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David Drazil - 100 Buildings and Architectural Forms: Step-by-Step Realistic Line Drawing - A Sourcebook for Aspiring Artists and Designers

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100 Buildings and Architectural Forms: Step-by-Step Realistic Line Drawing - A Sourcebook for Aspiring Artists and Designers: summary, description and annotation

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Featuring more than 600 sketches depicting a vast array of architecturally and culturally significant buildings, bridges, towers, monuments, and more, Draw Like an Artist: 100 Buildings and Architectural Forms is a must-have visual reference for student and aspiring architects, artists, illustrators, and urban sketchers. This contemporary step-by-step guidebook demonstrates fundamental art and architectural concepts like proportion, perspective, and spatial relationships as you learn to draw a wide range of important residential, commercial, historic, and cultural buildings, bridges, towers, and other structures from all over the world and from ancient to modernall shown from a variety of perspectives and scales. Each set of illustrations takes you from beginning sketch lines to a finished drawing. Author David Drazils classic drawing style will make this a go-to sourcebook for years to come. Learn how to establish basic shapes; articulate lines for structure, forms, and shading; and add defining details by drawing these celebrated sites and many others:
  • Residential: Fallingwater in the US and the Silo in Copenhagen
  • Commercial: Dancing House in Prague and Sugamo Shinkin Bank in Tokyo
  • Monuments/Sacred: Stonehenge in the UK and the Cathedral of Brasilia
  • Bridges: Jade Belt Bridge in Beijing and the Sydney Harbor Bridge in Sydney, Australia
Draw Like an Artist: 100 Buildings and Architectural Forms is a library essential for any artist or architect whos interested in learning how to draw and explore the underlying design principles of influential constructions. The books in the Draw Like an Artist series are richly visual references for learning how to draw classic subjects realistically through hundreds of step-by-step images created by expert artists and illustrators.

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DRAW LIKE AN ARTIST 100 BUILDINGS ARCHITECTURAL FORMS Step-by-Step Realistic - photo 1

DRAW LIKE AN ARTIST

100
BUILDINGS &
ARCHITECTURAL
FORMS

Step-by-Step Realistic Line Drawing
A Sourcebook for Aspiring Artists and Designers

DAVID DRAZIL

CONTENTS COMMERCIAL OFFICES ADMINISTRATIVE - photo 2
CONTENTS
COMMERCIAL OFFICES ADMINISTRATIVE CULTURAL MUSEUMS GALLERIES - photo 3
COMMERCIAL OFFICES ADMINISTRATIVE CULTURAL MUSEUMS GALLERIES - photo 4

COMMERCIAL
(OFFICES / ADMINISTRATIVE)

CULTURAL MUSEUMS GALLERIES LIBRARIES INTRODUCTION Even in the - photo 5

CULTURAL
(MUSEUMS / GALLERIES / LIBRARIES)

INTRODUCTION

Even in the twenty-first century, free-hand sketching and drawing play important roles in both designing and visualizing architectural projects and ideas.

As architects, we use hand-drawing as one of the tools in our toolkit. Through drawing, we brainstorm and develop ideas. We shape these ideas, and through an iterative process, we give them form. Sketching and drawing help us to understand problems, solve them, and communicate the solutions to others.

Hand-drawing has one huge advantage over any computer programit is based on our natural and instant connection between our mind and hands. The hand-drawing process is unobstructed by any technological barrier and allows us to get into the state of flow, where our creativity and problem-solving skills are at their peak.

This book will help you not only to adopt an effective approach to the architectural sketching process but also to understand the depicted buildings bettertheir proportions, scale, structure, and tectonics.

Since drawing is simultaneously seeing, thinking, and understanding, I hope this book will help you discover a new angle of how you can look at architecture surrounding us.

HOW TO USE THIS BOOK

This book depicts a variety of architectural buildings and structures from all around the world, shown in a step-by-step drawing process. It should serve you as inspiration and as a visual reference you can follow to achieve the same results.

Feel free to skip around and draw the buildings that you like or that you find challenging to draw. Even though the process depicted on these pages suggests one approach, dont feel limited by it. Use it as a guideline for your own drawing process and dont hesitate to go your own way or add extra layers of shading and coloring if it fits your style and intention.

Suggested Materials

Every image you see in this book was drawn free-hand without any rulers, protractors, or similar tools. Whether you prefer to draw in a traditional way or digitally, here are recommended tools you can use:

If working traditionally:

  • Graphite pencil
  • Fine-liner pens with different line weights (choose two to three thicknesses anywhere from 0.05 mm to 1 mm)
  • Any paper that you enjoy working on; plain office paper 80g/m2 will do just fine
  • Eraser

If working digitally:

  • Photoshop and a graphic tablet
  • iPad with Apple pencil and Procreate, Morpholio Trace, or any other preferred drawing app
Start with Composition

The drawing process starts with outlining the structure of the overall composition, including the most important vertical and horizontal lines/edges. Very often it involves setting up a perspective grid with the horizon line and vanishing points. In this phase, use a pencil to draw very lightly, as these construction guidelines are mostly to serve the process and they eventually can be erased.

STEP 1 Outline Volumes Context Next use the established composition - photo 6

STEP 1

Outline Volumes & Context

Next, use the established composition structure and define the main volumes, adding their closest surroundings to provide context. This might include drawing the elements in the foreground, such as vegetation and trees. Blocking out the foreground makes it easier, as we wont need to draw the areas behind these elements.

STEP 2 Add Textures To express materiality in drawings add textures - photo 7

STEP 2

Add Textures

To express materiality in drawings, add textures suggesting different real-life materials commonly used in architecture, such as timber, stone, concrete, steel, and glass. These textures work as graphic shortcutssimplified versions of realityand add a new layer of information and detail to drawings. The more detail we add, the more the viewers attention is drawn to a certain area of an image. Thats why it makes sense to use selective texturingapplying textures to highlight only the parts of an image on which we want a viewer to focus.

STEP 3 Shading Final Touches Finally to increase contrast and a sense of - photo 8

STEP 3

Shading & Final Touches

Finally, to increase contrast and a sense of plasticity, add shading. Shading can be observed from a reference or it can be deliberately decided by an artist. Either way, its a good idea to define the light source and the main direction of light so we know which surfaces should be lit (exposed to light) and which should be shaded (light is blocked by other surfaces).

As for final touches, you may want to erase the original construction guidelines drawn in pencil during the first step and clean up anything unwanted. Optionally, you can add more contextual information by drawing sky or water reflections (as used in other examples in this book).

STEP 4 TIPS ON ARCHITECTURAL SKETCHING DRAWING TIP 1 LEARN TO DRAW LONG - photo 9

STEP 4

TIPS ON ARCHITECTURAL SKETCHING & DRAWING

TIP #1: LEARN TO DRAW LONG, STRAIGHT LINES

All the architectural drawings in this book are based on lines. The lines are used not only for contours, but also for guidelines, constructional lines, shading, hatching, and texturingpretty much everything in a drawing. Youll find out that most of these lines are simply straight and are sometimes very long. Thats why its a great idea to practice drawing confident long, straight lines.

EXERCISE: Grab a blank sheet of paper and fill it with three layers of linesvertical lines, horizontal lines, and diagonal lines. Treat this as a warm-up exercise before drawing, just as you would warm up before any sport activity.

To achieve confidence in long straight lines, I suggest the following: First, draw with your whole your arm, starting the movement from your shoulder, and avoid bending your wrist. Second, look and focus on the endpoint of a line youre drawing. This will help to naturally guide your hand to where youre looking.

TIP #2: VARY THE LINE WEIGHT

Use of different line weightsthicknesses of pen strokesserves well for defining depth planes, for better clarity, and for creating emphasis and contrast in a drawing.

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