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Erik Klimczak - Design for Software

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Erik Klimczak Design for Software
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    Design for Software
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Design for Software: summary, description and annotation

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A unique resource to help software developers create a desirable user experience

Today, top-flight software must feature a desirable user experience. This one-of-a-kind book creates a design process specifically for software, making it easy for developers who lack design background to create that compelling user experience. Appealing to both tech-savvy designers and creative-minded technologists, it establishes a hybrid discipline that will produce first-rate software. Illustrated in full color, it shows how to plan and visualize the design to create software that works on every level.

  • Todays software demands attention to the quality of the user experience; this book guides you through a practical design process to achieve that goal
  • Approaches the mechanics of design with a process inspired by art and science
  • Avoids the abstract and moves step by step through techniques you can put to use immediately
  • Covers planning your design,...

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This edition first published 2013 2013 Erik Klimczak Registered office John - photo 1

This edition first published 2013 2013 Erik Klimczak Registered office John - photo 2

This edition first published 2013

2013 Erik Klimczak

Registered office

John Wiley & Sons Ltd, The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, United Kingdom

For details of our global editorial offices, for customer services and for information about how to apply for permission to reuse the copyright material in this book please see our website at www.wiley.com.

The right of the author to be identified as the author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988.

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs and Patents Act 1988, without the prior permission of the publisher.

Wiley also publishes its books in a variety of electronic formats. Some content that appears in print may not be available in electronic books.

Designations used by companies to distinguish their products are often claimed as trademarks. All brand names and product names used in this book are trade names, service marks, trademarks or registered trademarks of their respective owners. The publisher is not associated with any product or vendor mentioned in this book. This publication is designed to provide accurate and authoritative information in regard to the subject matter covered. It is sold on the understanding that the publisher is not engaged in rendering professional services. If professional advice or other expert assistance is required, the services of a competent professional should be sought.

Trademarks: Wiley and the Wiley logo are trademarks or registered trademarks of John Wiley & Sons, Inc. and/or its affiliates in the United States and/or other countries, and may not be used without written permission. All other trademarks are the property of their respective owners. John Wiley & Sons, Inc. is not associated with any product or vendor mentioned in the book.

A catalogue record for this book is available from the British Library.

ISBN 978-1-119-94290-0 (paperback); ISBN 978-1-119-94369-3 (ebook); 978-1-119-94370-9 (ebook); 978-1-119-94371-6 (ebook)

Set in 10/12.5pt Chaparral Pro Light by Indianapolis Composition Services

Printed in United States by Command Web

For Bob, Chris and Val
Without you, I wouldnt be me.

Publishers Acknowledgements

Some of the people who helped bring this book to market include the following:

Editorial and Production

VP Consumer and Technology Publishing Director: Michelle Leete

Associate DirectorBook Content Management: Martin Tribe

Associate Publisher: Chris Webb

Associate Commissioning Editor: Ellie Scott

Project Editor: Box Twelve Communications

Copy Editor: Melba Hopper

Technical Editor: Jacob Gable

Editorial Manager: Jodi Jensen

Senior Project Editor: Sara Shlaer

Editorial Assistant: Annie Sullivan

Marketing

Associate Marketing Director: Louise Breinholt

Marketing Manager: Lorna Mein

Senior Marketing Executive: Kate Parrett

Marketing Assistant: Tash Lee

Composition Services

Compositor: Jennifer Mayberry

Proofreader: Joni Heredia Language Services

Indexer: Potomac Indexing, LLC

About the Author

Erik Klimczak is an interaction designer and software developer who specializes in creating products and services that help make peoples lives easier. He is hugely passionate about the blurry part of design where cognitive behavior, fine art, and technology converge. Erik leads a design group in Chicago, where his unique skill set helps bridge the gap between highly inspiring creative and technical teams, from whom he learns something new every day. His work covers a vast range of creative and technical ground, which he has brought to bear for the entertainment, financial, health, consumer, and retail domains. When he is not at the whiteboard, Erik spends his time indulging in his passion for photography and music. You can get in touch with him via Twitter at @eklimcz.

About the Technical Reviewer Jacob Gable is a Father Amateur Philosopher and - photo 3

About the Technical Reviewer

Jacob Gable is a Father, Amateur Philosopher and Creative Technologist living in Chicago, IL. He has created desktop, mobile and web based software of all kinds for small, large and just right companies across the world. He is a contributor to open source projects including jQuery Mobile, and creator of several useful libraries available on Github and Node Packaged Modules (NPM).

When hes not obsessing over some weekend hacking project he can usually be found Sailing or Biking around Chicago with his wife, Kristen, and daughter, Addison. He writes occasionally on technology and the meaning of life on his blog: http://jacobgable.com. You can get in touch with him via Twitter at @jacob4u2.

Acknowledgements Even though my name is the only name on the cover of this - photo 4

Acknowledgements

Even though my name is the only name on the cover of this book, I couldnt have done it without a lot of help.

First, a great deal of gratitude is owed to the hard-working team at Clarity Consulting whove been a constant source of inspiration long before the conception of this book.

Then theres good folks at Wiley, particularly Chris Webb and Jeff Riley, who helped turn my rambling thoughts and incoherent writing into a book my English teaches would be proud of.

My technical editor, Jacob Gable, whose complementary skill set and sage insight kept me honest and gave me encouragement through over a year of writing.

Thanks are also due to Sean Devlin and Raphael DAmico, who selflessly dedicated their time and artwork, which was crucial throughout the writing process.

Finally, there is one person without whom this book would never have happened: Valerie, whose love, friendship, encouragement, and numerous brain massages allowed me to carry on. Thank you.

Introduction

SINCE I CAN remember, Ive always had a special love for technology and design. In fact, my earliest childhood drawings werent made with crayon and paper but with my Grandmothers Apple II. Throughout my career Ive struggled with a bit of an identity crisisAm I a designer? Am I a developer? Could I be both? In college I had a hell of a time trying to sign up for courses that allowed me to get a dual degree in Computer Science and Fine Arts. For the next four years people would ask, Why are you wasting your time getting a Fine Arts degree? Physics is a much better compliment to computer science. Or Computer Science? What are you going to do with that? You should be thinking about getting experience at a design studio.

Out of college I was hired into a long-established software development company. In many ways, I was responsible for defining my own role within the company, educating people about design and how it fit into to their projects. Initially, there was some hesitancy and even animosity towards the presence of design in a well-oiled development process. But over time it became clear that having a design competency in the tech field gave us a unique advantage.

And here I am, writing a book about the intersection of design and software. I would have never guessedReminiscing about my story always a reminds me how just a few short years ago the coexistence of design and technology was a relatively foreign concept. And now weve come full circle, UI and UX design are first class citizens in the software world.

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