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Sonja Boon - What the Oceans Remember: Searching for Belonging and Home

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What the Oceans Remember: Searching for Belonging and Home: summary, description and annotation

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Sonja Boons heritage is complicated. Although she has lived in Canada for more than 30 years, she was born in the UK to a Surinamese mother and a Dutch father. An invitation to join a family tree project inspired a journey to the heart of the histories that have shaped her identity, as she sought to answer two questions that have dogged her over the years: Where does she belong? And who does she belong to?

Boons archival researchin Suriname, the Netherlands, the UK, and Canadabrings her opportunities to reflect on the possibilities and limitations of the archives themselves, the tangliness of oceanic migration, histories, the meaning of legacy, music, love, freedom, memory, ruin, and imagination. Ultimately, she reflected on the relevance of our past to understanding our present.

Deeply informed by archival research and current scholarship, but written as a reflective and intimate memoir, What the Oceans Remember addresses current issues in migration, identity, belonging, and history through an interrogation of race, ethnicity, gender, archives and memory. More importantly, it addresses the relevance of our past to understanding our present. It shows the multiplicity of identities and origins that can shape the way we understand our histories and our own selves.

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WHAT the OCEANS REMEMBER Life Writing Series WILFRID LAURIER UNIVERSITY - photo 1
WHAT the OCEANS REMEMBER
Life Writing Series WILFRID LAURIER UNIVERSITY PRESS Life Writing series - photo 2

Life Writing Series

WILFRID LAURIER UNIVERSITY PRESS Life Writing series celebrates life writing as both genre and critical practice. As a home for innovative scholarship in theory and critical practice, the series embraces a range of theoretical and methodological approaches, from literary criticism and theory to autoethnography and beyond, and encourages intersectional approaches attentive to the complex interrelationships between gender, class, race, ethnicity, sexuality, ability, and more. In its commitment to life writing as genre, the series incorporates a range of life writing practices and welcomes creative scholarship and hybrid forms. The Life Writing series recognizes the diversity of languages, and the effects of such languages on life writing practices within the Canadian context, including the languages of migration and translation. As such, the series invites contributions from voices and communities who have been under- or misrepresented in scholarly work.

Series editors:

Marlene Kadar, York University; Sonja Boon, Memorial University

This book has been published with the help of a grant from the Canadian - photo 3

This book has been published with the help of a grant from the Canadian - photo 4

This book has been published with the help of a grant from the Canadian Federation for the Humanities and Social Sciences, through the Awards to Scholarly Publications Program, using funds provided by the Social Sciences and Humanities Research Council of Canada. Wilfrid Laurier University Press acknowledges the support of the Canada Council for the Arts for our publishing program. We acknowledge the financial support of the Government of Canada. This work was supported by the Research Support Fund.

Library and Archives Canada Cataloguing in Publication Title What the oceans - photo 5

Library and Archives Canada Cataloguing in Publication

Title: What the oceans remember : searching for belonging and home / Sonja Boon.

Names: Boon, Sonja, author.

Series: Life writing series.

Description: Series statement: Life writing | Includes bibliographical references and index.

Identifiers: Canadiana (print) 20190073012 | Canadiana (ebook) 20190073179 | ISBN 9781771124232 (hardcover) | ISBN 9781771124256 (EPUB) | ISBN 9781771124249 (PDF)

Subjects: LCSH: Boon, Sonja. | LCSH: Boon, SonjaFamily. | LCSH: Identity (Psychology) | LCSH: HomePsychological aspects. | LCSH: Belonging (Social psychology)

Classification: LCC CT310.B66 A3 2019 | DDC 971.07092dc23

Cover and text design by Lime Design Inc. Front-cover image: De plantages Nijd en Spijt en Alkmaar aan de Commewijne Rivier (ca. 1860), Nationaal Museum van Wereldculturen, inventory number TM-3348-17. Page viii image: Het hospitaal op plantage Sarah, Nationaal Museum van Wereldculturen, inventory number TM-H-3357.

2019 Wilfrid Laurier University Press

Waterloo, Ontario, Canada

www.wlupress.wlu.ca

The epigraph, The past is remembered and told by desire, is copyright 2015 by Lauret Edith Savoy, from Trace: Memory, History, Race, and the American Landscape. Reprinted by permission of Counterpoint Press.

Every reasonable effort has been made to acquire permission for copyright material used in this text, and to acknowledge all such indebtedness accurately. Any errors and omissions called to the publishers attention will be corrected in future printings.

No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior written consent of the publisher or a licence from the Canadian Copyright Licensing Agency (Access Copyright). For an Access Copyright licence, visit http://www.accesscopyright.ca or call toll free to 1-800-893-5777.

TO OMA for bequeathing your stubbornness to me and for teaching me how to - photo 6

TO OMA ,

for bequeathing your stubbornness to me
(and for teaching me how to make
pastei),

AND TO OPA ,

for the music.

THE PAST is REMEMBERED and TOLD by DESIRE LAURET EDITH SAVOY CONTENTS - photo 7

THE PAST is REMEMBERED
and TOLD by DESIRE.

LAURET EDITH SAVOY

CONTENTS List of Figures Authors Note This book is based on archival - photo 8

CONTENTS List of Figures Authors Note This book is based on archival - photo 9

CONTENTS

List of Figures Authors Note This book is based on archival research - photo 10

List of Figures

Authors Note

This book is based on archival research undertaken
in the Netherlands, Suriname, England, and Canada.
All conversations have been reconstructed.

TIMELINE

1621

Geoctroyeerde Westindische Compagnie (Dutch West India Company) established.

1667

The Dutch capture Suriname, formalizing their claim later that year as part of the Treaty of Breda.

1720

Middelburgsche Commercie Compagnie established.

1798

Presumed birth of Frederik Noa. Parents unknown. Place of birth unknown. The family name, Redout, was given in 1863, when slavery was abolished.

1801

J.H. Dietzel is granted Lots 212 and 213 along the coast in the Coronie district, Suriname. These lots would later become Sarah plantation.

1814

Willem I outlaws Dutch slave trade; law comes into full effect in 1818.

1816

Birth of Philip Elias, son of Frederik Noa. Place of birth unknown.

1818

Birth of Edward, son of Frederik Noa. Place of birth unknown.

1821

Sarah plantation established by John Bent.

1827

Birth of Eva Albertina and Frederika, presumably daughters of Frederik Noa, at Sarah plantation, Suriname.

1849

Likely birth of Joorayee Radha, in Uttar Pradesh, British India.

1853

Manumission of Marlon 2e, son of Eva Albertina, under the name Jacob Schove.

1855

Birth of Madleentje Paulina, daughter of Frederika, at Sarah plantation.

1862

Manumission of Annette, eldest daughter of Frederika, under the name Annette Juliane Jurgon.

1852

Publication of Uncle Toms Cabin.

1856

Anthony Dess purchases Sarah plantation.

1863

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