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Iain Hector Ross - The Whisky Dictionary

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Both a celebration of the world of whisky and a window into it. Iain Hector Ross has ranged deep, far, and wide into the industry to capture whisky speak in a single guide. He has literally climbed inside the distilling process to feel the heat, savor the aromas, and absorb the words that swirl around the making and sharing of whisky. Now this language itself has been `casked between the covers of this delightful guide, and whisky enthusiasts the world over can understand, explore and enjoy Scotch in all its wondrous diversity.

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Iain Hector Ross grew up in Glasgow in the leafy West End enclave of Kelvingrove. Having a father from Skye and a mother from Lewis meant Gaelic was not only the language of the home but also of the endless procession of cousins and characters who came to ceilidh . Together with epic summer journeys home to the islands, these gatherings fed his love of Highland lore, and he has been crafting stories from this source ever since as: feature writer, documentary producer, playwright, singer songwriter and broadcaster. Musically he has performed in English and Gaelic as a soloist and with his group Trosg and with Coisir Gaidhlig Inbhir Nis (Inverness Gaelic Choir) at Celtic Connections, Belladrum Festival and the Market Bar in Inverness. His radio play The Coffin Road was broadcast on BBC radio. While writing The Whisky Dictionary he was also helping to create the first legal distillery on the Isle of Raasay. Iain Hector Ross lives in Inverness with his wife, Marion, and two grown-up daughters occasional bedrooms.

Ben Averis is a professional artist and botanist. Originally from Wales, he graduated in Fine Art from Bath Academy of Art in 1980. He combines his art and botanical work through shared subject matter and shared processes, and has illustrated a number of books including The Rainforests of Britain and Ireland by Clifton Bain, published by Sandstone Press in 2015. He lives in East Lothian with his wife Alison and daughter Elen. His artwork can be seen on his website: www.benaverisart.co.uk

Published in Great Britain by

Sandstone Press Ltd

Dochcarty Road

Dingwall

Ross-shire

IV15 9UG

Scotland.

www.sandstonepress.com

All rights reserved.

No part of this publication may be reproduced, stored or transmitted in any form without the express written permission of the publisher.

Copyright Iain Hector Ross 2017

All illustrations Ben Averis 2017

Editor: Robert Davidson

The moral right of Iain Hector Ross to be recognised as the author of this work has been asserted in accordance with the Copyright, Design and Patent Act, 1988.

The publisher acknowledges support from Creative Scotland towards publication of this volume.

The Whisky Dictionary - image 1

ISBN: 978-1-910985-92-2

ISBNe: 978-1-910985-93-9

Cover illustrations by Ben Averis

Cover design by Raspberry Creative Type

Ebook Compilation by Iolaire Typesetting, Newtonmore

Contents

Do Mr, Cairistiona agus Susanna

This book is dedicated to Marion, Christina and Susanna

This Whisky Dictionary is the first guide to the language written from within the industry. From the floor of the still house to the malt barns pagoda roof, it gathers the keywords and delves deep into its production process and colourful history. The recent wave of renewed worldwide interest means we live in an era when folk of all nationalities and cultures can meet and find themselves talking the language of whisky. Sharing and savouring their passion for the Universal Dram, they use the rich language that has evolved around this ancient and complex spirit.

Informative, entertaining and passionate, the Whisky Dictionary is a unique guide to the special vocabulary shared by whisky makers and whisky lovers the world over. So, pop the cork and release the unique aromas and flavours of the language. Close your eyes, breathe in the vapour and be taken straight to the ageing oak cask and the dank warehouse where the spirit lies maturing for so many years.

Like no other manufactured product, Scotch whisky is on a centuries-long journey of engagement with all peoples and cultures. The evidence of its arrival in new regions is reflected in the growth in overseas visitors coming to Scotland in search of the distilleries and the people who make the whisky they love. Their cheerful passion can make some of us Scots seem almost blas about our gift to the world. Scotch whisky tourism has become a serious part of the industry and an important income stream. In addition, at time of writing, thirty new distillery projects are being built across the country, a construction boom not seen for at least a generation.

Every corner of the landscape has its own whisky story, and Scotland has been inventing and reinventing ways to produce this spirit for centuries; from fiery, one day old, illicit mountain whisky to velvety 40 year old, single malt, sherry cask finished, masterpieces secured deep in the spirit vaults at the heart of the capital city of Edinburgh. Records show weve been talking, reading, writing and even arguing about the stuff since at least the 16 th century and, as the art of production has evolved and changed, so has its language. The history of whisky is one of invention, crafting, refining and reinvention through periods of boom and bust, prohibition and legislation, smuggling and skirmishes, and vast international outreach.

The story is also one of a simple crafted spirit called Scotch whisky that has connected with people from the Wild West to the Far East, from the Frozen North to the Beautiful South, to become a recognised token of fellowship. It is the acknowledged drink for those special moments when people renew friendships, commemorate moments and celebrate achievements that might include reaching the summit of a mountain, completing eighteen holes in a hailstorm or just putting the kids to bed at the end of a long day. The pouring of the warming dram is the signal to all in the company that it is time to put away concerns and turn to each other and enjoy the craic . It fuels our stories and our songs and each bottle carries its own unique sense of place, people and heritage.

Now open your eyes, swill the spirit in the glass and observe how the balanced combination of time, malted barley, oak cask and passionate husbandry takes form in its oily amber golden hues. Sip softly and savour the full depth, intensity and complexity of malted barley, spring water, copper and oak. Add a bead of water and the lighter organic, citrus and vanilla flavours spring open. Then: a final nod to the lovingly poured spirit with the traditional salute and a drop of ancient Gaelic, Slainte Mhath! before offing the dram.

Iain Hector Ross

Inverness 2017

Abscisic acid n A concentrate within mature barley grains which acts as an - photo 2

Abscisic acid n. A concentrate within mature barley grains which acts as an inhibitor to germination. The steeping/soaking process reduces the concentration of abscisic acid (ABA) as the grains begin to germinate. The grain opens as water penetrates the barley and the ABA leeches through the husk. Full germination of the barley grain occurs once the steeping process has reduced the level of ABA in the grain to a relatively low level.

ABV n. Any liquors alcoholic strength is measured by its percentage of alcohol content by volume, abbreviated as its ABV%. Newly distilled new-make spirit poured from the spirit still is generally around 70% ABV before being diluted with water and filled into the cask at 63.5% ABV for its three years of maturation to become Scotch whisky. At bottling, further dilution generally brings this down to between 40% and 50% ABV. This compares with port/sherry from 15%-20% ABV, wine 7%-14% ABV and beer/cider ranging between 3%-8% ABV.

Acetaldehyde n. Once the new-make spirit is filled into the cask, oxidation occurs causing chemical reactions in the lignin elements in the wood. These produce successive compound interactions that shape the maturing distilled spirits flavour. One such reaction is the creation of acetaldehydes and acetic acid from ethanol. These compounds are the flavour congeners that contribute sweeter, fruity tones to the spirits, as opposed to aldehyde compounds which lay down sourer, more bitter notes.

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