland. Chava is unmoored and adrift as the ship arrives in New York harbor in 1899.

Ahmad is a jinni, a being of fire born in the ancient Syrian desert, trapped in an old copper flask, and released in New York City, though still not entirely free

Ahmad and Chava become unlikely friends and soul mates with a mystical connection. Marvelous and compulsively readable, Helene Weckers debut novel The Golem and the Jinni weaves strands of Yiddish and Middle Eastern literature, historical fiction and magical fable, into a wondrously inventive and unforgettable tale.

Amazon.com Review

An Amazon Best Book of the Month, April 2013: Imaginative and meticulously researched, this enchanting debut novel from Helene Wecker is, in reality, an historical fiction. Set primarily in turn-of-the-century Manhattan, it deliberately details the immigrant experience--the wonders and hardships of being in a new country and the discoveries, triumphs, and failures that follow--while bringing the city itself to life with such passion that New York of yore seems like a magical land. Beyond reality, however, The Golem and the Jinni, as the title implies, is also a fantastic work of fantasy. The Golem is an insatiably curious clay woman that was created to seem human while serving only her husband; the Jinni is a magical man whose fascination with mortals has left him nearly stripped of his own nature and forced to live as one. These mythical characters from otherwise clashing cultures not only coexist, but come to rely upon one another in order to exist at all. In turn, their story finds us not only rooting for them to find peace and happiness, but gaining a better understanding of our own human nature in the process. --Robin A. Rothman

Review

From its eerie opening pages to its shattering conclusion, THE GOLEM AND THE JINNI is an astonishing debut novel that sweeps us into a gaslit alternate reality rich enough to get lost in. (Tom Reiss, author of THE ORIENTALIST and THE BLACK COUNT )

With a delightful blend of the prosaic and the fanciful, THE GOLEM AND THE JINNI explores what it means to be human as Chava and Ahmad struggle to live and find love while overcoming the powerful adversary who threatens to destroy them.(Deborah Harkness, author of A DISCOVERY OF WITCHES )

Original and freshA fascinating blend of historical fiction and Jewish and Arab folklore (Library Journal )

Wecker deftly layers their story over those of the people they encounter...[A] spellbinding blend of fantasy and historical fiction. (Publishers Weekly )

The premise is so fresh...A mystical and highly original stroll through the sidewalks of New York. (Booklist )

Wecker begins with a juicy premiseand great adventures ensueShe writes skillfully, nicely evoking the layers of alienness that fall upon strangers in a strange land. (Kirkus Reviews )

Magical thinking comes alive in an enchanting allegory of the immigrant experience as two mythical beings try to make sense of themselves and the world around them. (Family Circle Magazine )

THE GOLEM AND THE JINNI is recommended to adults who enjoy a good story and have a childlike sense of make-believe. (New York Journal of Books )

It sounds like the setup for a really strange joke: A golem and a jinni walk into a bakery in early 19th-century New York.... But this debut novel - part fantastic tale, part historical fiction - is one of the most highly anticipated fiction releases of the spring. (Christian Science Monitor )

Helene Wecker [Wecker: author's other books


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For Kareem Contents T he Golems life began in the hold of a steamship The - photo 1

For Kareem

Contents

T he Golems life began in the hold of a steamship. The year was 1899; the ship was the Baltika , crossing from Danzig to New York. The Golems master, a man named Otto Rotfeld, had smuggled her aboard in a crate and hidden her among the luggage.

Rotfeld was a Prussian Jew from Konin, a bustling town to the south of Danzig. The only son of a well-to-do furniture maker, Rotfeld had inherited the family business sooner than expected, on his parents untimely death from scarlet fever. But Rotfeld was an arrogant, feckless sort of man, with no good sense to speak of; and before five years had elapsed, the business lay before him in tatters.

Rotfeld stood in the ruins and took stock. He was thirty-three years old. He wanted a wife, and he wanted to go to America.

The wife was the larger problem. On top of his arrogant disposition, Rotfeld was gangly and unattractive, and had a tendency to leer. Women were disinclined to be alone with him. A few matchmakers had approached him when hed inherited, but their clients had been from inferior families, and hed turned them away. When it became clear to all what kind of businessman he really was, the offers had disappeared completely.

Rotfeld was arrogant, but he was also lonely. Hed had no real love affairs. He passed worthy ladies on the street, and saw the distaste in their eyes.

It wasnt very long before he thought to visit old Yehudah Schaalman.

Stories abounded about Schaalman, all slightly different: that he was a disgraced rabbi whod been driven out of his congregation; that hed been possessed by a dybbuk and given supernatural powers; and even that he was over a hundred years old and slept with demon-women. But all the stories agreed on this: Schaalman liked to dabble in the more dangerous of the Kabbalistic arts, and he was willing to offer his services for a price. Barren women had visited him in the dead of night and conceived soon after. Peasant girls in search of mens affections bought Schaalmans bags of powders, and then stirred them into their beloveds beer.

But Rotfeld wanted no spells or love-potions. He had something else in mind.

He went to the old mans dilapidated shack, deep in the forest that bordered Konin. The path to the front door was a half-trampled trail. Greasy, yellowish smoke drifted from a chimney-pipe, the only sign of habitation. The walls of the shack slouched toward a nearby ravine, in which a stream trickled.

Rotfeld knocked on the door, and waited. After some minutes, he heard a shuffling step. The door opened a hands width, revealing a man of perhaps seventy. He was bald, save for a fringe. His cheeks were deeply furrowed above a tangled beard. He stared hard at Rotfeld, as though daring him to speak.

Are you Schaalman? Rotfeld asked.

No answer, only the stare.

Rotfeld cleared his throat, nervous. I want you to make me a golem that can pass for human, he said. And I want it to be female.

That broke the old mans silence. He laughed, a hard bark. Boy, he said, do you know what a golem is?

A person made of clay, Rotfeld said, uncertain.

Wrong. Its a beast of burden. A lumbering, unthinking slave. Golems are built for protection and brute force, not for the pleasures of a bed.

Rotfeld reddened. Are you saying you cant do it?

Im telling you the idea is ridiculous. To make a golem that can pass for human would be near impossible. For one thing, it would need some amount of self-awareness, if only enough to converse. Not to mention the body itself, with realistic joints, and musculature...

The old man trailed off, staring past his visitor. He seemed to be considering something. Abruptly he turned his back on Rotfeld and disappeared into the gloom of the shack. Through the open door Rotfeld could see him shuffling carefully through a stack of papers. Then he picked up an old leather-bound book and thumbed through it. His finger ran down a page, and he peered at something written there. He looked up at Rotfeld.

Come back tomorrow, he said.

Accordingly, Rotfeld knocked again the next day, and this time Schaalman opened the door without pause. How much can you pay? he demanded.

Then it can be done?

Answer my question. The one will determine the other.

Rotfeld named a figure. The old man snorted. Half again, at the very least.

But Ill have barely anything left!

Consider it a bargain, said Schaalman. For isnt it written that a virtuous woman is more precious than rubies? And her virtuehe grinnedwill be guaranteed!

Rotfeld brought the money three days later, in a large valet case. The edge of the nearby ravine was newly disfigured, a piece the length of a man scooped away. An earth-stained spade leaned against a wall.

Schaalman opened the door with a distracted look, as though interrupted at a crucial moment. Streaks of mud crusted his clothing and daubed his beard. He saw the valet case and grabbed it from Rotfelds hand.

Good, he said. Come back in a week.

The door slammed shut again, but not before Rotfeld had caught a glimpse inside the shack, of a dark figure laid out in pieces on a tablea slender trunk, rough limbs, and one curled hand.

Picture 2

What do you prefer in a woman? Schaalman asked.

It was the following week, and this time Rotfeld had been allowed inside. The shack was dominated by the table that Rotfeld had glimpsed before, and the young man couldnt help sneaking glances at its burden: a human-shaped form, draped with a sheet. He said, What do you mean, what do I prefer ?

Im creating a woman for you. I assumed youd want some say in the matter.

Rotfeld frowned. I like an attractive figure, I suppose

Not her physical aspects, not yet. Her temperament. Her personality.

You can do that?

Yes, I believe that I can, the old man said with pride. At least, I can steer her toward certain proclivities.

Rotfeld thought hard. I want her to be obedient.

Shell already be obedient, Schaalman said, impatient. Thats what a golem isa slave to your will. Whatever you command her, shell do. She wont even wish otherwise.

Good, Rotfeld said. But he was perplexed. Having put aside appearance and obedience, he had little idea what else he wanted. He was about to tell Rotfeld to do whatever he thought bestbut then, in a burst of memory, he recalled his younger sister, the only girl hed ever truly known. Shed been full of curiosity, and a burden to their mother, who could not stand her always underfoot and asking questions. In one of the few generous acts of his life, young Otto had taken her under his wing. Together theyd spent whole afternoons wandering through the woods, and hed answered her questions about anything and everything. When shed died at age twelve, drowned in a river on a summer afternoon, hed lost the only person in his life whod ever really mattered.

Give her curiosity, he told Schaalman. And intelligence. I cant stand a silly woman. Oh, he said, inspiration warming him to his task, and make her proper. Not... lascivious. A gentlemans wife.

The old mans eyebrows shot up. Hed expected his client to request motherly kindness, or an eager sexual appetite, or else both; years of manufacturing love spells had taught him what men like Rotfeld thought they wanted in a woman. But curiosity? Intelligence? He wondered if the man knew what he was asking for.

But he only smiled and spread his hands. Ill try, he said. The results may not be as precise as you might wish. One can only do so much with clay. Then his face darkened. But remember this. A creature can only be altered so far from its basic nature. Shell still be a golem. Shell have the strength of a dozen men. Shell protect you without thinking, and shell harm others to do it. No golem has ever existed that did not eventually run amok. You must be prepared to destroy her.

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