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Kat Holmes - Mismatch: How Inclusion Shapes Design

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Kat Holmes Mismatch: How Inclusion Shapes Design

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How inclusive methods can build elegant design solutions that work for all.Sometimes designed objects reject their users: a computer mouse that doesnt work for left-handed people, for example, or a touchscreen payment system that only works for people who read English phrases, have 20/20 vision, and use a credit card. Something as simple as color choices can render a product unusable for millions. These mismatches are the building blocks of exclusion. InMismatch, Kat Holmes describes how design can lead to exclusion, and how design can also remedy exclusion. Inclusive design methods--designing objectswithrather thanforexcluded users--can create elegant solutions that work well and benefit all.
Holmes tells stories of pioneers of inclusive design, many of whom were drawn to work on inclusion because of their own experiences of exclusion. A gamer and designer who depends on voice recognition shows Holmes his Wall of Exclusion, which displays dozens of game controllers that require two hands to operate; an architect shares her firsthand knowledge of how design can fail communities, gleaned from growing up in Detroits housing projects; an astronomer who began to lose her eyesight adapts a technique called sonification so she can listen to the stars.
Designing for inclusion is not a feel-good sideline. Holmes shows how inclusion can be a source of innovation and growth, especially for digital technologies. It can be a catalyst for creativity and a boost for the bottom line as a customer base expands. And each time we remedy a mismatched interaction, we create an opportunity for more people to contribute to society in meaningful ways.

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Simplicity Design Technology Business Life John Maeda Editor The Laws of - photo 1

Simplicity: Design, Technology, Business, Life

John Maeda, Editor

The Laws of Simplicity, John Maeda, 2006

The Plenitude: Creativity, Innovation, and Making Stuff, Rich Gold, 2007

Simulation and Its Discontents, Sherry Turkle, 2009

Redesigning Leadership, John Maeda, 2011

Ill Have What Shes Having, Alex Bentley, Mark Earls, and Michael J. OBrien, 2011

The Storm of Creativity, Kyna Leski, 2015

The Acceleration of Cultural Change: From Ancestors to Algorithms, R. Alexander Bentley and Michael J. OBrien, 2017

Mismatch: How Inclusion Shapes Design, Kat Holmes, 2018

Mismatch
How Inclusion Shapes Design

Kat Holmes

The MIT Press

Cambridge, Massachusetts

London, England

2018 Kat Holmes

All rights reserved. No part of this book may be reproduced in any form by any electronic or mechanical means (including photocopying, recording, or information storage and retrieval) without permission in writing from the publisher.

Library of Congress Cataloging-in-Publication Data

Names: Holmes, Kat, author. | Maeda, John, writer of foreword.

Title: Mismatch : how inclusion shapes design / Kat Holmes ; foreword by John Maeda.

Description: Cambridge, MA : The MIT Press, 2018. | Series: Simplicity : design, technology, business, life | Includes .

Identifiers: LCCN 2018008099 | ISBN 9780262038881 (hardcover : alk. paper)

Subjects: LCSH: DesignAnthropological aspects. | Social integration. | Marginality, Social.

Classification: LCC NK1520 .H64 2018 | DDC 745.4dc23 LC record available at https://lccn.loc.gov/2018008099

ISBN: 978-0-262-03888-1

Retail e-ISBN: 978-0-262-34963-5

Library e-ISBN: 978-0-262-34962-8

MITP e-ISBN: 978-0-262-34961-1

For Scarlet, Sophia, and Don

Together, we are home.

Contents

When I started to blog about the topic of design in the early 2000s, it was a time when there were still DVD players and the iPhone hadnt emerged yet. The cloud was just starting to cover the horizon of the sky-of-user-experience, and technology was just starting to make us happier and yet unhappier too. There needed to be a way to connect how technologists make products with the way pre-technologies were crafted by designand thus the Laws of Simplicity (LoS) were born.

Luckily, I learned at an early enough age that I really dont have all the answers. So I have been actively looking these past few years for ways to think of design in the future by searching out the rising lights. A chance search hit on the Internet led me to the work of Kat Holmes on inclusive design. This was back when she was at Microsoftand frankly back then, Microsoft wasnt the first name youd think of when you wanted to imagine the future of design. But, I thought, This is it!

Because, spending time in Silicon Valley and working across hundreds of technology startups as a partner at venture capital firm Kleiner Perkins, I intuitively felt that Kat had the solution to something truly important. Inclusive design was what was missing in the tech products being shipped to millionsultimately leading to a fundamental mismatch between what people needed and what the techies in Silicon Valley were shipping out to them. I firmly believe that Kat holds the key to addressing the unfortunate set of common biases in how we make products in tech: for ourselves as a representative sample of the people in the world. So I reached out to her with a cold email and have been grateful ever since that she returned that first email message.

Kat Holmes brings us the right message about design, at just the right time. Her message isnt one of simplicity at allshe forces us to think about the complexity. According to how Kat sees the world, there can be no simplicity unless we understand the complexities of how and why products get built today. As you may recall, the 5th Law of Simplicity says:

Simplicity and complexity need each other.

Designing for simplicity tomorrow will be impossible unless we make the effort to understand the underlying complexities of how we design today. If we dont, well only create more mismatches. Well create experiences that are simple for people like ourselves, only.

We need to ask the difficult question of who gets to make the products that we use todaybecause it ties directly into what gets made. This is the central question that Kat helps us wade into, with tact, theory, and concrete actionable advice for how to navigate this new way to design that is essential for any product maker out there.

As Kat says, For better or worse, the people who design the touchpoints of society determine who can participate and whos left out. Often unwittingly. And, If design is the source of mismatches and exclusion, can it also be the remedy? Yes. But it takes work.

Good luck in doing that work. Im doing that work right now too.

John Maeda

Lexington, Massachusetts

March 2018

Soon after I agreed to write Mismatch, my house flooded. Fifty thousand gallons of water and thirty-five thousand words later, its all a bit of blur. These pages were written nomadically: in airplane seats, hotel lobbies, coffee shops, kitchen tables, library corners, and even on the front steps of several porches. Im deeply grateful to all the people who shared their homes, meals, and friendship with my family during this time. In particular, the Woodman, Wither-Wollersheim, and Grimes families, my mother, Sharon Tangney, and her husband Steve. You created the safe spaces that made this book possible.

John Maeda, thank you for encouraging me to write this book and making it seem like the obvious thing to do. Youve shown me what it means to open doors for others and I promise to pay it forward.

Bob Prior, your trust and creative partnership were a first-time authors dream. Thank you, and the MIT Press team, for the great care you brought to the nuanced topics in this book.

To the inclusive design leaders who contributed words to these pages: Tiffany Brown, John Porter, Victor Pineda, Sophia Holmes, Swetha Machanavajhala, Margaret Burnett, and Jutta Treviranusthank you for sharing your expertise and stories.

The Airlift crew, thank you for creating a cover illustration that perfectly captures the essence of this book.

Karen Chappelle, your thoughtful and playful illustrations bring an important dimension to the ideas in each chapter.

Chuck Mosher, you coached me through the hurdles of writing. You endured my messiest thoughts to carve out my key points. Thanks for loving me that much.

Molly McCue, thanks for your eloquent feedback and being my writing soulmate.

Rosemarie Garland-Thomson, our long chats on misfits and mismatches helped me fit disparate pieces into one puzzle. And thank you for showing me how to write with Dragon when my words were in my mouth, not my hands.

Seema Sairam, Patrick Corrigan, Hsiao-Ching Chou, Sarah Morris, and Kris Woolery, thanks for your honest edits and remarkable friendship.

Irada Sadykhova, your compassion and clarity are woven throughout this book. Thank you for constantly challenging me, and a generation of inclusive leaders, to expect more of ourselves and each other.

To the extended community of inclusive design leaders and enthusiasts, especially at Microsoft, thank you for your partnership and support.

And finally, to my partner, Don, the rock that our family is built upon. When I decided to write a book, you didnt even flinch. While I wrote, you shifted entire planets around me so I could focus. Remember when I made you read scores of disparate pages, over and over again, and then accused you of not

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