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Irish Countrywomens Association - The Irish Countrywomens Association Book of Crafts: 40 Projects to Make at Home

Here you can read online Irish Countrywomens Association - The Irish Countrywomens Association Book of Crafts: 40 Projects to Make at Home full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 2014, publisher: Mercier Press, genre: Home and family. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

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Irish Countrywomens Association The Irish Countrywomens Association Book of Crafts: 40 Projects to Make at Home

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Nothing compares with the pleasure and satisfaction of making something yourself, and for years the Irish Countrywomens Association has been at the forefront of Irish craft. This beautiful book is an inspiring collection of projects from ICA members that introduce traditional Irish crafts in a fresh, modern way. From making your own jewellery and embroidered cushions, to crochet hats and handmade Christmas decorations, The ICA Book of Craft contains 40 practical projects to inspire you to have a go.

Many of the ideas are simple enough to be tackled by beginners; some are more of a labour of love. Try your hand at a cosy scarf, beautiful Aran jumper or delicate lace collar, or add finishing touches to your home with redwork embroidery, fabric covered boxes or seasonal decorations.

Collected from ICA members around the country and captured in beautiful, atmospheric photographs, the projects in this book show you how to make jewellery, soft furnishings, clothing and festive decorations with a personal touch and a home-made flavour.

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Acknowledgements The ICA has always practised the teaching of crafts - photo 1

Acknowledgements


The ICA has always practised the teaching of crafts and we hold regular craft competitions and craft displays at our own meetings and at events nationwide. The idea behind The Irish Countrywomens Association Book of Crafts was to share the many skills and expert knowledge that exists among our members, and it is great to see our newest book come to fruition.

I am very proud of all our members who have taken the time to make detailed submissions to this book. Each member submitted a piece of craft work, some photographs, a history and a detailed summary of how to make each craft. Unfortunately, not all of the craft work submitted has been included, but this was usually because the pieces were so intricate, requiring such an expert level of skill, that they would be beyond the scope of this book to try to teach them.

I would like to thank each and every member for their wonderful contributions. Without them this book could not have come into being. I also wish to thank Joanne Dunne for her professional handling of all submissions, Joanne Murphy and Orla Neligan for their beautiful photography in the book, and Sarah Liddy, Dominic Perrem and all the team at Mercier Press for creating this book of which I am enormously proud.

Liz Wall, National President of the ICA

Introduction


As National President of the Irish Countrywomens Association I was very pleased to be asked to write the introduction for The ICA Book of Crafts . The ICA has published two books during my presidency: The ICA Cookbook and The ICA Book of Home and Family , s o it seemed only natural to follow on with another book showcasing one tremendously important aspect of our history our traditional Irish crafts. These days many of us do not have time in our lives to spend making everything we wear or use, but a revival has begun and there is a growing interest in learning some of what we in the ICA call our heritage crafts, as well as some more modern crafts, including upcycling and decoupage. But first, let me start with a short introduction to the ICA itself.

The ICA has made a difference, a profound, measurable and marvellous difference, to the way generations of Irish women live their lives. The ICA was central to the setting up of the co-operative movement, the credit union movement, breast health initiatives and Montessori pre-school education and has been an advocate on a huge variety of issues. The members of this organisation have made an exceptional contribution to enriching the lives of the communities in which they live and advancing the role of Irish women in society as a whole. Since the founding of our association, originally called the Society of United Irishwomen, Irish society has changed dramatically and for the better for Irish women.

The ICAs purpose has always been the betterment of women and it has worked to empower women through education and through addressing specific grievances during its existence. Although cloaked in tradition, women have used our association to improve their own lives and the lives of their families and communities.

The ICA has been a strong vehicle for change over the past hundred years. We have been a meeting ground for women from the big house to the cottage, from the Catholic and Protestant religions, from wealthy landowners to poorer immigrants. We are firm believers in self-help and community co-operation. We are non-religious, non-sectarian and non-party political, and this has contributed in a large part to our success, as we give a voice to all women.

The idea behind the organisation arose from the AGM of the Irish Agricultural Association in December 1909, which George Russell addressed, saying: Every Irish community should make its own ideals and should work for them. We cannot build up a rural civilisation in Ireland without the aid of Irish women. This passionate plea made a profound impression on the women attending that AGM and they came out of that meeting determined to embark on organising a new association. On 8 May 1910 a meeting was called in Anita Letts home to organise a womens rural organisation. In her opening paper, entitled The Scheme Explained, she argued that Irishwomen, regardless of class and creed, could unite for the common good of the country. The scheme covered many areas of life including the deficiency of good-quality nursing and health care, adequate nutrition for children, education, horticulture and dress. The scheme also outlined how the new organisation was to be governed. Branches were to be set up in every parish. These branches would be affiliated to a county organisation and an all-Ireland branch would be set up in Dublin. Local women would enjoy a good degree of autonomy in their local branch and the end of the scheme shows Anita Lett urging them to unite and achieve their goals. The fact that we still meet in autonomous Guilds, have Federation or County committees and unite to achieve our goals shows how solid the foundations laid down all those years ago were.

The main objective of the ICA when it was first founded as the United Irishwomen in 1910 was to bring women together in fellowship and friendship and to develop and improve their wellbeing, knowledge and skills, as well as improving the general quality of life in Ireland through the co-operative effort of women. Even the fact that it began meeting without men, to discuss womens needs and to improve their education and skills, was a very radical action for that era.

Another of the organisations early agendas was to work together to achieve better living conditions for all, as can be seen in this quote from a 1910 paper:

It is essential to Ireland that her rural population should be strong, healthy and active. It must remain on the land, happily occupied, well employed, socially and intellectually developed. Here is permanent work for women to do and UI is the organisation best qualified to help them. We had no special training for doing what we intended to do and we, none of us, aspired to reform society or preach any gospel but that of domestic economy, good comradeship and truth.

The first detailed minute book of the association, covering the years from its foundation up to 1921, gives a fascinating insight into the formative decade of the United Irishwomen. Between December 1910 and December 1911, seventeen branches were set up. There were also individual subscriptions from sixty-four married women, nine titled women, eighty-one unmarried women and two French women. Twenty-four gardens were started, and sewing classes, cookery classes and Irish classes were all set up. Up to this time craft work would have been taught at home, with many families specialising in one particular craft, safeguarding traditional methods and family secrets for generations now they had a chance to pass these on to others.

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