MAX
notes
Jack Kerouacs
On the Road
Text by
Kevin Kelly
(M.F. A., Columbia University)
Department of Communications
Andover College
Portland, Maine
Illustrations by
Zina Parubchenko
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MAXnotes for
ON THE ROAD
Published 2013
Copyright 1996 by Research & Education Association, Inc. All rights reserved. No part of this book may be reproduced in any form without permission of the publisher.
Printed in the United States of America
Library of Congress Control Number 96-67422
ISBN-13: 978-0-87891-037-3
ISBN-10: 0-87891-037-9
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Contents
Each Chapter includes List of Characters, Summary, Analysis, Study Questions and Answers, and Suggested Essay Topics.
SECTION ONE
Introduction
The Life and Work of Jack Kerouac
Jack Kerouac had a major influence on an entire generation of Americans following the publication of On The Road, his semi-autobiographical novel that became the bible of the Beat Generation in the 1950s. Kerouacs impact continued into the next decade as the hippie movement developed during the 1960s and writers such as Ken Kesey, Tom Robbins, and songwriter Bob Dylan produced works influenced by Kerouacs spontaneous, confessional, free-thinking style.
Jack Kerouac was born Jean-Louis Lebrid de Kerouac to French-Canadian parents on March 12, 1922 in Lowell, Massachusetts, a mill town thirty miles northwest of Boston. Kerouac spoke only French until he was seven years old, and his French-Canadian and Roman Catholic background had a strong influence on him throughout his life. In school, he was an excellent though somewhat rebellious student. He was also a gifted athlete and was awarded a football scholarship to Columbia University in 1940.
After living in New York City and attending school for two years, Kerouac dropped out of college, joined the Merchant Marines and, later, the U.S. Navy. However, Kerouac was at odds with the Navys many rules and highly disciplined routine. He received an honorable, though early, discharge which cited him for indifferent character. When he returned to school in New York, he became acquainted with a number of other writers and intellectuals who would have a profound effect on his life. Writers Allen Ginsberg, Gregory Corso, Lawrence Ferlinghetti, and William Burroughs, along with Kerouac and their friend Neal Cassady, would become the core of what was eventually known as the Beat Generation.
After meeting Cassady in 1944, Kerouac embarked on a series of road trips, traveling to Colorado, California, and Mexico. These journeys, and his friendship with Neal, would become the basis for On The Road which was published in 1957, ten years after he began making notes for the book. Kerouacs many friends appeared as characters in the book, although he changed their names and some details of their lives. Allen Ginsberg (Carlo Marx), William Burroughs (Old Bull Lee), Neal Cassady (Dean Moriarty), and Kerouac himself (Sal Paradise) were all key players in the novels wild narrative. Kerouac wrote the first complete version of On The Road in April, 1951 during an intensive three week writing stint when he typed the entire novel on a single, continuous roll of paper. Later he would describe this method as sketching or spontaneous prose, a technique that would be the hallmark of all his subsequent work.
Before he finished On The Road, Kerouac published his first novel, The Town and The City, in 1950. This fictionalized account of his early life received critical praise, although sales were modest. Kerouac continued to work odd jobs to support his travels around the United States.
In the six years between the completion of On The Road and its eventual publication, Kerouac remained prolific, writing a series of novels he considered to be one long story about his family and friends. Included in this series were Visions of Cody, Tristessa, Doctor Sax, and The Subterraneans. During this time he also became interested in Buddhism and introduced Buddhist concepts in some of his work.
In 1957, Kerouacs experimental writing and controversial subject matter was considered by many to be outrageous and offensive. When it was published, On The Road received widely mixed reviews with some critics praising the authors daring style and probing examination of American society and values. Others, however, would deride Kerouacs effort as a meaningless series of vignettes filled with petty criminals and dope addicts. Since most critics had never experienced anything like the Road, they denied its existence as art and proclaimed it a Beat Generation tract of rebellion, then pilloried it as immoral, explained biographer Dennis McNally.
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