Legaspi - Draw like an artist: 100 faces and figures: step-by-step realistic line drawing: a sourcebook for aspiring artists and designers
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- Book:Draw like an artist: 100 faces and figures: step-by-step realistic line drawing: a sourcebook for aspiring artists and designers
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Whether dashing off a quick sketch with minimal detail, or making a finished portrait where every silky hair and polished whisker stands out, the best cat artists are able to capture the very essence of feline-ness. How do they do it?
Firsthand observation of cats will tell you a lot about the way they sit, yawn, position their tails, and curl up to sleep, but it wont tell you how to get those things down on paper. For that the best instruction comes from looking very closely at the work of artists who are famous for their cats.
Classic Sketchbook: Catsis the second in a series of draw-in books that began withClassic Sketchbook: Botanicals. The series shows how its done by looking at details of museum-quality works, then coaching readers to try the techniques with the help an experts suggestions. In this case the expert is Patricia Wynne, a nature illustrator with a specialty in animals.
Printed on quality uncoated stock, suited for drawing, the book is divided by subject areas such as fur, paws, eyes, and cats sleeping, playing, or preying. The left-hand page features a close-up of a drawing or painting by a noted 18th, 19th, or early 20th century artist. (These include works by Theodore Steinlen, Suzanne Valadon, Gwen John, Franz Marc, and Edward Burne-Jones). The right-hand page is largely blank, with a box for the author/illustrators brief coaching tips, insights, and observations.
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Draw Like an Artist
Step-by-Step Realistic Line Drawing A Sourcebook for Aspiring Artists and Designers
CHRIS LEGASPI
There are many ways to draw figures and faces. This book presents the method that I use as a life-long professional artist and teacher. The steps can be copied to achieve a finished drawing. If you study the steps, you will learn how my drawing process and my approach can be applied to any subjectnot just figures and faces. The steps below describe my process and drawing philosophy and offer suggestions on how to interpret the instructions in this book.
Graphite pencil
Ballpoint pen or felt tip pen
Plain office paper, Bristol, or any paper 80 lb or more
Eraser
Begin the drawing with a graphite pencil so you can sketch freely and make mistakes that can be easily erased. Once you are satisfied with the pencil sketch, go over the drawing with a pen. When you erase the pencil lines, you are left with a clean, finished line drawing.
Gesture is the movement and action of the pose or form. Even faces have gesture. Gesture adds life to a drawing, which is why it is the first and most important step. Make your gesture lines long and try to describe the big movements first, then move on to the smaller movements and actions.
STEP 1
STEP 2
In this example of a baseball pitcher, Step 1 is the main gesture or primary action of the pose. Step 2 describes the secondary gestures of the arms and legs.
Once you describe the movement and action of the form with gesture lines, construct the drawing. Steps 3 and 4 are the construction steps. In this stage of the drawing, try to describe the three-dimensional quality of the forms. For example, draw eggs and spheres for the head or torso and cylinders for the arms.
In the runner example, Step 4 describes the construction of the limbs and body. In the girls head, Step 3 starts the construction with more simple forms of the head and face, while Step 4 constructs the smaller forms and the features.
STEP 3
STEP 4
STEP 4
Small forms and details come last, which happens in Step 5. Here you add things like individual fingers, wrinkles, and folds in fabric. Once youre happy with the details, go over your drawing with a pen and erase the pencil lines. This leaves only the clean, finished line drawing, which is Step 6.
In the construction worker, I start adding details in Step 4 and then use a pen to add more details in Step 5 before erasing all the pencil lines. For the bearded man, Step 5 begins the details and Step 6 is the finished line drawing after erasing the pencil lines and with more details drawn in pen.
STEP 4
STEP 5 (Final)
STEP 5
STEP 6 (Final)
If youre new to drawing, please start by copying the steps provided to the best of your ability. As you become more advanced, you can apply the steps and process to any subject or form you want to draw.
Because the drawings in this book are line drawings, here are some tips and ideas on how to make better lines. The art of making better lines is known as line control. Even though we are using only lines to draw realistic feeling figures, with good line control, our drawings can become more dynamic and life-like.
Most artists draw with a limited range of motion, using only their hand and wrist. This is known as wrist drawing. A more skilled approach is to use as much of your arm and body as possible whenever you make a line or a mark. Most art teachers and professionals will suggest that you draw with your arm, but I try to use my whole body as much as possible, from my wrist all the way down to my legs! Moving your whole body adds so much more life and movement to every mark you make.
Using a 18" 24" (46 61 cm) or larger paper or chalkboard, draw standing up. Use your favorite drawing tool and make a page of long lines using large strokes. As you draw, move your entire body and exaggerate your movement. For example, as I draw from left to right, I will move my entire body, from my legs to my hand, in the direction of my stroke as my hand and the pencil move across the paper.
When drawing forms such as figures or faces, make a habit of drawing the complete form, even the back side of the form or parts of the form you cant see. This is called drawing through because you literally draw lines through the form or other overlapping forms. For example, when drawing the outer shape of a face, draw all the way through to the back of the head even though you cant see it.
Draw a simple sphere shape and then draw an elliptical line that cuts the sphere in half vertically and horizontally. Make sure to draw all the way through the sphere and imagine the back side of the sphere. Next, draw a cylinder and make a series of elliptical lines along the cylinder. Repeat this with cube and rectangular forms, then move on to complex forms such as faces and figures.
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