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David Gibson - The Art of Mixing: A Visual Guide to Recording, Engineering, and Production

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The Art of Mixing: A Visual Guide to Recording, Engineering, and Production: summary, description and annotation

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David Gibson uses 3D visual representations of sounds in a mix as a tool to explain the dynamics that can be created in a mix. This book provides an in-depth exploration into the aesthetics of what makes a great mix. Gibsons unique approach explains how to map sounds to visuals in order to create a visual framework that can be used to analyze what is going on in any mix.

Once you have the framework down, Gibson then uses it to explain the traditions that have be developed over time by great recording engineers for different styles of music and songs. You will come to understand everything that can be done in a mix to create dynamics that affect people in really deep ways.

Once you understand what engineers are doing to create the great mixes they do, you can then use this framework to develop your own values as to what you feel is a good mix. Once you have a perspective on what all can be done, you have the power to be truly creative on your own to create whole new mixing possibilities.

It is all about creating art out of technology. This book goes beyond explaining what the equipment does it explains what to do with the equipment to make the best possible mixes.

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The Art of Mixing David Gibsons groundbreaking work is a real eye-opener for - photo 1
The Art of Mixing

David Gibsons groundbreaking work is a real eye-opener for all of us, music professionals and casual listeners alike. He has single-handedly rethought the whole metaphor for the visual representation of recorded music and conjured up a brand new way to interact with it. Its high time we took a new look at the antique user interfaces employed by typical MIDI and same editing tools and this book is a great place to start. Thomas Dolby Robertson

David Gibson uses 3D visual representations of sounds in a mix as a tool to explain the dynamics that can be created in a mix. This book provides an in-depth exploration into the aesthetics of what makes a great mix. Gibsons unique approach explains how to map sounds to visuals in order to create a visual framework that can be used to analyze what is going on in any mix.

Once you have the framework down, Gibson then uses it to explain the traditions that have been developed over time by great recording engineers for different styles of music and songs. You will come to understand everything that can be done in a mix to create dynamics that affect people in really deep ways.

Once you understand what engineers are doing to create the great mixes they do, you can then use this framework to develop your own values as to what you feel is a good mix. Once you have a perspective on what all can be done, you have the power to be truly creative on your own to create whole new mixing possibilities.

It is all about creating art out of technology. This book goes beyond explaining what the equipment does it explains what to do with the equipment to make the best possible mixes.

David Gibson has been teaching, engineering, and producing groups in major 24 track studios since 1982 and is the founder of Globe Institute of Recording and Production, which offers classes in San Francisco and online. He has done recording for James Browns band, Bobby Whitlock (Derek and the Dominoes), The Atlanta Rhythm Sections, Hank Williams Jr.s band, members of the Doobie Brothers, Lacy J. Dalton, and Herbie Hancock. He is also the co-author of the top-selling book on producing, The Art of Producing. Gibson is currently the #1 seller of Sound Healing music, also used in hospitals across the US, and he is the author of the best-selling book, The Complete Guide to Sound Healing. Gibson is the inventor of the patented Virtual Mixer mixing plug-in and a Virtual Reality healing system where you can place sounds inside a 3D image of the body.

The Art of Mixing
A Visual Guide to Recording, Engineering, and Production

Third Edition

David Gibson

Third edition published 2019 by Routledge 52 Vanderbilt Avenue New York NY - photo 2
Third edition published 2019
by Routledge
52 Vanderbilt Avenue, New York, NY 10017
and by Routledge
2 Park Square, Milton Park, Abingdon, Oxon, OX14 4RN
Routledge is an imprint of the Taylor & Francis Group, an informa business
2019 Taylor & Francis
The right of David Gibson to be identified as author of this work has been asserted by him in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.
All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.
Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.
First edition published by Mix Books, an imprint of artistpro.com LLC 1997 Second edition published by Thompson Course Technology PTR 2005
Library of Congress Cataloging-in-Publication Data
Names: Gibson, David, 1957 author.
Title: Art of mixing : a visual guide to recording, engineering, and production / David Gibson.
Description: Third edition. I New York, NY : Routledge, 2019. | Includes index.
Identifiers: LCCN 2018028427 (print) | LCCN 2018029414 (ebook) | ISBN 9781351252218 (pdf) | ISBN 9781351252201 (epub) | ISBN 9781351252195 (mobi) | ISBN 9780815369479 (hardback: alk. paper) | ISBN 978081 5369493 (pbk.: alk. paper) | ISBN 9781351252225 (ebook)
Subjects: LCSH: Sound recordingsProduction and direction. | Popular musicProduction and direction.
Classification: LCC ML3790 (ebook) | LCC ML3790 .G538 2019 (print) | DDC 621.389/32dc23
LC record available at https://lccn.loc.gov/2018028427
ISBN: 978-0-8153-6947-9 (hbk)
ISBN: 978-0-8153-6949-3 (pbk)
ISBN: 978-1-351-25222-5 (ebk)
Typeset in Frutiger
by Florence Production Ltd, Stoodleigh, Devon, UK
This book is dedicated to all those who just want to know how to make it sound better.
Contents
CHAPTER 1
ALL ASPECTS OF A RECORDED PIECE OF MUSIC
CHAPTER 2
VISUAL REPRESENTATIONS OF IMAGING
CHAPTER 3
GUIDES TO A GREAT MIX (REASONS FOR CREATING ONE STYLE OF MIX OR ANOTHER)
CHAPTER 4
FUNCTIONS OF STUDIO EQUIPMENT AND VISUALS OF ALL PARAMETERS
CHAPTER 5
MUSICAL DYNAMICS CREATED WITH STUDIO EQUIPMENT
CHAPTER 6
STYLES OF MIXES
CHAPTER 7
MAGIC IN MUSIC, SONGS, AND MIXES
CHAPTER 8
3D SOUND PROCESSORS AND SURROUND SOUND MIXING
CHAPTER 9
MIXING PROCEDURES

This book has been designed to answer the elusive questions, What makes a great mix? and How do you go about creating a great mix? Although most people know what they like, they often dont know how to achieve what they want when theyre in the studio.

To answer these questions, I introduce and use visual representations of sounds as a tool for understanding the whole world of dynamics that an engineer can create with the equipment in the studio. This visual framework has now become an established tool in the Industry. Colleges around the world use the visuals to explain mixing theory.

Its easy to learn the function of each piece of equipment in the studio; you can read users manuals or the tons of good books available that explain the equipment. The difficulty lies in knowing how to use the equipment and learning what combinations of equipment are used to create great sounding mixes. Once you know what the knobs do, which way do you turn them?

In other fields of art, there is no shortage of books that attempt to explain the whole world of aesthetics. From music to painting, scholars have tried answering the question, What makes great art? But recording is a relatively new field, and very little has been written about the aesthetics of mixing.

This is one of the first books to explain the aesthetic side of creating a great mix. This is no simple feat, as there are many musical styles based on any number of different instruments, all of which are recorded differently. Each style of music has its own world of values that are changing constantly. The number of variations is endless. Perhaps no one has attacked this complex subject of mixing due to the lack of a framework to analyze the process. Without a framework, it is difficult to explain what is going on and hard to remember all the different things that can be done in a mix. In the field of music, music theory provides this framework. This book introduces a framework for understanding all the dynamics that can be created in a mix.

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