Katharina Lindner is Lecturer in Film and Media and a member of the Centre for Gender and Feminist Studies at the University of Stirling. She was also a professional footballer in a former life.
In this challenging and provocative book, Katharina Lindner tackles the problems that film phenomenology has skirted around for years. What is a queer feminist phenomenology? What about female bodies that are in movement, that disrupt, that display themselves and unsettle? Who can speak about them and for them? Lindner looks at filmic female bodies that dance and play sport, and that are performatively queer, and examines the thrilling spaces and affective timeframes in which they move. The result is a new realm of queer feminist embodiment that enables different kinds of non-normative lived bodies to become visible and active, from tango dancers to tomboys, and boxers to ballerinas. A vital and significant development of film phenomenology.
Lucy Bolton, Senior Lecturer in Film Studies, Queen Mary University of London
Film Bodies vibrantly explores the intersections between film phenomenology and queer and feminist theories. Through a series of agile textual analyses, Lindner draws out the potential of the gendered body to trouble both cinemas sensory experience and film theorys critical categories. Film Bodies is an essential contribution to queer film scholarship.
Rosalind Galt, Head of Department of Film Studies, Kings College London
I cannot think of a single other scholar in the world who combines such an integrated approach to philosophical phenomenology, queer theory and feminist theory while also examining contemporary films in such insightful detail. It therefore follows that the book makes a startlingly original contribution to the field.
Jenny Chamarette, Senior Lecturer in Film Studies, Queen Mary University of London
Library of Gender and Popular Culture
From Mad Men to gaming culture, performance art to steam-punk fashion, the presentation and representation of gender continues to saturate popular media. This new series seeks to explore the intersection of gender and popular culture, engaging with a variety of texts drawn primarily from Art, Fashion, TV, Cinema, Cultural Studies and Media Studies as a way of considering various models for understanding the complementary relationship between gender identities and popular culture. By considering race, ethnicity, class, and sexual identities across a range of cultural forms, each book in the series will adopt a critical stance towards issues surrounding the development of gender identities and popular and mass cultural products.
For further information or enquiries, please contact the library series editors:
Claire Nally:
Angela Smith:
Advisory Board:
Dr Kate Ames, Central Queensland University, Australia
Prof Leslie Heywood, Binghampton University, USA
Dr Michael Higgins, Strathclyde University, UK
Prof sa Kroon, rebro University, Sweden
Dr Niall Richardson, Sussex University, UK
Dr Jacki Willson, Central St Martins, University of Arts London, UK
Published and forthcoming titles:
Ageing Femininity on Film: The Older Woman in Contemporary Cinema
Niall Richardson
All-American TV Crime Drama: Feminism and Identity Politics in
Law and Order: Special Victims Unit
Lisa Cuklanz and Sujata Moorti
Beyonc: Celebrity Feminism in the Age of Social Media
Kirsty Fairclough-Isaacs
Female Bodies and Performance in Film: Queer Encounters with Embodiment and Affect
Katharina Lindner
Framing the Single Mother: Gender, Politics and Family Values in Contemporary
Popular Cinema
Louise Fitzgerald
Gay Pornography: Representations of Sexuality and Masculinity
John Mercer
Gender and Austerity in Popular Culture: Femininity, Masculinity and Recession in
Film and Television
Helen Davies and Claire OCallaghan (Eds)
The Gendered Motorcycle: Representations in Society, Media and Popular Culture
Esperanza Miyake
Gendering History on Screen: Women Filmmakers and Historical Films
Julia Erhart
Girls Like This, Boys Like That: The Reproduction of Gender in Contemporary Youth Cultures
Victoria Cann
Love Wars: Television Romantic Comedy
Mary Irwin
Masculinity in Contemporary Science Fiction Cinema: Cyborgs, Troopers and Other Men
of the Future
Marianne Kac-Vergne
Paradoxical Pleasures: Female Submission in Popular and Erotic Fiction
Anna Watz
Positive Images: Gay Men and HIV/AIDS in the Popular Culture of Post-Crisis
Dion Kagan
Queer Horror Film and Television: Sexuality and Masculinity at the Margins
Darren Elliott-Smith
Queer Sexualities in Early Film: Cinema and Male-Male Intimacy
Shane Brown
Shaping Gym Cultures: Body, Image and Social Media
Nicholas Chare
Steampunk: Gender and the Neo-Victorian
Claire Nally
Television Comedy and Femininity: Queering Gender
Rosie White
Television, Technology and Gender: New Platforms and New Audiences
Sarah Arnold
Tweenhood: Femininity and Celebrity in Tween Popular Culture
Melanie Kennedy
Published in 2018 by
I.B.Tauris & Co. Ltd
London New York
www.ibtauris.com
Copyright 2018 Katharina Lindner
The right of Katharina Lindner to be identified as the author of this work has been asserted by the author in accordance with the Copyright, Designs and Patents Act 1988.
All rights reserved. Except for brief quotations in a review, this book, or any part thereof, may not be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written
permission of the publisher.
Every attempt has been made to gain permission for the use of the images in this book. Any omissions will be rectified in future editions.
References to websites were correct at the time of writing.
Library of Gender and Popular Culture 17
ISBN: 978 1 78453 624 4
eISBN: 978 1 78672 281 2
ePDF: 978 1 78673 281 1
A full CIP record for this book is available from the British Library
A full CIP record is available from the Library of Congress
Library of Congress Catalog Card Number: available
For Laura
Contents
There are a great number of people who have contributed to and influenced this project, in one way or another, knowingly or not, through their scholarly brilliance, unconditional kindness, incisive questioning, invigorating curiosity, awe-inspiring vision and fearless convictions:
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