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Joe Clark - Tennessee hill folk

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Tennessee Hill Folk Photographs and captions by Joe Clark HBSS with an - photo 1
Tennessee Hill Folk
Photographs and captions by
Joe Clark, HBSS
with an essay by
Jesse Stuart
Vanderbilt University Press
Nashville1972

title:Tennessee Hill Folk
author:Clark, Joe.
publisher:Vanderbilt University Press
isbn10 | asin:
print isbn13:9780826511836
ebook isbn13:9780585132648
language:English
subjectMountain whites (Southern States)--Tennessee--Pictorial works, Tennessee--Social life and customs--Pictorial works.
publication date:1972
lcc:F210.C53eb
ddc:917.68/944
subject:Mountain whites (Southern States)--Tennessee--Pictorial works, Tennessee--Social life and customs--Pictorial works.
Page 1
Library of Congress Cataloguing-in-Publication Data
Clark, Joe.
Tennessee hill folk.
1. Mountain whites (Southern States)-Pictorial
works. 2. Tennessee-Social life and customs-Pictorial
works. I. Title.
F210.C53Picture 2917.68'944Picture 372-2880
ISBN 0-8265-1183-X
Copyright 1972 Joe Clark
Essay Copyright 1972 Jesse Stuart
Printed in the United States of America by
Williams Printing Co., Nashville, Tennessee
Page 2
Only one mile separated Joe Clark's home in historical Cumberland Gap, Tennessee, and my Grant-Lee Hall dormitory on the Lincoln Memorial University Campus, where I lived from 1926 to 1929. Joe Clark and I had to see one another sometime on the streets of Cumberland Gap, which then had a population of approximately three hundred and remains about the same today. We students of Lincoln Memorial used to walk over to Cumberland Gap and buy supplies. And it was from Cudjo's Cave (the great cave under "The Pinnacle" of Cumberland Mountain, where Lincoln Memorial gets its water supply-a pure water, cold as ice) that I worked on the biggest and hardest work project I ever worked on at Lincoln Memorial. With a crew of Lincoln Memorial's strongest young men, we dug with picks and spades; we drilled holes by hand into the limestone rocks and blasted with dynamite and blasting powder a water line from Cumberland Gap over a foothill mountain to the little town of Harrogate and Lincoln Memorial-a line big enough to carry water for hundreds of students, faculty members, college maintenance families, and villagers.
It was then and later that Joe Clark was taking these immortal photographs of his day and time, for his own pleasure, with his little Kodak, photographs that are priceless history. His photographs have captured a time and place in the very heart of Appalachia that has practically vanished. Joe Clark, at that time, never dreamed that he was photographing for posterity; he was only taking pictures of his family, his kinfolk and friends, to go into his personal album.
Now, Joe Clark's photographs are going into a bigger album, for many people to see and to discover in his book Tennessee Hill Folk, a book I predict will be around for a long time to come. His book is one for libraries, schools, and people of all ages-not merely in Appalachia and Tennessee, but all over the United States. Here is the best collection of photographic history of a way of life of Joe Clark's and my people that I have ever seen. I, too, am Appalachia: all my ancestors-my mother's and father's people-are from the heart of Appalachia, and I live in Appalachia, prefer it to any place in America or the
Page 3
world where I have been. And this is one reason I'm happy to write this foreword about these unusual photographs, taken with a small camera by a young man who caught the lives of a stalwart people who fought for America and helped to make her great.
Many of these photographs have brought tears to my eyes. I know America has to progress. It has to change with years. We cannot sit or stand still. And I know that we in Appalachia have been slower to change than any other segment of our great country. But when I look at Joe's brother Junebug cradling wheat, I think of the times my grandfather Nathan Hylton, my father, Mick Stuart, and I have cradled wheat in the hot July and August suns on the steep mountain slopes.
I look at Joe's father, Wade Clark, taking a break from mowing fencerows, and I see my father, Mick Stuart, who mowed the right-of-way for a C&O railway section for twenty-seven years, taking time off to mow paths to the one-room schools so the women teachers wouldn't get their dresses wet in the morning dew. He was an expert with a scythe. Too bad our fathers didn't know each other.
And here is the one-room school which is not so far in the past in Appalachia. A few states still have them. But the few one-room schools left will have to go. What memories this picture will bring to millions! All my elementary work was in one, Plum Grove; and I taught my first school in one-room Lonesome Valley School. I never took a picture of it, though, or of my pupils. But Joe Clark did.
Joe Clark's great photographs here reveal the life of our people, how they worked and played. For instance, people of today who haven't danced the Figure Eight to the tune of fiddles, banjoes, and guitars have missed something in life. Joe Clark has this in an Old-fashioned Hoedown. It would be hard today to find anyone living in Joe Clark's Claiborne County, Tennessee, who hasn't hoed corn or set tobacco.
Drawing water from a well-we do it at our home every day. Our well is one hundred fifty-two years old; it has a well-sweep and a wooden bucket. The sweep is weighted on
Page 4
the end with old plowpoints. We have to pull the bucket down to the water. The sweep lifts it up filled with water. We have a drilled well and water piped into our house. But it is that good pure well water that is so good to drink and to use in making our coffee and tea. The well has been a part of our lives. Before we had ice, electricity, and refrigeration, we put milk and butter in buckets and lowered them down into the well water to keep them cool. Thank Joe Clark for these photographs of our early culture.
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