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Susan Lynne Knutson - Narrative in the feminine: Daphne Marlatt and Nicole Brossard

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What does it mean to tell a story from a womans point of view? How have Canadian anglophone and francophone writers translated feminist literary theory into practice? Avant-garde writers Daphne Marlatt and Nicole Brossard answer these, and many more questions, in their two groundbreaking works, now made more accessible through the careful, narratological readings and theoretical background in Narrative in the Feminine. Susan Knutson begins her study with an analysis of the contributions made by Marlatt and Brossard to international feminist theory. Part Two presents a narratological reading of How Hug a Stone, arguing that at the deepest level of narrative, Marlatt constructs a gender-inclusive human subject which defaults not to the generic masculine but to the feminine. Part Three proposes a parallel reading of Picture Theory, Brossards playful novel that draws us into (re-) readings of many other texts written by Brossard, Barnes, Wittig, Joyce, de Beauvoir, Homer...to name a few. Chapter 12 closes with a reflection on the expression criture au fminin a Qubcois contribution to an international theoretical debate. Readers who care about feminist writing and language theory, and students and teachers of Canadian literature and critical and queer studies, will find this book invaluable for its careful readings, its scholarly overview, and its extension of the feminist concept of the generic. Not least, the study is a guide to two important works of the leading experimental writers of Canada and Quebec, Daphne Marlatt and Nicole Brossard.

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title Narrative in the Feminine Daphne Marlatt and Nicole Brossard - photo 1

title:Narrative in the Feminine : Daphne Marlatt and Nicole Brossard
author:Knutson, Susan Lynne.
publisher:Wilfrid Laurier University Press
isbn10 | asin:0889203016
print isbn13:9780889203013
ebook isbn13:9780585334066
language:English
subjectMarlatt, Daphne.--How hug a stone, Brossard, Nicole.--Picture theory, Feminist literary criticism, Dialogue in literature, Canadian literature--Women authors--History and criticism, Canadian literature--20th century--History and criticism.
publication date:2000
lcc:PR9199.3.K68 2000eb
ddc:811/.54
subject:Marlatt, Daphne.--How hug a stone, Brossard, Nicole.--Picture theory, Feminist literary criticism, Dialogue in literature, Canadian literature--Women authors--History and criticism, Canadian literature--20th century--History and criticism.
Page i
Narrative in the Feminine
Daphne Marlatt and Nicole Brossard
Susan Knutson
Page ii This book has been published with the help of a grant from the - photo 2
Page ii
This book has been published with the help of a grant from the Humanities and Social Sciences Federation of Canada, using funds provided by the Social Sciences and Humanities Research Council of Canada. We acknowledge the support of the Canada Council for the Arts for our publishing program. We acknowledge the financial support of the Government of Canada through the Book Publishing Industry Development Program for our publishing activities.
Canadian Cataloguing in Publication Data
Knutson, Susan Lynne
Narrative in the feminine : Daphne Marlatt and Nicole Brossard
Includes bibliographical references and index.
ISBN 0-88920-301-6 (bound)
1. Marlatt, Daphne, 1942- . How hug a stone. 2. Brossard, Nicole,
1943- . Picture theory. 3. Canadian literatureWomen authors
History and criticism. 4. Narration (Rhetoric). I. Title.
PS8576.A74H683 2000 C810.9'9287 C99-930632-4
PR9199.3.M36H683 2000
2000 Wilfrid Laurier University Press
Waterloo, Ontario N2L 3C5
Cover design by Leslie Macredie. Front cover photo: A Hand to Standing Stones, Scotland 1983, by Marlene Creates (CARfacCollective).
Picture 3
Printed in Canada
All rights reserved. No part of this work covered by the copyrights hereon may be reproduced or used in any form or by any meansgraphic, electronic or mechanicalwithout the prior written permission of the publisher. Any request for photocopying, recording, taping or reproducing in information storage and retrieval systems of any part of this book shall be directed in writing to the Canadian Reprography Collective, 214 King Street West, Suite 312, Toronto, Ontario M5H 3S6.
Page iii
CONTENTS
List of Figures
v
Acknowledgements
vii
Abbreviations
ix
Preface
xi
Part One
Gender and Narrative Grammar
1
Writing Women: Some Introductory Questions
3
2
Theories of the (Masculine) Generic
23
3
Narrative, Gnosis, Cognition, Knowing: Em[+female]bodied Narrative and the Reinvention of the World
33
Part Two
A Narratological Reading of How Hug a Stone
4
Fabula: Beyond Quest Teleology
53
5
Story: Where the Body Is Written
66
6
Textual Subjectivity, Marlatt's i/eye
79
7
Intertextual Narrative
95
Part Three
A Narratological Reading of Picture Theory
8
Fabula: Hologram
113
9
Story: The Holographic Plate
136
10
Text: In Which the Reader Sees a Hologram in Her Mind's Eye
136
11
Intertextual Metanarrative
169
Part Four
Afterword
12
In the Feminine
193

Page iv
Part Five
Bibliography, Appendix and Index
Bibliography
209
Appendix: Daphne Marlatt's Bibliography
225
Index
227

Page v
LIST OF FIGURES
1. The Neolithic Complex at Avebury Parish, Wiltshire, England
70
2. Nicole Brossard's "Vision arienne," from
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