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Tim Deagan - Modern Leatherwork for Makers: Traditional Craft Techniques Meet CNC and 3D Printing

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Tim Deagan Modern Leatherwork for Makers: Traditional Craft Techniques Meet CNC and 3D Printing
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Modern Leatherwork for Makers: Traditional Craft Techniques Meet CNC and 3D Printing: summary, description and annotation

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Take leather crafting into the 21st century with this complete guide that marries traditional skills to the latest CNC and 3D printing technologies. Learn how to start making your own leather creations with traditional tools, and then take them to incredible new levels with digital design techniques. Leatherworking is one of humankinds oldest skills and remains a fun and exciting way to make great-looking wearables, accessories, and cosplay items. 3D printers and even hobbyist-class CNC machines have created fantastic new opportunities for new directions in this popular hobby. The book is perfect for makers new to leatherworking, as well as experienced leatherworkers who want to understand how to integrate new digital fabrication tools into their workbench. Written by an experienced leatherworker and programmer, this is a resource that makers will turn to again and again.

Highlights:

First comprehensive reference on applying digital design techniques to leatherworkProvides both a reference manual and a project guideIncludes traditional techniques like cutting, stamping, tooling and dyeing leatherIntroduces novices and experienced leatherworkers to cutting-edge digital toolsEvery project has been real-world testedOpens up exciting new project areas for makers

This book provides valuable reference and how-to information for makers interested in leatherworking but who have no prior experience, for experienced leatherworkers who want to extend their knowledge to include new digital tools, and for 3D printing and CNC enthusiasts who want to include a new material in their repertoire. Leatherworking is a hobby that is enjoyed by a wide range of people from middle school through adulthood and can be incorporated into a variety of other kinds of projects, from clothing design and costuming to carrying cases and furniture.

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Copyright 2017 Tim Deagan All rights reserved Printed in the United States of - photo 1

Copyright 2017 Tim Deagan. All rights reserved.

Printed in the United States of America.

Published by Maker Media, Inc., 1700 Montgomery Street, Suite 240, San Francisco, CA 94111

Maker Media books may be purchased for educational, business, or sales promotional use. Online editions are also available for most titles (safaribooksonline.com). For more information, contact our corporate/institutional sales department: 800-998-9938 or corporate@oreilly.com.

Publisher: Roger Stewart

Copy Editor: Elizabeth Campbell, Happenstance Type-O-Rama

Proofreader: Scout Festa, Happenstance Type-O-Rama

Interior Designer and Compositor: Maureen Forys, Happenstance Type-O-Rama

Cover Designer: Maureen Forys, Happenstance Type-O-Rama

Indexer: Valerie Perry, Happenstance Type-O-Rama

August 2017: First Edition

Revision History for the First Edition

2017, August 26 First Release

See oreilly.com/catalog/errata.csp?isbn=9781680453201 for release details.

Make:, Maker Shed, and Maker Faire are registered trademarks of Maker Media, Inc. The Maker Media logo is a trademark of Maker Media, Inc. Modern Leatherwork for Makers: Traditional Craft Techniques Meet CNC and 3D Printing and related trade dress are trademarks of Maker Media, Inc. Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. Where those designations appear in this book, and Maker Media, Inc. was aware of a trademark claim, the designations have been printed in caps or initial caps. While the publisher and the author have used good faith efforts to ensure that the information and instructions contained in this work are accurate, the publisher and the author disclaim all responsibility for errors or omissions, including without limitation responsibility for damages resulting from the use of or reliance on this work. Use of the information and instructions contained in this work is at your own risk. If any code samples or other technology this work contains or describes is subject to open source licenses or the intellectual property rights of others, it is your responsibility to ensure that your use thereof complies with such licenses and/or rights.

978-1-680-45320-1

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How to Contact Us

Please address comments and questions to the publisher:

Maker Media

1700 Montgomery St.

Suite 240

San Francisco, CA 94111

You can send comments and questions to us by email at books@makermedia.com.

Maker Media unites, inspires, informs, and entertains a growing community of resourceful people who undertake amazing projects in their backyards, basements, and garages. Maker Media celebrates your right to tweak, hack, and bend any Technology to your will. The Maker Media audience continues to be a growing culture and community that believes in bettering ourselves, our environment, our educational systemour entire world. This is much more than an audience, its a worldwide movement that Maker Media is leading. We call it the Maker Movement.

To learn more about Make: visit us at makezine.com. You can learn more about the company at the following websites:

Maker Media: makermedia.com

Maker Faire: makerfaire.com

Maker Shed: makershed.com

To Tracy and Peppernothing makes me prouder than the family weve made together.

About the Author
Tim Deagan likes to make things He casts prints screens welds brazes - photo 2

Tim Deagan likes to make things. He casts, prints, screens, welds, brazes, bends, screws, glues, nails, and dreams in his Austin, Texas, shop. Hes spent decades gathering tools based on the idea that one day he will come up with a project that has a special use for each and every one of them.

Tim likes to learn and try new things. A career troubleshooter, he designs, writes, and debugs code to pay the bills. He has worked as a stagehand, meat cutter, speechwriter, programmer, sales associate at Radio Shack, VJ, sandwich maker, computer tech support specialist, car washer, desk clerk, DBA, virtual CIO, and technical writer. Hes run archeology field labs, darkrooms, produce teams, video stores, ice cream shops, consulting teams, developers, and QA teams. Hes written for Make: magazine, Nuts & Volts,Lotus Notes Advisor, and Databased Advisor magazines.

Tim collects board games, Little Mermaid stuff, ukuleles, accordions, tools, watches, slide rules, graphic novels, art supplies, hobbies, books, gadgets, and sharp and pointy things. He owned, and escaped from owning, a 1960 Ford C-850 Young Fire Equipment fire engine (though he kept the siren). Tim paints, sketches, sculpts, quilts, sews, and works leather. Tim has climbed antenna towers, wrecked motorcycles, learned to parasail, and jumped out of perfectly good airplanes.

Tim has been, or is, a boy scout, altar boy, Red Cross disaster action team captain, volunteer firefighter, flyman, Wocista, Flipside burner, actor, Austin Mini Maker Faire flame and safety coordinator, lighting tech, ham radio operator (KC5QFG), musician, and licensed Texas flame effect operator. Tim has studied Daito Ryu Aiki Jujitsu with Sensei Rick Fine, and Tomiki Aikido with Sensei Strange.

Tim loves his wife, his daughter, his dogs, and his friends, and feels very lucky indeed to be able to write all the lists above.

I
Introduction
I ve always loved making things Some of the earliest things I remember getting - photo 3

I ve always loved making things. Some of the earliest things I remember getting excited about were the craft activities at the summer camps of my childhood. Of all those crafts, the one that I never stopped pursuing was leatherwork. Theres something enticing about the sensory experience of leather. The look, smell, and feel are unique and appealing in a way that always makes me want to touch and handle leather items I encounter. Making my own objects out of leather is even more satisfying. It can be cut, shaped, molded, stamped, sewn, riveted, dyed, painted, carved, and tooled. Even simple objects made of leather seem to have an appeal that isnt there with other materials.

I collect tools and skills. I own 3D printers, CNC machines, vinyl cutters, a lathe, a mill, a box brake, a laser engraver/cutter, MIG/TIG/gas welding gear, an embroidery machine, a plasma cutter, and dozens, if not hundreds, of other tools. Every time I see a new tool, it seems to glow and hum with the potential of all the things it could make. I cant help but work myself into a frenzy of excitement trying to learn how to use it to create things.

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