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Richard I. Cohen - Jewish Icons: Art and Society in Modern Europe

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With the help of over one hundred illustrations spanning three centuries, Richard Cohen investigates the role of visual images in European Jewish history. The interaction of Jews with the visual arts takes place, as Cohen says, in a vast gallery of prints, portraits, books, synagogue architecture, ceremonial art, modern Jewish painting and sculpture, political broadsides, monuments, medals, and memorabilia. Pointing to recent scholarship that overturns the stereotype of Jews as people of the text, unconcerned with the visual, Cohen shows how the coming of the modern period expanded the relationship of Jews to the visual realm far beyond the religious context. Toward the end of the nineteenth century, the study and collecting of Jewish art became a legitimate and even passionate pursuit, and signaled the entry of Jews into the art world as painters, collectors, and dealers.

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title Jewish Icons Art and Society in Modern Europe author - photo 1

title:Jewish Icons : Art and Society in Modern Europe
author:Cohen, Richard I.
publisher:University of California Press
isbn10 | asin:0520205456
print isbn13:9780520205451
ebook isbn13:9780585054964
language:English
subjectJews in art, Jews--Identity, Jews--Intellectual life, Jewish art and symbolism, Art and society.
publication date:1998
lcc:N7415.C556 1998eb
ddc:704.03/924/00903
subject:Jews in art, Jews--Identity, Jews--Intellectual life, Jewish art and symbolism, Art and society.
Page iii
Jewish Icons
Art and Society in Modern Europe
Richard I. Cohen
UNIVERSITY OF CALIFORNIA PRESS BERKELEY LOS ANGELES LONDON
Page iv
Disclaimer:
This book contains characters with diacritics. When the characters can be represented using the ISO 8859-1 character set ( http://www.w3.org/TR/images/latin1.gif ), netLibrary will represent them as they appear in the original text, and most computers will be able to show the full characters correctly. In order to keep the text searchable and readable on most computers, characters with diacritics that are not part of the ISO 8859-1 list will be represented without their diacritical marks.
Disclaimer:
Some images in the original hard copy book are not available for inclusion in the netLibrary eBook.
University of California Press
Berkeley and Los Angeles, California
University of California Press, Ltd.
London, England
1998 by
The Regents of the University of California
The following chapters are extensively revised versions of materials published elsewhere: chapters 1 and 3: Zion, A Quarterly for Research in Jewish History [Journal of the Historical Society of Israel; in Hebrew], 57 (1992):275340, and 58 (1993):40752; chapter 4: Jonathan Frankel and Steven J. Zipperstein, eds., Assimilation and Community: The Jews in Nineteenth-Century Europe (Cambridge: Cambridge University Press, 1992); and chapter 5: Jack Wertheimer, ed., The Uses of Tradition: Jewish Community in the Modern Era (New York: The Jewish Theological Seminary of America, 1992). These revised versions are reprinted here by permission of the publishers.
Library of Congress Cataloging-in-Publication Data
Cohen, Richard I.
Jewish icons: art and society in modern Europe / Richard I. Cohen.
p. cm.
Includes bibliographic references and index.
ISBN 0-520-20545-6 (cloth: alk. paper)
1. Jews in art. 2. JewsIdentity. 3. JewsIntellectual life. 4. Jewish art and symbolism. 5. Art and society. I. Title.
N7415.C556 1998
704.03'924'00903dc21 Picture 2Picture 3Picture 4Picture 596-45375
Picture 6Picture 7Picture 8Picture 9Picture 10Picture 11Picture 12CIP
Printed in the United States of America
9 8 7 6 5 4 3 2 1
The paper used in this publication meets the minimum requirements of American National Standards for Information SciencesPermanence of Paper for Printed Library Materials, ANSIZ39.48-1984.
Page v
To Shlomith with love
Picture 13
She opens her mouth with wisdom and the teaching of kindness is on her tongue.
Proverbs31:26
Page vii
Contents
List of Illustrations
ix
Acknowledgments
xvii
Introduction
1
1. The Visual Image of the Jew and Judaism
10
2. Ceremonial Art, Patronage, and Taste
68
3. The Rabbi as Icon
114
4. Nostalgia and "The Return to the Ghetto"
154
5. Self-Exposure, Self-Image, and Memory
186
6. Images of Jewish Fate
220
Epilogue
256
Notes
261
Bibliography
319
Index
349
Page ix
Illustrations
1. Thomas Coryate, Coryats Crudities, London, 1611
13
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