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Harry Rand - Arshile Gorky: The Implications of Symbols

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    Arshile Gorky: The Implications of Symbols
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Harry Rands critically acclaimed study of Gorkys brief, troubled life and artistic development is finally available in paperback.All of Gorkys major themes are touched on and his major paintings dealt with in some depth, with attention to the details of the individual works, and frequently to the drawings and preliminary studies from which the paintings evolved. The discussion centers on the images that united the pieces as they develop from work to work. Rand explores Gorky as well as possible sources and their relationship to the body of Gorkys art. A concluding chapter reassesses Gorkys impact on the New York School in light of a new understanding of his aims and methods.Through close study of Gorkys oeuvre, the author deciphers an iconography revealing the unexpected and systematic use of explicit ideas and symbols as well as commonplace objects, settings, and personas from the artists life.

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title author publisher isbn10 asin - photo 1

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Page iii
Arshile Gorky
The Implications of Symbols
Harry Rand
Page iv The Publisher wishes to acknowledge with gratitude the generosity - photo 2
Page iv
The Publisher wishes to acknowledge with gratitude the generosity of the following people and organizations in support of this book: Mrs. and Mrs. Robert Kogod Sy Newhouse Mr. and Mrs. Morris Ostin Allan Stone Gallery Baron Thyssen-Bornemisza Richard Weisman
University of California Press
Berkeley and Los Angeles, California
University of California Press, Ltd.
Oxford, England First University of California Press printing 1991
1980, 1991 by Harry Rand
Library of Congress Cataloging-in-Publication Data
Rand, Harry.
Arshile Gorky: the implications of symbols /
Harry Rand.
p. cm.
Reprint. Originally published: Montclair, N.J.:
Allanheld & Schram, 1981.
Includes bibliographical references and index.
ISBN 0-520-06371-6 (cloth: alk. paper).
ISBN 0-520-06345-7 (pbk.)
1. Gorky, Arshile, 19041948. 2. Artists
United StatesBiography.
I. Title.
[N6537.G65R354 1991]
759.13dc20 90-47360
Printed in the United States of America
9 8 7 6 5 4 3 2 1
The paper used in this publication meets the minimum requirements of American National Standard for Information SciencesPermanence of Paper for Printed Library Materials, ANSI Z39.48-1984. Picture 3
Page v
For my parents
Page vii
Contents
List of Illustrations
viii
Preface
xviii
Introduction
xx
One
An Artist's Life
1
Two
Early Portraits
13
Three
The Murals: Foreshadowing the Critical Climate
36
Four
Nighttime, Enigma, and Nostalgia
58
Five
The Garden in Sochi
78
Six
Figures in Landscapes, 19431944
95
Seven
Interiors, 1945
119
Eight
The Calendars, 19461947
133
Nine
The Orators, 19461947
159
Ten
The Betrothal
168
Eleven
The Limit, 1947
190
Twelve
Four Last Themes
201
Thirteen
The Black Monk
227
Fourteen
Retrospect
231
Appendix
The Gorky Literature
247
Bibliography
252
Photographic Credits
270
Index
271

Page viii
Illustrations
Color Plates
(following page)
200
Picture 4
Plate I. Head Composition, 1938. Oil, 27'' 34". Private collection.
Picture 5
Plate II. Sketch for the Ben Marden Riviera Club mural, c. 1941. Private collection.
Picture 6
Plate III. Waterfall, 1943. Oil on canvas, 60 1/2" 44 1/2". The Tate Gallery, London.
Picture 7
Plate IV. Waterfall, 1943. Oil on canvas, 30" 26". Private collection.
Picture 8
Plate V. Water of the Flowery Mill, 1944. Oil on canvas, 42 1/2" 48 3/4". The Metropolitan Museum of Art, New York. George A. Hearn Fund, 1956.
Picture 9
Plate VI. Good Afternoon, Mrs. Lincoln, 1944. Oil on canvas, 30" 37 1/2". Courtesy Allan Stone Gallery.
Picture 10
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