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Alwyn Crawshaw - Acrylics

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Alwyn Crawshaw Acrylics

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Learn to Paint Acrylics is just one of the top-selling titles in the excellent Collins Learn to Paint series. The book contains thorough yet accessible instruction and stunning artwork by popular TV artist, Alwyn Crawshaw. Alwyn Crawshaw demonstrates all the basic methods of painting in this exciting, modern medium of acrylics. Acrylics can be used like oil paint (but without the long drying time), or watered down to look like watercolour - bringing a new adaptability to your painting. There are many step-by-step demonstration paintings of a variety of subjects landscapes, seascapes, boats, flowers and still life.

Alwyn Crawshaw: author's other books


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Contents

Guide
Australia HarperCollins Publishers Australia Pty Ltd Level 13 201 Elizabeth - photo 1
Australia HarperCollins Publishers Australia Pty Ltd Level 13 201 Elizabeth - photo 2

Australia

HarperCollins Publishers Australia Pty. Ltd.

Level 13, 201 Elizabeth Street

Sydney, NSW 2000, Australia

www.harpercollins.com.au

Canada

HarperCollins Canada

Bay Adelaide Centre, East Tower

22 Adelaide Street West, 41st Floor

Toronto, Ontario M5H 4E3, Canada

www.harpercollins.ca

India

HarperCollins India

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Noida, Uttar Pradesh 201 301, India

www.harpercollins.co.in

New Zealand

HarperCollins Publishers (New Zealand) Limited

P.O. Box 1

Auckland, New Zealand

www.harpercollins.co.nz

United Kingdom

HarperCollins Publishers Ltd.

1 London Bridge Street

London SE1 9GF, UK

www.harpercollins.co.uk

United States

HarperCollins Publishers Inc.

195 Broadway

New York, NY 10007

www.harpercollins.com

Off Home acrylic on canvas 30 25 cm 12 10 in HarperCollinsPublishers Ltd 1 - photo 3

Off Home, acrylic on canvas, 30 25 cm (12 10 in)

HarperCollinsPublishers Ltd

1 London Bridge Street

London SE1 9GF

www.harpercollins.co.uk

First published in 1979

by William Collins Sons & Co Ltd, London

This edition published by HarperCollinsPublishers 2019

Alwyn Crawshaw 1979, 1986, 1999

A catalogue record for this book is available from the British Library

Photography by Nigel Cheffers-Heard and Michael Petts

Alwyn Crawshaw asserts the moral right to be identified as the author of this work.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.

Source ISBN 9780007458691

Ebook Edition MAY 2019 ISBN: 9780008363246

Version: 2019-05-13

HarperCollinsPublishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication.

Contents

Norfolk Pheasant acrylic on primed hardboard 25 28 cm 10 12 in Alwyn - photo 4

Norfolk Pheasant, acrylic on primed hardboard, 25 28 cm (10 12 in)

Alwyn Crawshaw working outdoors S uccessful painter author and teacher Alwyn - photo 5

Alwyn Crawshaw working outdoors.

S uccessful painter, author and teacher Alwyn Crawshaw was born at Mirfield, Yorkshire, and studied at Hastings School of Art. He now lives in Norfolk with his wife June, who is also an artist.

Alwyn is a Fellow of the Royal Society of Arts, and a member of the British Watercolour Society and the Society of Equestrian Artists. He is also President of the National Acrylic Painters Association and is listed in the current edition of Whos Who in Art. As well as painting in watercolour, Alwyn also works in oil, acrylic and occasionally pastel. He chooses to paint landscapes, seascapes, buildings and anything else that inspires him. Heavy working horses and winter trees are frequently featured in his landscape paintings and may be considered the artists trademark.

This book is one of eight titles written by Alwyn Crawshaw for the HarperCollins Learn to Paint series. Alwyns other books for HarperCollins include: The Artist At Work (an autobiography of his painting career), Sketching with Alwyn Crawshaw, The Half-Hour Painter, Alwyn Crawshaws Watercolour Painting Course, Alwyn Crawshaws Oil Painting Course, Alwyn Crawshaws Acrylic Painting Course and Alwyn & June Crawshaws Outdoor Painting Course.

To date Alwyn has made seven television series: A Brush with Art, Crawshaw Paints on Holiday, Crawshaw Paints Oils, Crawshaws Watercolour Studio, Crawshaw Paints Acrylics, Crawshaws Sketching & Drawing Course and Crawshaw Paints Constable Country, and for each of these he has written a book of the same title to accompany the television series.

Alwyn has been a guest on local and national radio programmes and has appeared on various television programmes. In addition, his television programmes have been shown worldwide, including in the USA and Japan. He has made many successful videos on painting and is also a regular contributor to the Leisure Painter magazine and the International Artist magazine. Alwyn and June organize their own successful and very popular painting courses and holidays. They also co-founded the Society of Amateur Artists, of which Alwyn is President.

Alwyns paintings are sold in British and overseas galleries and can be found in private collections throughout the world. His work has been favourably reviewed by the critics. The Telegraph Weekend Magazine reported him to be a landscape painter of considerable expertise and the Artists and Illustrators magazine described him as outspoken about the importance of maintaining traditional values in the teaching of art.

A Norfolk Fishing Harbour primed hardboard 30 40 cm 12 16 in I was inspired - photo 6

A Norfolk Fishing Harbourprimed hardboard 30 40 cm (12 16 in) I was inspired to do this painting by the sunlight hitting the buildings.

Willows at Potter Heigham Norfolk primed hardboard 12 28 cm 10 12 in When I - photo 7

Willows at Potter Heigham, Norfolkprimed hardboard 12 28 cm (10 12 in) When I came upon this scene, I was inspired by the strong sunlight. The dark rain clouds and heavy shadows on the trees in the middle distance made the picture even more dramatic.

W hy use acrylic colours? I am constantly asked this question. The answer is that I like using them and they suit my personality. I believe that a painting comes from the inner self and this gives it the mood, the atmosphere, the invisible quality that makes it look alive. If you were inspired to paint a particular landscape and could paint it in, say, three minutes while that urge was there, then the painting would express your uninterrupted feelings on the canvas.

How Much Longer Have We To Wait detail on canvas 25 25 cm 10 10 in Now - photo 8

How Much Longer Have We To Wait?detail on canvas 25 25 cm (10 10 in)

Now, three minutes to paint a picture is ridiculous but, because acrylic colours dry so quickly, a certain speed is possible. As one stage of the painting is done, you can overpaint almost immediately without picking up the paint from underneath and consequently you can keep working while the inspiration is there.

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