THE EVERYTHING MUSIC THEORY BOOK
A complete guide to taking your understanding of music to the next level
Marc Schonbrun
Copyright 2007, F+W Publications, Inc. All rights reserved.
This book, or parts thereof, may not be reproduced in any form without permission from the publisher; exceptions are made for brief excerpts used in published reviews.
An Everything Series Book.
Everything and everything.com are registered trademarks of F+W Publications, Inc.
Published by Adams Media, an F+W Publications Company 57 Littlefield Street, Avon, MA 02322 U.S.A. www.adamsmedia.com
ISBN 10: 1-59337-652-9
ISBN 13: 978-1-59337-652-9 (paperback)
ISBN 13: 978-1-60550-297-7 (EPUB)
Printed in the United States of America.
J I H G F E D C B A
Library of Congress Cataloging-in-Publication Data.
Schonbrun, Marc.
The everything music theory book : a complete guide to taking your understanding of music to the next level / Marc Schonbrun.
p. cm. (Everything series)
Includes bibliographical references and index.
ISBN 13: 978-1-59337-652-9 (paperback)
ISBN 13: 978-1-60550-297-7 (EPUB)
ISBN-10: 1-59337-652-9
1. Music theory. I. Title.
MT6.S325 2007
781 dc22
2006032602
This publication is designed to provide accurate and authoritative information with regard to the subject matter covered. It is sold with the understanding that the publisher is not engaged in rendering legal, accounting, or other professional advice. If legal advice or other expert assistance is required, the services of a competent professional person should be sought.
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The Series
Editorial
Publishing Director | Gary M. Krebs |
Director of Product Development | Paula Munier |
Associate Managing Editor | Laura M. Daly |
Associate Copy Chief | Brett Palana-Shanahan |
Acquisitions Editor | Lisa Laing |
Development Editor | Jessica LaPointe |
Associate Production Editor | Casey Ebert |
Production
Director of Manufacturing | Susan Beale |
Associate Director of Production | Michelle Roy Kelly |
Cover Design | Paul Beatrice Erick DaCosta Matt LeBlanc |
Design and Layout | Heather Barrett Brewster Brownville Colleen Cunningham Jennifer Oliveira |
Series Cover Artist | Barry Littmann |
Visit the entire Everything Series at www.everything.com
The Music Theory Book
Dear Reader,
As someone who has been an academic music student, a composer, and a professional musician in all areas of music, I see clearly the divide that has made theory such a hard topic to teach. I love music theory because it fascinates me. But at the same time, I understand that it serves a purpose and that purpose is different for each reader.
To try to tackle this, I opted for a few unique things. First, the examples in the book range from classical music to pop and jazz in an effort to reach as many readers as possible. Also, the notation is presented for single-line instruments, mainly piano and guitar. This is also meant to motivate you to play the examples because theory does not live on paper. Music is not a theory; it is a real thing that I want all of you to experience in full. I hope no matter who you are, you leave this book with a deeper understanding of something that you and I love so much: music.
Best,
This book is dedicated to Joshua Barry Schonbrun, my nephew.
Welcome to the EVERYTHING Series!
IN TIME
A quick spot of music history
These handy, accessible books give you all you need to tackle a difficult project, gain a new hobby, comprehend a fascinating topic, prepare for an exam, or even brush up on something you learned back in school but have since forgotten.
Extra Credit
Something to practice
You can read an EVERYTHING book from cover to cover or just pick out the information you want from our three useful boxes: e-in time, e-extra credit, and e-point to consider. We literally give you everything you need to know on the subject, but throw in a lot of fun stuff along the way, too.
Point to Consider
To clarify a musical concept
We now have well over 300 EVERYTHING books in print, spanning such wide-ranging categories as weddings, pregnancy, cooking, music instruction, foreign language, crafts, pets, New Age, and so much more. When you're done reading them all, you can finally say you know EVERYTHING !
Contents
Acknowledgments
Thanks to my family: Mom, Dad, Bill, Trish, Joshua, and David. Many thanks again to Joe Mooney for his time, also to Dr. Paul Siskind for his guidance. Thanks to Ernie Jackson for the formative ideas. To the Crane School of Music for my education, and Dr. Doug Rubio for my start!
To Karla, life is a journey and it's better with you as a partner on the road.
Introduction
MUSICIANS OFTEN START at an early age with study in school that typically includes learning how to read music notation. Many of you who play traditional instruments got your start in public schools. Traditional instruments include band and orchestral instruments like flute, clarinet, violin, and cello. If you were able to study in school, you probably got a good foundation of practical work on your own instrument, including reading music and performance. Many schools only offer instruction in band and orchestral instruments, although that is starting to change. If you studied a nontraditional instrument, such as guitar, bass, or piano, chances are that you didn't do so in school. You probably did it totally on your own, either teaching yourself or through private instruction. Depending on the instrument you chose, you may or may not have a strong background in reading music. Pianists typically are grounded in reading, while many guitarists' learning rarely includes reading.
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