Black and White
Digital Photography
Photo Workshop
by Chris Bucher
Black and White Digital Photography Photo Workshop
Published by
Wiley Publishing, Inc.
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Copyright 2011 by Wiley Publishing, Inc., Indianapolis, Indiana
Published simultaneously in Canada
ISBN: 978-0-470-42193-2
Manufactured in the United States of America
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About the Author
Chris Bucher is an award-winning, Indianapolis-based photographer and author whose work, assignments, and clients are extremely diverse. Chris has editorial and commercial photo projects across the country, and he takes every opportunity to return to the deserts of the Southwest, where his fascination with natural light is fueled by the harsh but striking landscapes. His artwork has appeared in shows, galleries, and museums throughout the country and overseas. When not behind the camera, Chris enjoys mountain biking and serving the Humane Society of Indianapolis as a foster parent.
Credits
Acquisitions Editor
Courtney Allen
Project Editor
Chris Wolfgang
Technical Editor
Haje Jan Kamp
Copy Editor
Lauren Kennedy
Editorial Director
Robyn Siesky
Business Manager
Amy Knies
Senior Marketing Manager
Sandy Smith
Vice President and Executive Group Publisher
Richard Swadley
Vice President and Executive Publisher
Barry Pruett
Project Coordinator
Patrick Redmond
Graphics and Production Specialists
Jennifer Henry, Andrea Hornberger, Jennifer Mayberry
Quality Control Technician
Robert Springer
Proofreading
Laura Bowman
Indexing
Infodex Indexing Services, Inc.
Dedication
For my mom, Lee Bucher
Acknowledgments
So many talented people have added their time and expertise to make this book a success. Thanks to Courtney, Rayna, Haje, Kristin, and Lauren for working so hard to help me achieve my vision for this book, and for the opportunity to work together on such a great project. Also, a special thanks to Chris Wolfgang for her hard work, determination, and meticulous editing. She made the best of my words.
Thanks to Lamar Richcreek at the Herron School of Art for helping me get back into the black-and-white darkroom where I rediscovered my artistic passion and vision. The amount of help and good photo conversation that I get from good friend and assistant Kenneth Rhem is always appreciated. I also want to thank my two interns, Nicole Fraga and Justin Jett, for all of their help, especially when the projects werent particularly fun or interesting; they were both immensely helpful in making sure these projects happen on time.
I will be forever indebted to Coach Pat, Tevin, Dajon, Denzell, Cody, and Dewayne for letting me into their lives for a while and showing me what can come of great passion and focus.
Most important, thanks to my wife and partner Jennifer for the encouragement, for crafting new ideas, and for working with me on a million different things at once.
Introduction
Now that digital cameras are just called cameras, and film can be the added modifier, some might think that black-and-white photography is pass and no longer of interest, but that couldnt be further from the truth. There has actually been a revitalization of black-and-white imagery because there are so many options for creating new visions in black-and-white photography.
From the many monochrome options now onboard any digital camera to the black-and-white photo apps for todays camera phones, opportunities for black-and-white images are all around us. The ability to create fantastic black-and-white images is right there in every digital image that is taken (even when taken in color).
It wasnt too long ago that as a budding photographer, I put together a makeshift darkroom in my studio apartment. With an enlarger in the closet, chemistry trays perched across the sink and commode, and the shower to wash the prints, I attempted to create my own black-and-white masterpieces of the deserts in the Southwest. Those bathroom prints were mediocre at best, but it fueled my passion to become a photographer and to build on what I learned about black-and-white photography in that makeshift darkroom.
The advent of digital black-and-white photography opens all types of creative doors. By moving a slider or clicking a button, you can affect exposure, contrast, and tone greatly or subtly, and get immediate feedback. The learning curve is often greatly shortened, as is the amount of time it takes to create a masterpiece. Dont hesitate to spend a few extra moments to push the envelope a bit more to create something that you couldnt have even imagined a few minutes before.