Sara Rosinsky - Unflubbify Your Writing: Bite-Sized Lessons to Improve Your Spelling, Punctuation, and Grammar
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English can be beastly. With all its soundalike and lookalike words, its peculiar punctuation rules, its ridiculous spelling inconsistencies, and those teeny-tiny apostrophes that love landing in all the wrong places, writing can get downright intimidating.
HAVE NO FEAR! Unflubbify Your Writing is here! Packed with fun examples, this book shows you how to:
- Keep spellings straight: capital and capitol, stationary and stationery, forego and forgo, etc.
- Avoid comma splices and grocers apostrophes.
- Pluralize last names.
- Understand when to use fewer instead of less.
- Use i.e. and e.g. correctly.
- Know whenand when notto capitalize mom and dad.
These little lessons are amusing, irreverent, memorable, and nothing like any English class youve ever attended. Before long, youll feel more confident in your writing and notice that youre enjoying it more than ever.
Get one book for yourself and a few extras for:
- Your retired-English-teacher mother.
- Your nephew whos heading to college.
- Your friend who wants to write her memoir.
- That coworker who always says antidote when he means anecdote.
Please note that occasionally, this book leans a little racy, so its probably most appropriate for teenagers and grownups.
Sara Rosinsky: author's other books
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Unflubbify Your Writing: Bite-Sized Lessons to Improve Your Spelling, Punctuation, and Grammar
Published by Shiny Red Copy
Lafayette, Colorado
Copyright 2021 by Sara Rosinsky. All rights reserved.
No part of this book may be reproduced in any form or by any mechanical means, including information storage and retrieval systems without permission in writing from the publisher/author, except by a reviewer who may quote passages in a review.
All images, logos, quotes, and trademarks included in this book are subject to use according to trademark and copyright laws of the United States of America.
EDUCATION / Language Experience Approach
Cover and interior design by Sarah Neighbour. neighbourlydesign.co
All rights reserved by Sara Rosinsky and Shiny Red Copy. shinyredcopy.com
Due to technical idiosyncrasies, here is a table of contents that reflects 98.9% of the books pages. Use the search feature in your eBook reader to search for specific words or phrases.
Im glad you asked.
I am not a grammar fascist, cop, or dominatrix. Im neither a stickler nor a snob.
But Ive been making my living as a writer for a long time, and I notice mistakes that a lot of people tend to make.
Its no wonder that these mistakes happenEnglish is tough . Its filled with words that sound identical but are spelled differently ( bear and bare ); words that look identical but are pronounced differently (I read [reed] today but I read [red] yesterday); and words whose spelling makes no sense whatsoever (Im talking to you, colonel ).
Incidentally, how weird is it that we can talk about words whose spelling makes no sense when a word is surely a what and not a who ? And how do we keep the words whose and whos straight?
Anyway, it occurred to me a few years ago that maybe I could help people get a handle on this wacky language of ours. I started creating little lessons to explain and clarify confusing spelling and punctuation rules. I posted these lessons on Twitter, Facebook, Instagram, and LinkedIn.
A lot of readers said they appreciated the lessons and found them helpful. People began making requests.
There seemed to be no end to the topics that needed clarifying. Who and whom . Which and that . Averse and adverse .
After a while, Id created quite a collection of little lessons. And I thought it would be helpful to compile them so people could look up topics as necessary.
And so here we are: a book for people whod like to avoid mistakes, feel less anxious, and grow more confident in their writing. People whod like to find the same delight in writing that I do.
Thats you, isnt it?
Your goal is to communicate. *
The more clear, consistent, and error-free your writing is, the more likely youll be to win the confidence and interest of your reader. Every word and punctuation mark you write should serve this objective.
English changes constantly.
You dont have to like this fact. You dont have to approve of it. But our language is a living organism constantly being shaped by well over two billion people, most of whom youll never even meet, much less control. You can rail against impact being used as a verb. You can hate the fact that literally can now mean virtually and irregardless lives in the dictionary. But I suggest you just get comfortable with it all.
Writing is like clothingthe occasion matters.
Most of us choose our attire according to the circumstances and the people who will see it. You probably wouldnt wear the same outfit to get married, go fishing, and show up for a deposition. Similarly, the way you address a prospective employer or client should be different than the way you text your best friend.
English is super-duper fun.
Sure, it can be difficult and irrational. But the more you know, the more youll love it. For example, when you look at etymology, you realize that every word has a story, and almost all of them are fascinating.
______________________________________________________________
* Unless you are writing in your diary. And even then, you should probably assume that someone will read it at some point.
The Oxford English Dictionary has an example of impact being used as a verb in 1601, but its first example of impact as a noun isnt until 1781. And get this: The OED even has an example of impact being used as an adjective in 1563.
The word fascinating has some racy roots. Its related to sorcery and, if you must know, A phallus-shaped amulet worn around the neck as a preventive against witchcraft. (Thank you, Wiktionary .)
This isnt a textbook or a bible. It isnt meant to replace Strunk and Whites guide or justify a fistfight about the serial comma. This is a collection of quick little lessons that I hope you will find engaging, amusing, clarifying, and memorable. Some of these lessons highlight etymology * ; others point to the shapes or ordering of a words letters. If I find it helpful to think about rhymes or visual scenarios, Ill tell you so.
If I were you, Id get into the habit of just picking this book up and diving in randomly. If you already know a topic, I say go ahead and read the lesson anyway. You might learn a new fact, or just enjoy a sample sentence that pokes fun at grifters, two-timers, or other neer-do-wells.
Would it be vulgar for me to recommend that you keep a copy of this book next to your toilet? Probably. Would it be crass of me to recommend that you also keep one by your bed and another on your coffee table? Possibly. Am I capable of being vulgar, crass, and self-serving enough to write leading questions? You be the judge.
Above all else, please enjoy this book. Thats why I wrote it.
______________________________________________________________
*This word, which alludes to linguistic history, is dangerously close to entomology , the study of bugs. To avoid a mix-up, you could associate the n in e n tomology with n its, n ematodes, n ymphs, orheaven help usa teeming n est.
And now, the lessons
Do a , not a 360.
There are 360 degrees in a circle. So if you were to do a 360-degree turnaround, youd only end up pointing in the exact same direction you started in. If you want to describe a completely new direction, say youre doing a 180 , which means youre now going in the opposite direction of where you were originally headed.
One fell swoop, not foul.
Fell is one of those old-timey words Shakespeare used. It means cruel or sinister , and heres a fun fact: Its related to the word felon . Really, these days, the one fell swoop expression doesnt have such a wicked connotation; its just a way to say that something happens all at once.
Pass muster , not mustard.
Muster is a formal military inspection. So when you pass it, that means everything is shipshape. Pass muster often gets mixed up with cut the mustard , which means to be good enough to succeed. (You often hear it used negativelysomething or someone who doesnt cut the mustard .) Carefulnever confuse this with cut the cheese .
Toe the line, not tow.
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