ALTITUDE ADJUSTMENT
Copyright 2014 by Mary Elizabeth Baptiste
ALL RIGHTS RESERVED. No part of this book may be reproduced or transmitted in any form by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, except as may be expressly permitted in writing from the publisher. Requests for permission should be addressed to Globe Pequot Press, Attn: Rights and Permissions Department, PO Box 480, Guilford, CT 06437.
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Excerpts on pages 1, 179, and 229 from Last night, as I was sleeping by Antonio Machado, from Times Alone, tr. (Wesleyan University Press, 1983). Antonio Machado. 1983 Translation by Robert Bly. Reprinted by permission of Wesleyan University Press.
Excerpt on pages 10405 from Teewinot: A Year in the Teton Range 2000 by Jack Turner. Reprinted by permission of Thomas Dunne Books. All rights reserved.
Excerpt on page 132 from Pilgrim at Tinker Creek by Annie Dillard. 1974. Reprinted by permission of HarperCollins Publishers.
Lyrics to Sweet Wyoming Home on page 160 reprinted by permission of Bill Staines, 1976 by Mineral River Music, BMI.
Project Editor: Lauren Brancato
Layout: Chris Mongillo
Library of Congress Cataloging-in-Publication Data
Baptiste, Mary Elizabeth, 1953- author.
Altitude adjustment : reflections on leaving home and finding my inner / Mary Elizabeth Baptiste.
pages cm
Summary: A recent divorce from a marriage of fifteen years, Mary Elizabeth Baptiste makes the decision to fulfill a life goal to work at Grand Teton National Park. Finally settled in Moose, Wyoming, she begins life anew and attempts to reconcile her past with the wide future ahead of herProvided by publisher.
ISBN 978-1-4930-0921-3 (epub)
1. Baptiste, Mary Elizabeth, 1953-Homes and hauntsWyomingTeton County. 2. NaturalistsWyomingTeton CountyAnecdotes. 3. Natural historyWyomingGrand Teton National Park. 4. Grand Teton National Park (Wyo.) I. Title.
QH31.B196A3 2013
508.0978755dc23
[B]
2013035416
For my best friend and partner, Richard
and
In memory of
DadJoseph F. Baptiste19302013
and
NanMary Silvia Medeiros1904-1999
Amor Para Sempre
A twist of the binoculars focus wheel and I gasp: two toddler-sized black bear cubs, one brown and one black, twined together high up in a spruce tree fifty yards away. I scan the ground for the mother. In a nearby huckleberry patch, her cinnamon-colored rump bobs like a swatch of scruffy hide on a clothesline.
It unnerves me, this lack of boundaries. Every animal, scat, or track I find brings a new feara mother bear will charge, a moose will explode from the brush and trample, something out there will break through and annihilate me into dust. I long for an owls head-turning ability so I can take it all in and see whats coming before it gets me.
I turn and dash on tiptoes down the trail, my imagination conjuring up a multitude of lurking predators.
This is how I remember those first years on my own in a strange place: thimblefuls of fake courage thrown at a conflagration of fear.
Last night, as I was sleeping,
I dreamtmarvellous error!
that a spring was breaking
out in my heart.
I said: Along which secret aqueduct,
Oh water, are you coming to me,
water of a new life
that I have never drunk?
ANTONIO MACHADO(TRANSLATED BY ROBERT BLY)
August 1981. The odometer on the VW Rabbit rolls over 100,000 miles as we head north from Rock Springs on Wyoming Highway 89. A hundred desolate miles on a black highway. Herds of pronghorn antelope facing west. A tumultuous storm, a rainbow. A meander through Jackson as traffic crawls around a staged cowboy shoot-out in the town square. Stops at Freds Market for peanut butter and apples, the A&W for root beer and burgers.
We continue driving north, sniffing sharp, wet sage. Miriam reclines in the passengers seat, a Ms. magazine folded open to the No Comment page on her lap. Strands of her rain-straight hair flap out the window.
My heart drums, my mind burns luminous. Three days ago, when I first saw that haphazard rim of peaks beyond Denvers foothills, I knew I was home. Creeping up the Trail Ridge Road in Rocky Mountain National Park, I embraced every mountain and stream, checking them off on the map like completed items on a to-do list.
Now, as we climb a curving hill past the National Fish Hatchery, Miriam bolts upright. Jeez-Lou-eez, will you look at that. Before us, smug with audacious power, the Teton range surges from the valley floor and the green-black forests, snagging cloud wisps as it rips through a meek cobalt sky.
From somewhere long forgotten the words Santa Barbara spring into my head. This is the saint my Portuguese grandmother invokes during storms. At the first turnout I park the car and leap out. My head swirls, blood charges through my veins, nerves prickle and blaze. I push and thrash, trying to tear through the dull dimensions of my current life and catapult into another. But it isnt time yet.
I want to sing, dance, run. I want to know it all. I want to sprint naked into the mountains, streak pine pitch through my hair, slip my fingers into rock crevices, slither-glide with trout over creek riffles. I want to sleep curled against a bears belly, its fur tickling my spine, and ride a moose through the forest like Lady Godiva. I want to scale the highest peak, splay out my arms, crack open my lungs in an all-out sacrificial scream: Im yours forever. I want to stand up there, feet rooted in silver rock, and touch the moon.
Promising a raw freedom previously unimaginable to me, the serrated peaks challenge me to take the risks that will bring purpose and depth to my humdrum suburban life. I belong here. But its bigger than me. Orders of magnitude bigger. Through my head flow the words of Aldo Leopold: A thing is right when it tends to preserve the integrity, stability, and beauty of the biotic community. I strive to live this tenet. As a mountain woodswoman, I could.
The mountains are calling, wrote John Muir, and I must go. In a flash I see the irrepressible, gleaming kernel that Ive always both sought and avoided: For my life to matter, for me to do the work Im meant to do in the world, I have to spend my days in mountains and forests like these, among people committed to their flourishing.
And all they ask in return is a simple renunciation of everything Ive ever known to be true.
May 1992. Wide-eyed and deflated, I clutch the steering wheel of my Toyota Corolla wagon, rain drumming on the roof, and peer out at my new home, #447 in the Beaver Creek Employee Housing Compound at Grand Teton National Park. Splintered steps tilt into the dented white and green trailer. Around its base, rusted sections of corrugated metal form a patchy apron. The roof undulates. I cant erase from my mind an image of the home Ive left, my Massachusetts Cape, with its cedar shingles and wraparound porch, under the trees on Red Maple Lane.
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