Rembrandt - Rembrandt Drawings: 116 Masterpieces in Original Color
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- Book:Rembrandt Drawings: 116 Masterpieces in Original Color
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Rembrandt Drawings: 116 Masterpieces in Original Color: summary, description and annotation
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With an extraordinary blend of the commonplace and the sophisticated, Rembrandt captured the essential humanity of his subjects. From his intimate observations of everyday life to his richly envisioned biblical allegories, the Dutch master created moving, inspiring images that have captivated viewers across four centuries. This original collection offers an unusual perspective on the artist, consisting exclusively of his drawingsall in their original colors, and most of them in their original sizes.
These acclaimed drawings date from the 1620s to the 1660s, spanning Rembrandts prolific career and documenting his changes in style and focus. Superb examples from every genre of the artists work include landscape drawings, figure studies, scenes from the Old and New Testaments, animal sketches, and several portraits, including a few of the self-images for which he is famed.
Beautifully produced in a generous format on high-quality paper, this deluxe edition offers a rare variety of 116 works from more than twenty major European and American museums. Informative captions accompany each illustration.
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1. ADAM AND EVE AFTER THE FALL.
B861. Morgan Library & Museum, New York.
Pen and bistre. Shown original size: 130 x 110 mm. About 1650.
2. ESAU SELLING HIS BIRTHRIGHT TO JACOB.
B564. Fodor Museum, Amsterdam. Pen and bistre.
Shown original size: 155 x 148 mm. About 1645.
3. JACOBS DREAM.
B557. Louvre, Paris. Pen and wash in bistre, corrections in white body color.
250 x 208 mm. About 1640.
4. THE ANGEL APPEARING TO HAGAR IN THE DESERT.
B904. Kunsthalle, Hamburg.
Reed pen and bistre, white body color. 182 x 252 mm. About 165557.
5. MOSES AND THE BURNING BUSH.
B951. Sir Max J. Bonn Collection, London. Reed pen and wash in bistre, white body color.
175 x 247 mm. About 1655.
6. JAEL DRIVING A NAIL INTO THE HEAD OF SISERA.
B1042. Rijksprentenkabinet, Amsterdam. Pen and bistre, white body color.
Shown original size: 190 x 172 mm. About 165760.
7. THE ANGEL DISAPPEARING BEFORE MANOAH AND HIS WIFE.
B975. Nationalmuseum, Stockholm. Reed pen and wash in Indian ink.
233 x 203 mm. About 1655.
8. BOAZ POURS SIX MEASURES OF BARLEY INTO RUTHS VEIL.
B643. Rijksprentenkabinet, Amsterdam. Pen and bistre, white body color.
Shown original size: 126 x 143 mm. About 164850.
9. DANIEL IN THE LIONS DEN.
B887. Rijksprentenkabinet, Amsterdam. Reed pen and bistre, wash, white body color.
222 x 185 mm. About 1652.
10. NATHAN ADMONISHING DAVID.
B948. Metropolitan museum of Art, New York.
Reed pen and bistre, wash, white body color. 183 x 252 mm. About 165556.
11. THE BLIND TOBIT AND ANNA WITH THE GOAT.
B584. Morgan Library & Museum, New York. Pen and bistre, washes in sepia by a later hand.
173 x 234 mm. About 1647.
12. THE HEALING OF TOBIT.
B547. Mme. Pierre Goujon Collection, Paris. Pen and bistre, wash, white body color.
Shown original size: 210 x 177 mm. About 164045.
13. THE ANGEL DEPARTING FROM THE FAMILY OF TOBIT.
B893. Morgan Library & Museum, New York. Reed pen and bistre, partly rubbed with the finger.
193 x 243 mm. About 1652.
14. THE VIRGIN AND CHILD SEATED NEAR A WINDOW.
B113. British Museum, London. Pen and bistre, wash.
Shown original size: 155 x 137 mm. About 163537.
15. THE NAMING OF ST. JOHN THE BAPTIST.
B1007. Louvre, Paris. Pen and wash in bistre and Indian ink.
199 x 314 mm. About 1655.
16. CHRIST AND HIS DISCIPLES.
B89. Teyler Museum, Haarlem. Red and black chalk, pen and brush in bistre, heightened with
brown, yellow and red, white body color. 355 x 476 mm. Signed and dated 1634.
17. CHRIST AND THE WOMAN TAKEN IN ADULTERY.
B1038. Nationalimuseum, Stockholm.
Pen and bistre. 189 x 248 mm. About 1655.
18. THE PARABLE OF THE TALENTS.
B910. Louvre, Paris. Reed pen and bistre.
173 x 218 mm. About 1652.
19. THE RETURN OF THE PRODIGAL SON.
B519. Teyler Museum, Haarlem. Pen and wash in bistre.
190 x 227 mm. About 1642.
20. CHRIST HEALING A LEPER.
B900. Kupferstichkabinett, Berlin. Pen and wash in bistre, white body color.
180 x 247 mm. About 1655.
21. CHRIST WALKING ON THE WAVES.
B1043. British Museum, London. Reed pen and bistre.
191 x 295 mm. About 165860.
22. CHRIST WASHING THE FEET OF THE DISCIPLES.
B931. Rijksprentenkabinet, Amsterdam. Reed pen and bistre.
Shown original size: 156 x 220 mm. About 1655.
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