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CHARMING DESIGNS TO KNIT & EMBELLISH
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Louisa Harding
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EDITOR Ann Budd
TECHNICAL EDITOR Kristen TenDyke
PHOTOGRAPHER Stephen Jessup
ART DIRECTOR Liz Quan
COVER AND INTERIOR DESIGN Karla Baker
PRODUCTION Katherine Jackson
2010 Louisa Harding
Photography 2010 Stephen Jessup
All right reserved.
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| Interweave Press LLC 201 East Fourth Street Loveland, CO 80537-5655 USA interweave.com |
Library of Congress Cataloging-in-Publication Data
Harding, Louisa.
Knitting in the details : charming designs to knit and embellish /
Louisa Harding.
p. cm.
Includes index.
ISBN 978-1-59668-256-6 (pbk.)
ISBN 978-1-59668-480-5 (PDF)
ISBN 978-1-62033-156-9 (ePub)
1. Knitting. 2. Knitting--Patterns. I. Title.
TT820.H2658 2010
746.43--dc22
2010021177
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Acknowledgments
To understand your parents love bear your own children
This book is for my mother, Daphne, a constant source of strength, support, and unconditional love.
As always I thank Stephen Jessup for wonderful photographs and for being my rock and our children, Belle and Oscar, thankfully, children change everything.
This book would not be possible without the help of the following people; my wonderful knitters, Betty Rothwell, Betty Marsh, Daphne Harding, Mary Butler, Mrs. Wilmot, Debbie Humphreys, and Jenny Carter.
I would like to thank the models, Joanna Stubbs, Aby Fox, and Sheri Staplehurst, as well as Liz Rochford for being such a wonderfully creative makeup and hair artist, and Guy Bishop, our photographers assistant.
Finally, thank you to Tricia Waddell and Rebecca Campbell and the fantastic team of editors, book designers, and production people at Interweave for their support, understanding, and encouragement.
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In my studio, I have an evergrowing collection of boxes, tins, baskets, and jars that contain my many treasures. Instead of rubies and diamonds, my riches include such things as an unruly tangle of ribbons that grows like an overflowing porridge pot in a childrens fairy tale.
My desire to collect all things that sparkle or glisten is insatiable. I love anything that looks as if it has a hidden story, such as a vintage brooch at the thrift shop, a jar of old belt buckles in the dusty corner of my local haberdashery shop, and my mothers jewelry boxes filled with broken trinkets. I am compelled to collect and surround myself with these castoffs, waiting for a flash of inspiration to give these once-loved items a continuing story.
Not all my treasures are found objects, however. Some are quite new. During a trip to Paris a few years ago, I visited La Drogueriea store devoted to buttons, beads, ribbons, feathers, and all sorts of enticing gems. I spent hours picking out velvet ribbon, a frenzy of feathers, and beautifully handcrafted artisan buttons. This store fueled my lust for embellishments with every one of the thousands of items displayed with love in glass jars and on wooden reels. Haberdashery shops are not always easy to find, hidden away like little gems, but they are always staffed with wonderful people knowledgeable about thousands of products.
This book, Knitting in the Details, is the beginning of the story I want to tell about using beautiful embellishments for knitted projects. Knitting is a wonderfully creative pursuit that is both meditative and relaxing, and while there are many patterns and yarns for fantastic projects, I believe that a bit of personal history or added creativity enhances each piece. For me, embellishment is about adding buttons from an old shirt to the edging of a scarf or the charms from a broken bracelet to the flounce on a purse. It is about rediscovering techniques that my grandmothers generation used to add decoration to their workembroidery, beading, and appliquall skills that make a project unique. In our world of availability and mass production, it is comforting to revisit these techniques to make appealing projects.
There is a Chinese proverb that says Patience and the mulberry leaf make a silk purse. Many of the knitted projects in this book are simple and quick to knit. The love is in the embellishmenttaking the time to add a special detail, a finishing touch, a unique quality. This love prolongs the story and the history of each piece to create heirlooms of the future. I hope that the projects contained in these pages will inspire you to add your personal history into your own unique projects.
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Embroidery is one of the most delightful methods of enhancing a knitted project. , illustrating a couple of ways to use this stitch.
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To strengthen the brims of these cloche-style hats, I worked them in a knitted woven-stitch pattern. To help them hold their shape, I threaded jewelry wire through the cast-on stitches; you can omit the wire if you prefer a floppy casual look. I embellished the band of the and the left side of the solid version with lazy daisy stitches worked at different scales to create two completely different looks.
FINISHED SIZE
About 20" (51.5 cm) head circumference.
YARN
Worsted weight (#4 Medium).
SHOWN HERE: Louisa Harding Kashmir Aran (55% wool, 10% cashmere, 35% microfiber; 83 yd [76 m]/50 g).
Striped version: #39 Pansy (purple; A), 2 balls; #40 Cloud (light blue; B) and #38 Blush (pink; C), 1 ball each.
Solid version: #12 Grey, 3 balls.
Louisa Harding Sari Ribbon (90% nylon, 10% metallic, 66 yd [60 m]/50 g): #37 Twilight, small amounts for solid version only.
NEEDLES
Sides and crown: size U.S. 7 (4.5 mm).
Brim: size U.S. 8 (5 mm).
Adjust needle size if necessary to obtain the correct gauge.
NOTIONS
Tapestry needle; 31" (80 cm) of 16-gauge silver-plated jewelry wire; oddments of yarn for embroidery for striped version.
GAUGE
18 stitches and 32 rows = 4" (10 cm) in seed stitch with smaller needles.
Striped Version
With A and larger needles, CO 121 sts. Knit 1 row.
Brim
INC ROW: (WS) K3, *M1 (see ), k4; rep from * to last 2 sts, M1, k2151 sts.
ROW 1: (RS) *K1, sl 1 pwise with yarn in front (wyf), bring yarn to back; rep from * to last st, k1.
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