WRITING AND SELLING YOUR MYSTERY NOVEL
how to knock 'em DEAD with style
HALLIE EPHRON
Writing and Selling Your Mystery Novel. 2005 by Hallie Ephron. Manufactured in the United States of America. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means including information storage and retrieval systems without permission in writing from the publisher, except by a reviewer, who may quote brief passages in a review. Published by Writer's Digest Books, an imprint of F+W Publications, Inc., 4700 East Galbraith Road, Cincinnati, Ohio 45236. (800) 289-0963. First edition.
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Library of Congress Cataloging-in-Publication Data
Touger, Hallie Ephron.
Writing and selling your mystery novel: how to knock 'em dead with style / by Hallie Ephron. 1st ed.
p. cm.
Includes index.
ISBN-13: 978-1-58297-317-3 (hardcover: alk. paper)
ISBN-13: 978-1-58297-700-3 (EPUB)
ISBN-10: 1-58297-317-2
ISBN-13: 978-1-58297-376-0 (pbk.: alk. paper)
ISBN-13: 978-1-58297-700-3 (EPUB)
ISBN-10: 1-58297-376-8
1. Detective and mystery stories Authorship. 2. Authorship Marketing. I. Title.
PN3377.5.D4T68 2005
808.3872 dc22
2005006279
CIP
Edited by
Michelle Ruberg
Design by Claudean Wheeler
Cover design by Grace Ring
Cover image by Image Source
Production coordinated by Robin Richie
PERMISSIONS
Excerpt from Amnesia by G.H. Ephron, Copyright 2000 by G.H. Ephron. Published by St. Martin's Minotaur, an imprint of St. Martin's Press. Reprinted by permission of St. Martin's Minotaur.
For Donald Davidoff, to whom I owe this particular version of insanity.
ACKNOWLEDGMENTS
Thanks to the writers who helped me get the advice right without being preachy or bossy, as is my wont: Connie Biewald, Maggie Bucholt, Pat Rathbone, Donna Tramontozzi, Lynn Denley-Bussard, and Didi Foster. Thanks to Molly Touger for her editor's eye.
Thanks to my agent, Gail Hochman, for her support and enthusiasm; to Melanie Rigney and Barb Kuroff for paving the way for me at Writer's Digest Books; and to editor Michelle Ruberg for her on-point suggestions and for ably shepherding this along.
And thanks to the generous mystery writing community of which I'm proud to be part, and to the writers who shared their experiences and thoughts, including Linda Barnes, Lorraine Bodger, Rhys Bowen, Jan Brogan, Lee Child, Kate Flora, Jim Fusilli, Judith Greber, Naomi Rand, Tom Sawyer, Sarah Smith, Jessica Speart, and Carolyn Wheat.
Special thanks to S.J. Rozan, a modern master of the genre, for graciously agreeing to write the foreword to this book and for doing a smashing job.
And loving thanks to my husband Jerry Touger and my daughters Molly and Naomi.
ABOUT THE AUTHOR
Hallie Ephron is co-author of the Dr. Peter Zak mystery series by G.H. Ephron. She reviews crime fiction in a monthly column for The Boston Globe. Past president of the New England chapter of Sisters in Crime and a member of Mystery Writers of America, Hallie chaired the 2003 judging committee for the Edgar## award for best short story. She is also a freelance journalist and essayist whose work has appeared in More## magazine and on NPR. Hallie grew up in Los Angeles, and her parents, Phoebe and Henry Ephron, were Hollywood screenwriters. Her sisters are director/screenwriter Nora Ephron and novelist/screenwriters Delia and Amy Ephron. Hallie lives near Boston. Her website is www.hallieephron.com .
Books by Hallie Ephron writing as G.H. Ephron:
Amnesia
Addiction
Delusion
Obsessed
Guilt
foreword
Remember, in The Wizard of Oz, the sign Dorothy and her friends found as they approached the castle of the Wicked Witch of the West? It read, I'd Turn Back If I Were You.
Well, I would.
If you're reading this book, or thinking of reading this book, you must want to write a mystery.
Big mistake.
In fact, writing any kind of fiction is a big mistake.
Really, take a look at it. What do you get?
- Hours and hours of hard, lonely work. While other people go to the movies, play with their kids, walk their dogs, and do the laundry, you'll be up there locked away alone, putting the same comma in and out of the same line of dialogue for hours.
- Self-doubt, embarrassment, and worry. You'll fear your characters are cardboard, you'll be afraid your setting's trite, you'll be sure your story's been told three hundred times already, every one of them better.
- Rejection. If you do manage to finish the thing, at least one agent (and probably more) and at least one editor (and definitely more) will turn it down before someone agrees to take it.
- More hours of hard work. When someone finally buys your book, you'll be editing and revising until you're sick of it. Then you'll go out on the road. You'll rush from one hotel to another, take off your shoes and empty your pockets in countless airports, and read in the evenings from this book you can no longer stand. And, before rushing to the next airport, you'll fend off stern e-mails from your editor demanding to know why you're not making progress on your next book.
Turned back yet?
I didn't think so.
I never did either.
If you can't be discouraged by the almost certain scarcity of fame, fortune, and even convenience that attends the writing of a piece of mystery fiction, then chances are you really, really want to write one.
Welcome to the Land of Oz.
Things are crazy here. You'll meet all manner of beast and person. Many are engaged on the same journey you're on; the rest are here to comment, in their various ways, on your progress. It can be confounding, confusing, and downright scary here, but it's never boring.
In fact, it's the most thrilling place I've ever been. Everything is exciting. All the people are intriguing; each event is fascinating; nothing is wasted. It's all material. And you knew that. You've got a huge pile of this material; you've been collecting it for years, right? And now you're ready to write your book. You're ready to set off into the enchanted forest, but you're not sure which direction to go.
None of us were, when we started out. Some of us wandered in circles for awhile, tripping over roots, bopping our foreheads on branches. As often as not it was through sheer luck, or cussedness, that in the end we found our way.
But some people found guides.
And you're lucky enough to have found Hallie Ephron.
In this book, Hallie's giving you a map. The longest journey, as I know you know, begins with a single step. This book will help you take that step. And the step after that, and the next. It will show you the long view when you're feeling trapped in the thicket, and it will cut the towering peaks into manageable switchbacks. And when you find your writer's road blocked by a huge, unmovable boulder, it will show you how to push it aside, or find a route around or even over it.
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