• Complain

Patterson - The true image : gravestone art and the culture of Scotch Irish settlers in the Pennsylvania and Carolina backcountry

Here you can read online Patterson - The true image : gravestone art and the culture of Scotch Irish settlers in the Pennsylvania and Carolina backcountry full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. City: North Carolina., Pennsylvania., South Carolina, year: 2012, publisher: The University of North Carolina Press, genre: Home and family. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

Romance novel Science fiction Adventure Detective Science History Home and family Prose Art Politics Computer Non-fiction Religion Business Children Humor

Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.

No cover
  • Book:
    The true image : gravestone art and the culture of Scotch Irish settlers in the Pennsylvania and Carolina backcountry
  • Author:
  • Publisher:
    The University of North Carolina Press
  • Genre:
  • Year:
    2012
  • City:
    North Carolina., Pennsylvania., South Carolina
  • Rating:
    3 / 5
  • Favourites:
    Add to favourites
  • Your mark:
    • 60
    • 1
    • 2
    • 3
    • 4
    • 5

The true image : gravestone art and the culture of Scotch Irish settlers in the Pennsylvania and Carolina backcountry: summary, description and annotation

We offer to read an annotation, description, summary or preface (depends on what the author of the book "The true image : gravestone art and the culture of Scotch Irish settlers in the Pennsylvania and Carolina backcountry" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.

A thousand unique gravestones cluster around old Presbyterian churches in the piedmont of the two Carolinas and in central Pennsylvania. Most are the vulnerable legacy of three generations of the Bigham family, Scotch Irish stonecutters whose workshop near Charlotte created the earliest surviving art of British settlers in the region. In The True Image, Daniel Patterson documents the craftsmanship of this group and the current appearance of the stones. In two hundred of his photographs, he records these stones for future generations and compares their iconography and inscriptions with those of other early monuments in the United States, Northern Ireland, and Scotland.
Combining his reading of the stones with historical records, previous scholarship, and rich oral lore, Patterson throws new light on the complex culture and experience of the Scotch Irish in America. In so doing, he explores the bright and the dark sides of how they coped with challenges such as backwoods conditions, religious upheavals, war, political conflicts, slavery, and land speculation. He shows that headstones, resting quietly in old graveyards, can reveal fresh insights into the character and history of an influential immigrant group.

The true image : gravestone art and the culture of Scotch Irish settlers in the Pennsylvania and Carolina backcountry — read online for free the complete book (whole text) full work

Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "The true image : gravestone art and the culture of Scotch Irish settlers in the Pennsylvania and Carolina backcountry" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.

Light

Font size:

Reset

Interval:

Bookmark:

Make

THE TRUE IMAGE

THE RICHARD HAMPTON JENRETTE SERIES IN
ARCHITECTURE AND THE DECORATIVE ARTS

2012 The University of North Carolina Press. All rights reserved
Manufactured in the United States of America
Set in Arnhem and Optima

The paper in this book meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources.

The University of North Carolina Press has been a member of the Green Press Initiative since 2003.

Library of Congress Cataloging-in-Publication Data
Patterson, Daniel W. (Daniel Watkins)
The true image : gravestone art and the culture of Scotch Irish settlers in the
Pennsylvania and Carolina backcountry / Daniel W. Patterson. 1 [edition].
pages cm
(The Richard Hampton Jenrette series in architecture and the decorative arts)
Includes bibliographical references and index.
ISBN 978-0-8078-3567-8 (cloth : alk. paper)

1. Sepulchral slabsNorth Carolina. 2. Sepulchral slabsSouth Carolina. 3. Sepulchral slabsPennsylvania. 4. Scots-IrishNorth Carolina Social life and customs. 5. Scots-IrishSouth CarolinaSocial life and customs. 6. Scots-IrishPennsylvaniaSocial life and customs. I. Title.
NB1856.P4P38 2012

736.509756dc23 2012002039
16 15 14 13 12 5 4 3 2 1

Tofor a multitude of the best reasonsmy wife Beverly
and all the children, great and small,
who around the table go

CONTENTS ONE The Immigrant Craftsmen in Pennsylvania TWO The Stonecutters World - photo 1

CONTENTS

ONE
The Immigrant Craftsmen in Pennsylvania

TWO
The Stonecutters World in the Carolinas

THREE
The Bigham Workshop and Nearby Scotch Irish Stonecutters

FOUR
Reading Scotch Irish Emblems

FIVE
Seeing Scotch Irish Inscriptions

SIX
The Scotch Irish in the Light of Legends

SEVEN
Reflections on the Stonecutters World

EIGHT
The Scotch Irish in Slave Economy and Landgrab

ACKNOWLEDGMENTS Readers may not grasp how much emotion the author of a book - photo 2

ACKNOWLEDGMENTS

Readers may not grasp how much emotion the author of a book invests in the short section titled Acknowledgments. The writer knows how impossible it would have been to explore any topic without the help of libraries and their staffs. I myself piled up major indebtedness as I worked through the rich, well-organized manuscript holdings in the North Carolina State Archives and as I prowled the entire range of resources of the University of North Carolina at Chapel Hill. There I used books in the North Carolina Collection and the general collection of Davis Library, the Microform Collection, the online electronic editions of early publications, and the manuscripts in the Southern Historical Collection. And I called frequently upon the services of the Interlibrary Loan staff.

But many other institutions also gave help. They are too many to list, but I must name in particular the Duke University Rare Book, Manuscript, and Special Collections Library, the Special Collections of the University of North Carolina at Charlotte Library, and in South Carolina the Special Collections of the Winthrop College Library. In Pennsylvania too I received help from the State Archives, the Pennsylvania Historical Society Library, the Presbyterian Historical Society, and the historical societies of Lancaster, York, Adams, and Cumberland Counties as well. Courthouses in those counties and the courthouses of York and Chester counties in South Carolina made available to me materials that had never reached a home in a library. My endnotes document my indebtedness to scholars and others here and abroad, living and dead, whose writings I found in all these places and upon whose records and research and insights I draw.

The staffs of the scores of churches that I visited to carry out field photography were welcoming. They gave permission, loaned keys to locked burial grounds, and told me how to find old abandoned graveyards in the region. Many gave me materials about the history of the church, or helped me contact church members able to answer questions I had asked. Others like Glenn Zepp at Great Conewago Presbyterian Church in Pennsylvania wrote me to share their own considerable knowledge of the churchs history. The pastor of Hopewell Presbyterian Church in Mecklenburg even took on the task of locating an important early stone that had been removed from its spot in the churchyard in 1915, found it, and negotiated its return.

A number of times I discoveredor was discovered bypeople who proved to have spent years gathering data about their own communities. To bring an interest in what interested them was to win a friend of inexhaustible generosity. In the South I had occasion to meet many local historians and corresponded with them only a few times about specific topics. In my text or endnotes they will find that I have not forgotten or hidden their help. Others I visited and corresponded with for years. Im glad that I am able at last to acknowledge in print the generosity and rigorous research of Linda Blackwelder in Mecklenburg and Janet Morrison in Cabarrus County. And I regret that Nancy Crockett of the Waxhaw community in South Carolina is no longer here to see any return on her extraordinary helpfulness.

Some persons in Pennsylvania, like Charles H. Glatfelter, Arthur Weaner, and Gary Collison, I never met but corresponded with, always to my profit. Two othersthe late Aileen P. Sechler and her niece Judith Pyle, both of GettysburgI met at a conference in 1979 at Newport. The three of us made presentations about gravestones and instantly recognized that by sheer chance we had reunited the two halves of the history of a previously unstudied workshop. I provided them the name Bigham; they guided me to Adams County sites where they had found markers. Others since then have built unawares on our discoveries, and I am happy to be able now to give Aileen and Judith the credit due them.

By 1996 I had scouted sufficiently with camera and note pad in central Pennsylvania and the Carolinas to feel I had a fairly good acquaintance with the output of the early Scotch Irish stonecutters in the two regions. I had a growing sense that I needed to read about and personally see what kind of work these carvers might have known in Northern Ireland. So in that year my wife and I spent four weeks there exploring. The time was far too short, but it gave us some familiarity with its seventeenth- and eighteenth-century monuments and enabled us to make contact with many of the institutions and people most actively studying these works. We got help at the Ulster-American Folk Park in Omagh and from Brian Trainor and Shane McAteer at the Ulster Historical Foundation. At the Ulster Folk and Transport Museum we used research collections, and Philip S. Robinson proved a most informed guide. He pointed us in many good directions, both in the library holdings and in the surrounding communities. Happily, Dr. Trainor had also put us in contact with Finbar McCormick of The Queens University of Belfast, who shared a number of his informative studies of stones in Counties Monaghan, Fermanagh, and Tyrone. For a decade and a half I have benefited from his knowledge, insights, and generosity. We also met and enjoyed conversation with Robert Hunter of the University of Ulster in Coleraine, who later published material from his own research in County Tyrone.

I am grateful also to other persons in Ulster who have given help since our departure. A most knowledgeable and obliging correspondent has been William Roulston of the Ulster Historical Foundation, who wrote a thesis on seventeenth-century memorials in west Ulster, portions of which are included on the foundations illustrated History from Headstones website. I should also acknowledge correspondence with Rosalind Davies and the usefulness of her County Down website. And research carried out for me by Elsie F. Berner of Downpatrick about early Bigham families in that area. And also a chance meeting in Ballynahinch with Sam Sterling of The Queens University of Belfast, which evolved into a tour of the old Magheradrool Church ruins and good crack with our delightful guide. My wife and I subsequently spent a shorter time in Scotland, but long enough to be indebted also there, particularly to Helen McArthur in Dumfries and Betty Willsher, whom we visited in Aberdeen.

Next page
Light

Font size:

Reset

Interval:

Bookmark:

Make

Similar books «The true image : gravestone art and the culture of Scotch Irish settlers in the Pennsylvania and Carolina backcountry»

Look at similar books to The true image : gravestone art and the culture of Scotch Irish settlers in the Pennsylvania and Carolina backcountry. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.


Reviews about «The true image : gravestone art and the culture of Scotch Irish settlers in the Pennsylvania and Carolina backcountry»

Discussion, reviews of the book The true image : gravestone art and the culture of Scotch Irish settlers in the Pennsylvania and Carolina backcountry and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.