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Shrimpton - Tracing Your Ancestors Through Family Photographs

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Shrimpton Tracing Your Ancestors Through Family Photographs
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    Tracing Your Ancestors Through Family Photographs
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Tracing Your Ancestors Through Family Photographs: summary, description and annotation

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Cover; Title Page; Copyright Page; Contents; Acknowledgements; Picture Credits; Introduction; Part 1: Dating Family Photographs; Chapter 1: Recognising Different Types of Photograph; Chapter 2: Investigating Photographers and Studios; Chapter 3: Dating Professional Photographic Card Mounts; Chapter 4: Dating the Visual Image: Studio Portraits and Outdoor Scenes; Chapter 5: Dating the Visual Image: Fashion Clues; Part 2: Studying Family Photographs; Chapter 6: Professional Portraits: Identifying the Occasion; Chapter 7: Photographic Copies; Chapter 8: Inherited Photograph Albums.;Jayne Shrimptons complete guide to dating, analysing and understanding family photographs is essential reading and reference for anyone undertaking genealogical and local history research. Using over 150 old photographs as examples, she shows how such images can give a direct insight into the past and into the lives of the individuals who are portrayed in them. Almost every family and local historian works with photographs, but often the fascinating historical and personal information that can be gained from them is not fully understood. They are one of the most vivid and memorable ways into.

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FAMILY HISTORY FROM PEN SWORD Tracing Your Army Ancestors Simon Fowler - photo 1

FAMILY HISTORY FROM PEN & SWORD

Tracing Your Army Ancestors
Simon Fowler

Tracing Your Pauper Ancestors
Robert Burlison

Tracing Your Yorkshire Ancestors
Rachel Bellerby

Tracing Your Air Force Ancestors
Phil Tomaselli

Tracing Your Northern Ancestors
Keith Gregson

Tracing Your Black Country Ancestors
Michael Pearson

Tracing Your Textile Ancestors
Vivien Teasdale

Tracing Your Railway Ancestors
Di Drummond

Tracing Secret Service Ancestors
Phil Tomaselli

Tracing Your Police Ancestors
Stephen Wade

Tracing Your Royal Marine Ancestors
Richard Brooks and Matthew Little

Tracing Your Jewish Ancestors
Rosemary Wenzerul

Tracing Your East Anglian Ancestors
Gill Blanchard

Tracing Your Ancestors
Simon Fowler

Tracing Your Liverpool Ancestors
Mike Royden

Tracing Your Scottish Ancestors
Ian Maxwell

Tracing British Battalions on the Somme
Ray Westlake

Tracing Your Criminal Ancestors
Stephen Wade

Tracing Your Labour Movement Ancestors
Mark Crail

Tracing Your London Ancestors
Jonathan Oates

Tracing Your Shipbuilding Ancestors
Anthony Burton

Tracing Your Northern Irish Ancestors
Ian Maxwell

Tracing Your Service Women Ancestors
Mary Ingham

Tracing Your East End Ancestors
Jane Cox

Tracing the Rifle Volunteers
Ray Westlake

Tracing Your Legal Ancestors
Stephen Wade

Tracing Your Canal Ancestors

Sue Wilkes

Tracing Your Rural Ancestors
Jonathan Brown

Tracing Your House History
Gill Blanchard

Tracing Your Tank Ancestors
Janice Tait and David Fletcher

Tracing Your Family History on the Internet
Chris Paton

Tracing Your Medical Ancestors
Michelle Higgs

Tracing Your Second World War Ancestors
Phil Tomaselli

Tracing Your Channel Islands Ancestors
Marie-Louise Backhurst

Tracing Great War Ancestors DVD

Pen & Sword Digital & Battlefield History TV Ltd

Tracing Your Prisoner of War Ancestors: The First World War
Sarah Paterson

Tracing Your British Indian Ancestors
Emma Jolly

Tracing Your Naval Ancestors
Simon Fowler

Tracing Your Huguenot Ancestors
Kathy Chater

Tracing Your Servant Ancestors
Michelle Higgs

Tracing Your Ancestors from 1066 to 1837
Jonathan Oates

Tracing Your Merchant Navy Ancestors
Simon Wills

Tracing Your Lancashire Ancestors

Sue Wilkes

Tracing Your Ancestors through Death Records
Celia Heritage

Tracing Your West Country Ancestors
Kirsty Gray

Tracing Your First World War Ancestors
Simon Fowler

Tracing Your Army Ancestors - 2nd Edition
Simon Fowler

Tracing Your Irish Family History on the Internet
Chris Paton

Tracing Your Aristocratic Ancestors
Anthony Adolph

Tracing Your Ancestors from 1066 to 1837

Jonathan Oates

First published in Great Britain in 2014 PEN SWORD FAMILY HISTORY an imprint - photo 2

First published in Great Britain in 2014

PEN & SWORD FAMILY HISTORY

an imprint of

Pen & Sword Books Ltd

47 Church Street

Barnsley

South Yorkshire

S70 2AS

Copyright Jayne Shrimpton 2014

ISBN 978 1 78159 280 9

eISBN 9781473831827

The right of Jayne Shrimpton to be identified as Author of the Work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988.

A CIP catalogue record for this book is

available from the British Library.

All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical including photocopying, recording or by any information storage and retrieval system, without permission from the Publisher in writing.

Typeset in Palatino and Optima by

CHIC GRAPHICS

Printed and bound in England by

CPI Group (UK), Croydon, CR0 4YY

Pen & Sword Books Ltd incorporates the imprints of Pen & Sword Archaeology, Atlas, Aviation, Battleground, Discovery, Family History, History, Maritime, Military, Naval, Politics, Railways, Select, Social History, Transport, True Crime, and Claymore Press, Frontline Books, Leo Cooper, Praetorian Press, Remember When, Seaforth Publishing and Wharncliffe.

For a complete list of Pen & Sword titles please contact

PEN & SWORD BOOKS LTD

47 Church Street, Barnsley, South Yorkshire, S70 2AS, England

E-mail: enquiries@pen-and-sword.co.uk

Website: www.pen-and-sword.co.uk

CONTENTS
ACKNOWLEDGEMENTS

M any individuals have helped with the preparation of this book. I am indebted to colleagues, family and friends who have given freely of their time and expertise or have permitted photographs from their personal, group or professional collections to be featured. Special thanks are due to military expert Jon Mills and Ron Cosens of Photographers of Great Britain and Ireland 18401940/Victorian Image Collection.

* * * *

PICTURE CREDITS

Fiona Adams 7, 30, 34, 48, 835, 1045, 123, 150; Pat Brady 31, 42, 68, 81, 149; Agnes Burton 37, 62, 92; Patrick Davison 77, 101, 144; Claire Dulanty 39, 54, 56, 98, 103, 113, 148, 151; Julian Hargreaves 76, 79, 90, 112, 142; Mike Kostiuk (Family Tree Folk) 152; Simon Martin 29, 50, 60, 63, 67, 80, 86, 89; John Mills 114, 116, 1201, 1246, 129, 135, 139; Heather Redman 143; Richards Family 4; Ringmer History Study Group 2; Ann Thiessen 66, 82; Beryl Venn 3, 33, 44, 71, 75, 93, 102, 110, 117, 147; Victorian Image Collection 73, 91; Katharine Williams 6, 8, 26, 356, 38, 40, 457, 49, 589, 645, 6970, 74, 78, 878, 945, 99, 106, 1089, 115, 118, 122, 1278, 130, 1324, 1368, 145. The remaining images are from the authors collection.

INTRODUCTION

E arly in 1839 the new invention of photography was announced to the world by photographic pioneers in Britain and France. Within two years of this it was becoming possible for members of the public to have their photographs taken in one of the commercial portrait rooms being established in major cities, and twenty years later photography was opening up to a wide population. The new medium of photographic portraiture profoundly affected the way in which our ancestors viewed themselves and their contemporaries and how others have seen them ever since. The surviving photographs handed down the generations that now form todays private picture archives provide family historians with an unrivalled opportunity not only to touch the personal items that were once handled and treasured by past family members, but to study their likenesses and gain a unique insight into their lives.

Old photographs have often been hoarded in attics, garages, cupboards and drawers but it is never too soon to resurrect and review these precious heirlooms. Whether our photograph collections comprise mainly twentieth-century snapshots or include formal Victorian studio portraits, these historical images need to be organised, examined carefully and researched in order to discover their origins and meaning. Very few family photographs date from before the 1850s, but even mid-nineteenth-century images can take us back six, seven or even eight generations of the family and may portray ancestors born in the eighteenth century. This book focuses on photographs dating from the 1840s up until the 1940s: this is not to suggest that later snapshots arent important, but drawing a line at around 1950 ensures adequate coverage of the period that falls largely outside many researchers living memory.

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