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Jane Davenport - Drawing and Painting Beautiful Faces: A Mixed-Media Portrait Workshop

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Drawing and Painting Beautiful Faces: A Mixed-Media Portrait Workshop: summary, description and annotation

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Perfect for aspiring designers, Drawing and Painting Beautiful Faces is an inspiring, mixed-media workbook on how to draw and paint beautiful, fashion illustrationstyle faces.

Author Jane Davenport is a beloved artist and international workshop instructor known by her thousands of students and fans for her over-the-top, enthusiastic, happy, and encouraging style. In Drawing and Painting Beautiful Faces , Davenport guides you, step by step , through the foundations of drawing a face, developing successful features, creating skin tones, playing with bright colors , shading , highlighting , and much more as you learn to create amazing mixed-media portraits.

With this elegantly designed guidebook, you will quickly master a variety of techniques in a variety of mediums , including:

  • Pencil
  • Marker
    Pen
  • Watercolor
  • Acrylic paint
  • Ink
  • Pastel
  • Ephemera

Drawing and Painting Beautiful Faces will have you dancing your way through the exercises. In no time at all, you will have a selection of beautifully faced portraits ready to view, display, or even sell to a fashion designer.

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FUN- loving EXERCISES FOR CREATING fanciful FACES - photo 1
FUN- loving EXERCISES FOR CREATING fanciful FACES - photo 2

FUN- loving EXERCISES FOR
CREATING fanciful FACES

INTRODUCTION This book is all about drawing whimsical faces from your - photo 3
INTRODUCTION This book is all about drawing whimsical faces from your - photo 4
INTRODUCTION This book is all about drawing whimsical faces from your - photo 5
INTRODUCTION

This book is all about drawing whimsical faces from your imagination. I like to think of our pencils and brushes as harboring crowds of imaginary people and creaturesall just waiting patiently to fall out and be drawn into existence, one by one.

Drawing has long been my friend, and it wants to be yours as well. I began my drawing career as the kid-who-could-draw, then I started my first job as a fashion illustrator, and I went on to become a professional artist with my own gallery. But it wasnt until I started teaching that I fully appreciated what a powerful medium it is. Drawing can be the superhighway straight to the heart of your creativity!

There are absolutely no rules in art. Everything I present in my classes and in this book are simply my ideas. I believe drawing is theater. I base my artwork on reality and then heighten the elements that fascinate me until I arrive at my own style full of whimsical faces, colors, and forms. My greatest wish is for you to know the joy of drawing faces and to build your own style. And its such a privilege to help you do that. Just follow your curiosity, gather your courage, and bravely read on!

If you have confidence in drawing you can express ideas that DEFY language - photo 6
If you have confidence in drawing you can express ideas that DEFY language - photo 7
If you have confidence in drawing you can express ideas that DEFY language - photo 8

If you have confidence in drawing, you can express ideas that DEFY language.

My core desire for my studentsand you are one now; welcome to the club!is to create subtle shifts in realizing your own awesomeness and to empower you through your own creativity. I believe that feeding our artistic nature makes us better people. And the world really does need the best from of each of us!

I have taught thousands and thousands of people to welcome back their childhood love of drawing. To be part of their new creative confidence brings me untold joy. So it is with great excitement that I now usher you into my studio to share my contagious passion for drawing and painting!

Choose happiness,

welcome to my STUDIO CHAPTE - photo 9

welcome to my STUDIO CHAPTER ONE SUPPLIES me - photo 10
welcome to my STUDIO CHAPTER ONE SUPPLIES me Use whatever drawing - photo 11
welcome to my STUDIO CHAPTER ONE SUPPLIES me Use whatever drawing - photo 12

welcome to my STUDIO.

CHAPTER ONE
SUPPLIES me!
Use whatever drawing tools you have access to When do I use what is a - photo 13

Use whatever drawing tools you have access to.

When do I use what? is a common question about art supplies, and its my intention to help you with those decisions throughout this book. But I have a confession to make first: I am an art supply junkie. I love art supplies so much I created an online workshop all about them and I opened an art supply store. No one knows better than I, that with all that amazing choices, deciding what to use can be overwhelminglet alone deciding how to use it.

Back to that question, When to use what? Well, the answer many artists give is intuition. But what is intuition? Its the result of experience, experimentation, and practice. The important thing to realize is there are no wrong choices. There are no mistakes, no rules. Even when the result is an unexpected muddy mess, you have learned a valuable lesson about your materials.

Getting in touch with your supplies, and learning the things that make your heart sing, develops your artistic intuition. Whenever you play with your supplies, you are building your creative confidence.

I think its important to set your supplies free from the boxes they came in and, if possible, have them arranged around you where you create. That way you can unfetter your intuition and grab whatever color appeals to you at the time!

I always have my most trusted supplies nearby to lean on, but I like trying new things, rediscovering old favorites, and experimenting to discover new ways to use what I have. Sometimes I place an ignored art supply right in front of me to encourage its use. I am not curating an art supply museumalthough it certainly would be fun! I want my stuff to be paint splattered, emptied, and taken to its limits.

I call my compulsion to arrange art supplies in color-wheel order Rainbowitis. My feeling is that the creative process is chaotic enough, so I like to surround myself with organized color while the art is happening. That way I can always (well, usually) find what I need.

In this chapter we take a closer look at the materials I use in my artwork.

SURFACES Making art is a physical experience So much inspiration comes from - photo 14
SURFACES

Making art is a physical experience. So much inspiration comes from the way it actually feels to put our tools to a surface we like. I, for one, go crazy over great paper! So although this books exercises can be created on canvas, wood, panels, or the walls, I encourage you to consider dedicating a sketchbook to them.

ART JOURNAL

I am a huge fan of art journaling. This practice combines a sketchbook, notebook, diary, and scrapbook into a field book of your life. It is just for you, so anything goes! Its so nourishing to create in something you can open, close, and carry with you. In most of my workshops I have my students working in journals because it removes so much pressure. Dont like something you just drew? Just turn the page and work on something else.

Give yourself some room to create. The 8" x 11" (20.3 x 28 cm) Strathmore 500 Series Mixed-Media Hardbound art journal is my favorite commercially available sketchbook. Even better, you could make your own journal. For instance, I made a 11.5" x 13.5" (29.2 x 34.3 cm) journal to create all the lessons in this book.

My favorite paper is Fabriano Artistico Hot Press Watercolor in 140lb (300 gsm). It is robust, smooth enough for collage, loves all mediums, doesnt buckle, and folds like a charm. A quick internet search will turn up great instructions on basic journal binding.

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