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Marie Brenner - Apples and Oranges: My Brother and Me, Lost and Found

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Apples and Oranges: My Brother and Me, Lost and Found: summary, description and annotation

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To be sure, some brothers and sisters have relationships that are easy. But oh, some relationships can be fraught. Confusing, too: How can two people share the same parents and turn out to be entirely different?
Marie Brenners brother, Carlyin to her yang, red state to her blue statelived in Texas and in the apple country of Washington state, cultivating his orchards, polishing his guns, and (no doubt causing their grandfather Isidor to turn in his grave) attending church, while Marie, a world-class journalist and bestselling author, led a sophisticated life among the New York libs her brother loathed.
From their earliest days there was a gulf between them, well documented in testy letters and telling photos: I am a textbook younger child . . . training as bte noir to my brother, Brenner writes. Hes barely six years old and has already developed the Carl Look. Its the expression that the rabbit gets in Watership Down when it goes tharn, freezes in the light.
After many years apart, a medical crisis pushed them back into each others lives. Marie temporarily abandoned her job at Vanity Fair magazine, her friends, and her husband to try to help her brother. Except that Carl fought her every step of the way. I told you to stay away from the apple country, he barked when she showed up. And, Dont tell anyone out here youre from New York City. Theyll get the wrong idea.
As usual, Mariea reporter who has exposed big Tobacco scandals and Enronirritated her brother and ignored his orders. She trained her formidable investigative skills on finding treatments to help her brother medically. And she dug into the past of the brilliant and contentious Brenner family, seeking in that complicated story a cure, too, for what ailed her relationship with Carl. If only they could find common ground, she reasoned, all would be well.
Brothers and sisters, Apples and Oranges. Marie Brenner has written an extraordinary memoirone that is heartbreakingly honest, funny and true. Its a book that even her brother could love.

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ALSO BY MARIE BRENNER Great Dames What I Learned from Older Women - photo 1

ALSO BY MARIE BRENNER

Great Dames: What I Learned from Older Women

House of Dreams: The Bingham Family of Louisville

Intimate Distance: Some Private Views of Public Lives

Going Hollywood: An Insiders Look at Power and Pretense in the Movie Business

Tell Me Everything

SARAH CRICHTON BOOKS Farrar Straus and Giroux New York Sarah Crichton - photo 2

SARAH CRICHTON BOOKS
Farrar, Straus and Giroux New York

Sarah Crichton Books
Farrar, Straus and Giroux
18 West 18th Street, New York 10011

Copyright 2008 by Marie Brenner
All rights reserved
Distributed in Canada by Douglas & McIntyre Ltd.
Printed in the United States of America
First edition, 2008

Grateful acknowledgment is made for permission to reprint excerpts from the following previously published material:

Lyrics from Steppin Out with My Baby by Irving Berlin, copyright 1947 by Irving Berlin. Copyright Renewed. International Copyright Secured. All Rights Reserved. Reprinted by Permission.

Excerpts from papers of Anita Brenner courtesy of Harry Ransom Humanities Research Center, The University of Texas at Austin.

Lyrics from Blue Moon, music by Richard Rodgers and lyrics by Lorenz Hart, copyright 1934 (Renewed) Metro-Goldwyn-Mayer Inc. All Rights Controlled by EMI Robbins Catalog Inc. (Publishing) and Alfred Publishing Co., Inc. (Print). All Rights Reserved. Used by Permission of Alfred Publishing Co., Inc.

Library of Congress Cataloging-in-Publication Data
Brenner, Marie.
Apples and oranges: my brother and me, lost and found /Marie Brenner.
1st ed
.
p. cm.
Sarah Crichton books.
ISBN-13: 978-0-374-17352-4 (alk. paper)
ISBN-10: 0-374-17352-4 (alk. paper)
1. Brenner, MarieFamily. 2. Novelists, American21st centuryBiography 3. Cancer. I. Title. II. Title: Apples and oranges.

PS3552.R384Z465 2008
813.54dc22
[B]

2008008929

Designed by Abby Kagan
Endpaper photograph by James Pomerantz

www.fsgbooks.com

10 9 8 7 6 5 4 3 2 1

For Casey, Ernie, and my brother Carl

Our very eyes are sometimes like our judgments, blind.

Cymbeline

AUTHORS NOTE

Every memoir is filtered through the gauze of a writers memory. Wherever possible, I have referred to letters, diaries, and research to amplify my ability to recall and imagine my family, present and past. I have also changed the names of some of the people mentioned in this book and disguised aspects of their lives. Conversations, events, and dialogue have been reconstructed as well. This is very much my own version of my life.

PREFACE
Every life has moments that change us forever and make us who we are I heard - photo 3

Every life has moments that change us forever and make us who we are. I heard that line recently in a movie trailer and wrote it down in the dark of the City Cinemas on East Eighty-sixth Street in New York City. I cannot tell you what movie the trailer was advertising, but I knew as soon as I heard the voice-over that, however hokey, the line was absolutely true.

This is a book about a brother and a sister coming together in midlife. I started writing it as an investigation into siblings, searching for an alternate universe in which I could explore my own family.

Okay, more to the point, my brother and me.

And then, of course, there were the apples. Always, apples.

There is one more thing: I could never have written this book if my brother were still alive. This is my story and the story of my brother as we struggled to find a way to be in each others life. For years we failed at that. And so much else. Neither of us knew why that was the way it was. We just knew we had to try to make it better.

It took us a very long time.

Sometimes you do not get to understand everything.

1
We fight at the dinner table Stay away from my apple farms my brother Carl - photo 4

We fight at the dinner table.

Stay away from my apple farms, my brother Carl says.

And stay away from the Cascades.

You dont know anything about apples.

It is a tone that I know well. The mixture of hate and love, rage and need, all scrambled together.

It is not easy for him to breathe. His girlfriend, Frika, is by his side, acting as if everything is as it always has been, as if nothing in the world is the matter. She is oh-so-British, drops her voice at the end of questions, takes on like the queen. She pulls me aside in the kitchen and says, He is the love of my life and always has been. We have never been happier. Her cheeks flush like a debutantes.

Her black lace nightgown hangs on a hook in his bathroom. At night, they stay up late and listen to Parsifal, Wagners dark score of the holy fool. Her eyes gleam with pools of longing. She looks at him as if he is Devonshire cream. At the dinner table, she hums a few stanzas from Das Rheingold. Frickas theme! she says. Her expression says it: Top that.

He eats two helpings of filet, then asks for a second dessert.

Tarte tatin.

Made by the other girlfriend, who was at his house for lunch.

Heather sure knows how to cook, he says.

A shadow passes over Frikas face.

At lunch, Heather demonstrated her pastry-cutting technique. I always put a crimped leaf on the top for Carl,

she said. He is the love of my life, she said.

There are always apples around him. Women, too. Apple pie. Big, chic antique bowls of wooden apples in all colors: red and gold and striped. Apple ceramics, apple pencils, apple photos. Produce labels framed on the library wall: Gulf Brand Texas Vegetables from the Rio Grande Valley, Empire Builder, Wenatchee District Red Seal Brand. I am an American first, then a Texan, he would say, not understanding he sounded like Augie March. The clues are there, in the grad school classic Augie March, I later realize. A mans character is his fate, Saul Bellow wrote, quoting Heraclitus.

You always have to show off and tell us what you know, Carl said.

Ill be in Washington next week, I say. I have an interview. I have to close a piece.

You promised me, he says. You said you would stay away from Washington State. You sat right here and said that you would not go to the Cascades.

He yells as loudly as I have ever heard him.

Washington, D.C., I shout back.

I have the trait as well.

He glares. I glare. In that glare is the jolt of our connection, the fierceness of our attachment. We stare at each other hard.

I dont know what you are so angry about, he says.

The next morning, he is at his desk when I say good-bye. Its a bright Texas morning. March 29, 2003. The San Antonio Express-News had a headline the day before: Deployment. Fort Hoods 4th Infantry Division Moves Out. The country is now at war and we are in San Antonio, a city of military bases. Starbucks on Broadway is filled with young army officers from Fort Sam Houston. They wear camouflage clothes and are on their way to Baghdad. Macchiato skim, one says.

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