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Leonie Stickland - Gender Gymnastics: Performing and Consuming Japans Takarazuka Revue«

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Leonie Stickland Gender Gymnastics: Performing and Consuming Japans Takarazuka Revue«

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The artifice of gender performance - sometimes playful, mostly conscientious - has enthralled and entertained audiences of Japans all-female Takarazuka Revue for more than 90 years. The dashing male-role players in its musical theatre productions enjoy the adulation of a predominantly female audience for whom these handsome idols represent ideal masculinity, while, at the same time, these men in turn are reflected and magnified by the overwrought femininity of their female-role counterparts. This volume resounds with the voices of those closest to Takarazuka, the girls and women who have danced, sung, and acted in its limelight. Using exclusive interviews, historical records, autobiographies, and years of close-hand observations, former Revue translator and voice actor Leonie Stickland extensively explores the aspirations, endeavors, and experiences of Takarazukas creators, performers, and adoring fans. Sticklands book simultaneously elucidates gender issues which have impacted upon the life-stages of women in Japan throughout the past century.

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Gender
Gymnastics

JAPANESE SOCIETY SERIES General Editor Yoshio Sugimoto Lives of Young Koreans - photo 1

JAPANESE SOCIETY SERIES
General Editor: Yoshio Sugimoto

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John Clammer

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Foreign Migrants in Contemporary Japan

Hiroshi Komai

A Social History of Science and Technology in Contempory Japan, Volume 1

Shigeru Nakayama

Farewell to Nippon: Japanese Lifestyle Migrants in Australia

Machiko Sato

The Peripheral Centre: Essays on Japanese History and Civilization

Johann P. Arnason

A Genealogy of Japanese Self-images

Eiji Oguma

Class Structure in Contemporary Japan

Kenji Hashimoto

An Ecological View of History

Tadao Umesao

Nationalism and Gender

Chizuko Ueno

Native Anthropology: The Japanese Challenge to Western Academic Hegemony

Takami Kuwayama

Youth Deviance in Japan: Class Reproduction of Non-Conformity

Robert Stuart Yoder

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Masami Nomura and Yoshihiko Kamii

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The Big Bang in Japanese Higher Education: The 2004 Reforms and the Dynamics of Change

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Takashi Inoguchi

A Social History of Science and Technology in Contempory Japan, Volume 2

Shigeru Nakayama

Gender and Japanese Management

Kimiko Kimoto

Philosophy of Agricultural Science: A Japanese Perspective

Osamu Soda

A Social History of Science and Technology in Contempory Japan, Volume 3

Shigeru Nakayama and Kunio Goto

Japans Underclass: Day Laborers and the Homeless

Hideo Aoki

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Masahiro Ogino

Toyotas Assembly Line: A View from the Factory Floor

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Gender Gymnastics: Performing and Consuming Japans Takarazuka Revue

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Yoshimichi Sato

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Yoshimichi Sato

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Atsuko Suzuki

Status and Stratification: Cultural Forms in East and Southeast Asia

Mutsuhiko Shima

Globalization, Minorities and Civil Society: Perspectives from Asian and European Cities

Koichi Hasegawa and Naoki Yoshihara

Advanced Social Research Series

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Kenji Kosaka

Frontiers of Social Research: Japan and beyond

Akira Furukawa

Gender Gymnastics Performing and Consuming Japans Takarazuka Revue - image 2

MODERNITY AND IDENTITY IN ASIA SERIES

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First published in 2008 by

Trans Pacific Press, PO Box 164, Balwyn North, Victoria 3104, Australia

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Copyright Trans Pacific Press 2008

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ISSN 14439670 (Japanese Society Series)

ISBN 9781876843519 (Paperback)

ISBN 9781925608250 (eBook)

The National Library of Australia Cataloguing-in-Publication entry

Author:Stickland, Leonie Rae.

Title:

Gender gymnastics: performing and consuming Japans Takarazuka Revue / Leonie Rae Stickland.

ISBN:9781876843519
eISBN:9781925608250
Series:Japanese society series.
Notes:Includes index. Bibliography.

Subjects:

Takarazuka Kagekidan. Sex role Japan. Musicals Japan. Social structure Japan. Popular culture Japan. Ethnology Japan. Gender identity Japan.

Dewey Number:305.30952

Cover illustration: The dazzling finale to a typical Takarazuka Revue show. Takarazuka Revue Company.

Plates
Acknowledgements

This book owes its existence to the support, generosity and patience of many people over nearly a decade of research. Above all, I thank Associate Professor Sandra Wilson of Murdoch University for her meticulous and untiring guidance. The encouragement of my mentors and colleagues at that same institution and at the University of Western Australia has also been much appreciated. My further gratitude is extended to Professor Yoshio Sugimoto and Ms Machiko Sato of Trans Pacific Press for their kindness and advice in the publishing of this volume.

I heartily thank my informants, whose frank and generous responses to my survey afforded many valuable, unique insights; and numerous past and present members of the Takarazuka Revue Administration, especially Mr Khei Kobayashi and Ms Yokiko Haruuma, for their generous cooperation and assistance in arranging interviews. Ms Masako Imanishi, Deputy Principal of the Takarazuka Music School, warmly welcomed me to the School on several occasions, and provided invaluable textual and photographic material. I also thank Ms Satoko Ksaka and the office of Ms Riyoko Ikeda, original author of

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