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Rekha S. Rajan - Integrating the Performing Arts in Grades K–5

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Enhance the learning experience by integrating the performing arts

Research documents that the arts boost learning, build confidence, and motivate students to participate in class. How do we keep the performing arts alive in this era of increased accountability and decreased funding? Rekha S. Rajan sets the stage for a creative and practical solution with detailed, concrete examples of how to integrate the performing arts into math, science, social studies, and language arts. Key features include:

  • Step-by-step examples of how to include the performing arts in all aspects of the curriculum
  • Ways to impact students learning in the cognitive, social, and artistic domains
  • Activities that can be implemented immediately and easily
  • Detailed lesson plans connected to the National Standards for Arts Education, National Standards for Early Childhood and Elementary Education, and Common Core Standards for Math and Language Arts
  • Students in grades K-5 need creative venues that encourage self-confidence, self-expression, and collaboration. The performing arts provide opportunities to build personal and social skills that are an integral component of learning and development. This accessible resource provides all teachers with the tools to integrate the performing arts throughout their curriculum.

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    Integrating the

    PERFORMING
    ARTS

    in Grades K5

    Integrating the

    PERFORMING
    ARTS

    in Grades K5

    Rekha S. Rajan

    FOR INFORMATION Corwin A SAGE Company 2455 Teller Road Thousand Oaks - photo 1

    FOR INFORMATION Corwin A SAGE Company 2455 Teller Road Thousand Oaks - photo 2

    FOR INFORMATION:

    Corwin
    A SAGE Company
    2455 Teller Road
    Thousand Oaks, California 91320
    (800) 233-9936
    www.corwin.com

    SAGE Publications Ltd.
    1 Olivers Yard
    55 City Road
    London EC1Y 1SP
    United Kingdom

    SAGE Publications India Pvt. Ltd.
    B 1/I 1 Mohan Cooperative Industrial Area
    Mathura Road, New Delhi 110 044
    India

    SAGE Publications Asia-Pacific Pte. Ltd.
    3 Church Street
    #10-04 Samsung Hub
    Singapore 049483

    Copyright 2012 by Corwin


    All rights reserved. When forms and sample documents are included, their use is authorized only by educators, local school sites, and/or noncommercial or nonprofit entities that have purchased the book. Except for that usage, no part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the publisher.

    Printed in the United States of America

    A catalog record of this book is available from the Library of Congress.

    ISBN 978-1-4522-0395-9

    This book is printed on acid-free paper.

    12 13 14 15 16 10 9 8 7 6 5 4 3 2 1


    Acquisitions Editor: Jessica Allan
    Associate Editor: Allison Scott
    Editorial Assistant: Lisa Whitney
    Production Editor: Amy Schroller
    Copy Editor: Cate Huisman
    Typesetter: C&M Digitals (P) Ltd.
    Proofreader: Victoria Reed-Castro
    Indexer: Judy Hunt
    Cover Designer: Edgar Abarca
    Permissions Editor: Karen Ehrmann


    Contents

    Acknowledgments

    T he concept of this book has been formulating in my mind for quite some time. As I have observed the value of the performing arts in childrens lives, I have also been troubled with its absence in our schools.

    The ideas in this book were generated from my experiences as a performer and teacher. I want to thank all of the children for whom I have had the pleasure of teaching music, theater, dance, and musical theater. There is no greater joy than seeing the vehicle for self-expression, confidence, and creativity that the performing arts provide. I am also grateful to the teachers and graduate and undergraduate students whose ideas have continued to inspire me in many ways.

    Working with everyone at Corwin, particularly Jessica Allan, has been a wonderful experience. Jessica, your thoughtful, generous ideas have greatly helped shape this manuscript to what it is today. I knew from our first correspondence that you believed in the performing arts as much as I do, and I look forward to continuing our conversations on this topic.

    My family is, of course, my greatest support system. I am always grateful to my in-laws for their support and prayers from afar! My brother and sister-in-law are eternal optimists, cheering on my every endeavor. To my parents, without whom none of this would be possibleyou are both my best audience members. Thanks for always being in the front row. To my dad, for always driving me to auditions. To my mom, my first teacher, for showing me passion as an early childhood educator.

    To my husband, Bharat, you are the most incredible person I have ever known. You constantly inspire me to be a better person with your dedication, kindness, and unconditional love. Although it has not been easy balancing our professional responsibilities with sleepless nights of changing diapers (now doubled!) I can always count on you to be there when I need you most.

    To my son, Jagan, your smile motivates me, your hugs comfort me, and your laugh is my favorite music. To my daughter, Madhavi, you are everything beautiful in this world. This is for you both.

    Publishers Acknowledgments

    Corwin gratefully acknowledges the contributions of the following reviewers:

    Michelle Barnea, RN, MSEd
    Early Childhood Educational Consultant
    Innovations in Early Learning
    Millburn, NJ

    Karla Bronzynski
    First Grade Teacher
    EldoraNew Providence Schools/Iowa Reading Association
    Eldora, IA

    Rebecca S. Compton
    Professor, Elementary Education
    East Central University
    College of Education
    Ada, OK

    Tamara Daugherty
    Third Grade Teacher
    Lakeville Elementary School
    Apopka, FL

    Stacey B. Ferguson, NBCT
    Teacher Consultant, Live Oak Writing Project
    Bay Saint Louis, MS

    Kimberly Kyff, NBCT
    Literacy Coach
    Detroit Public Schools
    Detroit, MI


    About the Author

    Rekha S Rajan EdD is an arts education specialist with a focus on early - photo 3
    Rekha S. Rajan, EdD is an arts education specialist with a focus on early childhood education and assessment. She holds a doctorate in music education from Teachers College, Columbia University, where she also received an EdM in music education. She also holds an MA in early childhood professions from Roosevelt University.

    Dr. Rajan is a senior research associate with the Center for Arts Education Research at Teachers College, Columbia University, where she is part of ArtsResearch, a team of consultants who evaluate arts-based partnerships around the United States. Through these partnerships, she has interviewed and observed hundreds of public school teachers regarding the strengths and challenges they face with integrating the arts.

    Her research interests focus on the impact of the performing arts in the lives of young children and on teachers use of the performing arts in the classroom. She has published articles in General Music Today, Focus on Pre-K&K and Focus on Elementary of the Association of Childhood Education International, and is also the author of the forthcoming book, Childrens Experiences in Musical Theater.

    Dr. Rajan has held faculty positions at National-Louis University, where she coordinated the graduate programs in early childhood education, and Roosevelt University where she taught courses in elementary education and supervised student teachers. She has been working with teachers and teacher candidates for more than 10 years, and sits on various Illinois state councils and advisory committees for early childhood assessment. Dr. Rajan is also the president and founder of the Greater Chicago Area Chapter of the Early Childhood Music and Movement Association. Prior to teaching in higher education, Dr. Rajan taught music, theater, and dance in studio and classroom settings, and performed in numerous operas, operettas, and musicals.


    PART I
    From Practice to Performance

    1
    An Introduction to the Performing Arts

    A young child sits at the piano for the first time, running his hands across the keys, kicking his legs beneath him as they dangle off the bench.

    As the curtain rises, a family sits together in the center aisle to watch the opening night performance of a new play.

    Two sisters dance together in their bedroom, creating their own choreography to their favorite music, twirling and swirling to the sounds around them.

    A cast of children stand anxious and excited on stage in the bright spotlights, adorned in colorful costumes.


    T hese vignettes are examples of music, theater, dance, and musical theaterartistic genres that are individually and collectively defined as the performing arts.

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