• Complain

Lawrence Harbison - The Best Womens Monologues from New Plays, 2020

Here you can read online Lawrence Harbison - The Best Womens Monologues from New Plays, 2020 full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 2021, publisher: Applause, genre: Home and family. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

Romance novel Science fiction Adventure Detective Science History Home and family Prose Art Politics Computer Non-fiction Religion Business Children Humor

Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.

No cover
  • Book:
    The Best Womens Monologues from New Plays, 2020
  • Author:
  • Publisher:
    Applause
  • Genre:
  • Year:
    2021
  • Rating:
    3 / 5
  • Favourites:
    Add to favourites
  • Your mark:
    • 60
    • 1
    • 2
    • 3
    • 4
    • 5

The Best Womens Monologues from New Plays, 2020: summary, description and annotation

We offer to read an annotation, description, summary or preface (depends on what the author of the book "The Best Womens Monologues from New Plays, 2020" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.

Lawrence Harbison: author's other books


Who wrote The Best Womens Monologues from New Plays, 2020? Find out the surname, the name of the author of the book and a list of all author's works by series.

The Best Womens Monologues from New Plays, 2020 — read online for free the complete book (whole text) full work

Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "The Best Womens Monologues from New Plays, 2020" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.

Light

Font size:

Reset

Interval:

Bookmark:

Make

49 DAYS TO THE SUN 2019 by Julie Marie Myatt. Reprinted by permission of Mark Orsini, For performance rights, contact Broadway Play Publishing, www.broadwayplaypub.com, 212-772-8334.

ABRAHAMS DAUGHTERS. 2016 by Emma Goldman-Sherman. Reprinted by permission of Emma Goldman-Sherman. For performance rights, contact Emma Goldman-Sherman, .

AN AFTERNOON MEAL. 2019 by Marc Palmieri. Reprinted by permission of Marc Palmieri. For performance rights, contact Mary Harden, HCKR Agency, .

AFTER THIS EPISODE. 2019 by Brianna Barrett. Reprinted by permission of Brianna Barrett. For performance rights, contact Brianna Barrett, .

AINT NO MO. 2019 by Jordan E. Cooper. Reprinted by permission of Jordan E. Cooper. For performance rights, contact Kevin Lin, Creative Artists Agency, .

ALEXANDRIA. 2017 by Vince Gatton. Reprinted by permission of Vince Gatton. For performance rights, contact Vince Gatton, .

ALICE IN THE BADLANDS 2019 by Julie Marie Myatt. Reprinted by permission of Mark Orsini, Bret Adams Ltd. For performance rights, contact Broadway Play Publishing, www.broadwayplaypub.com, 2127728334.

AMERICAN DREAMERS. 2019 by Lia Romeo. Reprinted by permission of Samara Harris, Robert H. Freedman Dramatic Agency. For performance rights, contact Samara Harris, .

ANIMALS. 2019 by Kerri Kochanski. Reprinted by permission of Kerri Kochanski. For performance rights, contact Kerri Kochanski, .

APPALACHIAN PACHINKO! 2019 by Joshua Young. Reprinted by permission of Mark Orsini, Bret Adams Ltd. For performance rights, contact .

BARBARAS BLUE KITCHEN. 2000 by Lori Fischer. Reprinted by permission of Lori Fischer. For performance rights, contact Samuel French, Inc., www.samuelfrench.com, 212-206-8990.

BEE TRAPPED INSIDE A WINDOW. 2018 by Saviana Stanescu. Reprinted by permission of Saviana Stanescu. For performance rights, contact Saviana Stanescu, .

BENNETT BENOIT: WORLDS GREATEST DETECTIVE? 2019 by Christopher Marshall. Reprinted by permission of Christopher Marshall. For performance rights, contact Christopher Marshall, .

THE BLACKEST BATTLE 2019 by Psalmayene 24. Reprinted by permission of Susan Gurman, Susan Gurman Agency, LLC, .

DAYS OF RAGE. 2019 by Steven Levenson. Reprinted by permission of Ashley Hellberg William Morris Endeavor Entertainment. For performance rights, contact Dramatists Play Service, www.dramatists.com, 212-683-8960.

DEAD HOUSE. 2019 by Beirut Balutis. Reprinted by permission of Beirut Balutis. For performance rights, contact Beirut Balutis, .

DEMENTIA. 2019 by Donna Spector. Reprinted by permission of Donna Spector. For performance rights, contact Donna Spector, .

DINOSAUR. 2019 by Steven Hayet. Reprinted by permission of Steven Hayet. For performance rights, contact Steven Hayet, .

DIVISION STREET. 2019 by Jason Odell Williams. Reprinted by permission of Susan Gurman, Susan Gurman Agency, LLC. For performance rights, contact Susan Gurman, .

DONTRELL, WHO KISSED THE SEA 2019 by Nathan Alan Davis. Reprinted by permission of Di Glazer, ICM Partners. For performance rights, contact Di Glazer, .

DOT. 2019 by A Boy and His Soul, Inc. Reprinted by permission of Leah Hamos, The Gersh Agency. For performance rights, contact Samuel French, Inc., www.concordtheatricals.com, 212-206-8990.

DR. RIDES AMERICAN BEACH HOUSE. 2019 by Liza Birkenmeier. Reprinted by permission of Ross Weiner, ICM Partners. For performance rights, contact Ross Weiner, .

DUCK. 2019 by Thomas A. Block. Reprinted by permission of Thomas A. Block. For performance rights, contact Thomas A. Block, .

FEMALE NUDE SEATED. 2019 by Carolyn Gage. Reprinted by permission of Carolyn Gage. For performance rights, contact Carolyn Gage, .

FINDING HELP. 2019 by Marj ONeill Butler. Reprinted by permission of Marj ONeill Butler. For performance rights, contact Marj ONeill Butler, .

FOUR DOORS DOWN. 2019 by Donna Hoke. Reprinted by permission of Donna Hoke. For performance rights, contact Donna Hoke, .

GEORGIA MERTCHING IS DEAD 2019 by Catya McMullen. Reprinted by permission of Di Glazer, ICM Partners. For performance rights, contact Di Glazer, .

GHOSTED. 2019 by Emily Chadick Weiss. Reprinted by permission of Emily Chadick Weiss. For performance rights, contact Emily Chadick Weiss, .

GLASSTOWN. 2019 by Don Nigro. Reprinted by permission of Don Nigro. For performance rights, contact Don Nigro, .

THE GRAVE, THE FAN, THE WIFE. 2019 by Dorian Palumbo. Reprinted by permission of Dorian Palumbo. For performance rights, contact Dorian Palumbo, .

HALF COURT. 2019 by Brian Silberman. Reprinted by permission of Brian Silberman. For performance rights, contact Ron Gwiazda, Abrams Artists Agency, .

THE HEAL 2019 by Aaron Posner. Reprinted by permission of Beth Blickers, Agency for the Performing Arts. For performance rights, contact Beth Blickers, .

HEROES OF THE FOURTH TURNING. 2019 by Will Arbery. Reprinted by permission of Sam Barickman, ICM Partners. For performance rights, contact Sam Barickman, .

HOW BLACK MOTHERS SAY I LOVE YOU. 2019 by Trey Anthony. Reprinted by permission of Trey Anthony. For performance rights, contact Samuel French, Inc., www.samuelfrench.com, 212-206-8990.

HOW I MET MY SPOUSE. 2019 by Sarah M. Chichester. Reprinted by permission of Sarah M. Chichester. For performance rights, contact Sarah M. Chichester, .

HOW IS IT THAT WE LIVE? 2019 by Len Jenkin. Reprinted by permission of Len Jenkin. For performance rights, contact Broadway Play Publishing, www.broadwayplaypub.com, 212-772-8334.

HOW TO GET FAMOUS. 2005 by Lori Fischer. Reprinted by permission of Lori Fischer. For performance rights, contact Lori Fischer, .

THE HUNS. 2019 by Michael Ross Albert. Reprinted by permission of Michael Ross Albert. For performance rights, contact Michael Ross Albert, .

INTO THAT GOOD NIGHT. 2016 by Mara Dresner. Reprinted by permission of Mara Dresner. For performance rights, contact Mara Dresner, .

JUMP. 2019 by Charly Evon Simpson. Reprinted by permission of Allison Schwartz Paradigm Talent Agency. For performance rights, contact Dramatists Play Service, www.dramatists.com, 212-683-8960.

JUMP. 2019 by Elayne Heilveil. Reprinted by permission of Elayne Heilveil. For performance rights, contact Elayne Heilveil, .

LANDLADIES. 2019 by Sharyn Rothstein. Reprinted by permission of Di Glazer, ICM Partners. For performance rights, contact Di Glazer, .

LES MUSEUMS. 2019 by Manning Jordan. Reprinted by permission of Manning Jordan. For performance rights, contact Manning Jordan, .

LIFE ON MY KNEES. 2019 by William Missouri Downs. Reprinted by permission of William Missouri Downs. For performance rights, contact William Missouri Downs, .

MAGWITCH THE MAGNIFICENT AND HIS MYSTERIOUS THEATRE OF CHEESE. 2019 by Don Nigro. Reprinted by permission of Don Nigro. For performance rights, contact Don Nigro, .

A MODEL CITY. 2016 by Brooke Berman. Reprinted by permission of Brooke Berman. For performance rights, contact Brooke Berman, .

MY NEW BEST FRIEND. 2009 by Brooke Berman. Reprinted by permission of Brooke Berman. For performance rights, contact Brooke Berman, .

NEVER NOT ONCE. 2019 by Carey Crim. Reprinted by permission of Mark Orsini, Bret Adams Ltd. For performance rights, contact Mark Orsini, .

NOMAD AMERICANA. 2019 by Kira Rockwell. Reprinted by permission of Kira Rockwell. For performance rights, contact Kira Rockwell, .

NOTHING HUMAN. 2019 by Duncan Pflaster. Reprinted by permission of Duncan Pflaster. For performance rights, contact Duncan Pflaster, .

Next page
Light

Font size:

Reset

Interval:

Bookmark:

Make

Similar books «The Best Womens Monologues from New Plays, 2020»

Look at similar books to The Best Womens Monologues from New Plays, 2020. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.


Reviews about «The Best Womens Monologues from New Plays, 2020»

Discussion, reviews of the book The Best Womens Monologues from New Plays, 2020 and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.