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Jeanette Winterson - The Stone Gods

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Jeanette Winterson The Stone Gods
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The Stone Gods: summary, description and annotation

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A glimpse into unlikely love braved in the face of the void. On the airwaves, all the talk is of the new blue planetpristine and habitable, like our own 65 million years ago, before we took it to the edge of destruction. And off the air, Billie and Spike are falling in love. What will happen when their story combines with the worlds story, as they whirl towards Planet Blue, into the future? Will theyand weever find a safe landing place?Of immense imaginary and emotional scope, The Stone Gods is Jeanette Winterson at her prescient, playful, muscular best. An interplanetary love story, a travellers tale, a hymn to the beauty of the world, this is a novel that will change forever the stories we tell about the earth, about love and about stories themselves.

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PUBLISHED BY ALFRED A KNOPF CANADA Copyright 2007 Jeanette Winterson All - photo 1

PUBLISHED BY ALFRED A. KNOPF CANADA

Copyright 2007 Jeanette Winterson

All rights reserved under International and Pan-American Copyright Conventions. No part of this book may be reproduced in any form or by any

electronic or mechanical means, inclucling information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer, who may quote brief passages in a review. Pu blished in 2008 by Alfred A. Knopf Canada, a division of Random House of Canada Limited, and simultaneously in the United States of America by Harcourt Books. First published in Great Britain in 2007 by Hamish Hamilton, a division of Penguin Books Ltd., London. Distributed by Random House of Canada Lirnited,Toronto.

Knopf Canada and colophon are trademarks.

www.randomhouse.ca

Library and Archives Canada Cataloguing in Publication

Winterson, Jeanette, 1959 The stone gods / Jeanette Winterson.

ISBN 978-0-307-39722-5 I. Title.

PR6073.I558S762008a 823'.914 C2007-907667-X

First Edition

Text set in Monotype Bembo

Printed and bound in the United States of America

246897531

This book is to my oldest friends - Philippa Brewster, Vicky Licorish, Henri Llewelyn Davies, Mona Howard, Peggy Reynolds, Beeban Kidron, Phillippa Giles, and Ruth Rendell. And to Ali Smith, who came later, and to Deborah Warner, always.

Contents

Planet Blue.5

Easter Island.102

Post-3 War124

Wreck City.156

Acknowledgements.217

Planet Blue

This new world weighs a yatto-gram.

But everything is trial-size; tread-on-me tiny or blurred-out-of-focus huge. There are leaves that have grown as big as cities, and there are birds that nest in cockleshells. On the white sand there are long-toed clawprints deep as nightmares, and there are rock pools in hand-hollows finned by invisible fish. Trees like skyscrapers, and housing as many. Grass the height of hedges, nuts the swell of pumpkins. Sardines that would take two men to land them. Eggs, pale-blue-shelled, each the weight of a breaking universe.

And, underneath, mushrooms soft and small as a mouse ear. A crack like a cut, and inside a million million microbes wondering what to do next. Spores that wait for the wind and never look back. Moss that is concentrating on being green.

A man pushes forward with a microphone - 'And is there oxygen?' Yes, there is. 'And fresh water?'

Abundant. 'And no pollution?' None. Are there minerals? Is there gold? What's the weather like? Does it rain a lot? Has anyone tried the fish? Are there any humans? No, there are not any humans. Any intelligent life at all?

Depends what you mean by intelligent. There is something there, yes, and it's very big and very good at its job.

A picture of a scaly-coated monster with metal-plated jaws appears on the overhead screen. The crowd shrieks and swoons. No! Yes! No! Yes!

The most efficient killing machine ever invented before gun-powder. Not bad for a thing with a body the size of a stadium and a brain the size of a jam-jar.

I am here today to answer questions: 'The lady in pink '

'Are these monsters we can see vegetarian?'

'Ma'am, would you be vegetarian with teeth like that?'

It's the wrong answer. I am here to reassure. A scientist steps forward. That's better. Scientists are automatically reassuring.

This is a very exciting, and very reassuring, day.

We are here today to witness the chance of a lifetime. The chance of many lifetimes. The best chance we have had since life began. We are running out of planet and we have found a new one. Through all the bright-formed rocks that jewel the sky, we searched until we found the one we will call home. We're moving on, that's all. Everyone has to do that some time or other, sooner or later, it's only natural.

My name is Billie Crusoe.

'Excuse me, is your name Billie Crusoe?'

'That's me.'

'From Enhancement Services?'

'Yes, Every Day a New Day.' (As we say in Enhancement.)

'Can you tell viewers how the new planet will affect their lives?'

'Yes, I can. The new planet offers us the opportunity to do things differently. We've had a lot of brilliant successes here on Orbus - well, we are the success story of the universe, aren't we? I mean to say, no other planet hosts human life.'

The interviewer nods and smiles vigorously.

'But we have taken a few wrong turnings. Made a few mistakes. We have limited natural resources at our disposal, and a rising population that is by no means in agreement as to how our world as a whole should share out these remaining resources. Conflict is likely. A new planet means that we can begin to redistribute ourselves. It will mean a better quality of life for everyone the ones who leave and the ones who stay.'

'So a win-win situation?'

'That's right, winning numbers all the way.'

Through the golden arches that are the city gates, the President of the Central Power is arriving. The arches stand like angels, their wings folded back against the lesser lights of the skyline. The laser-gates, which look so solid, appear and disappear, like the wall that rings the city, a visible and invisible sign of progress and power.

Look in the light the slight shimmer is their long energy. They are the aura of the city: emblem and warning, its halo and shield.

The President's cavalcade has reached the Circle. Flags, carpets, flowers, flunkeys, hitmen, pressmen, frontmen, back-up, support, medics, techies, crew, rig, lights, sound, real-time, archive, relay, vox-pop, popcorn, polish, makeup, dust-down, ready, green - GO.

The President is making a speech. The Central Power has funded the space mission for hundreds of years, and it is understood that any discoveries belong to us. He compares us to the men who found the Indies, the Americas, the Arctic Circle; he becomes emotional, he reaches for a line of poetry. For a moment, there it is, in handwriting that nobody can read, slanting under the images of Planet Blue Sheis all States, all Princes I ...

The President is making a speech.

Unique moment for mankind ... unrivalled opportunity ... war averted ... summit planned between the Central Power, Eastern Caliphate, and our friends in the SinoMosco Pact. Peaceful compromise promised. New planets for old. Full pictures and information across the twenty-two geo-cities of the Central Power by tomorrow morning. New colonizing mission being made ready. Monsters will be humanely destroyed, with the possible exception of scientific capture of one or two types for the Zooeum.

Into the Circle come the spacemen themselves, in shiny titanium pressure suits, oversize helmets under their arms. These are men glamorous as comets, trailing fame in fire-tails. There's a robot with them well, a Robo sapiens , incredibly sexy, with that look of regret they all have before they are dis-mantled. It's policy; all information-sensitive robots are dismantled after mission, so that their data cannot be accessed by hostile forces. She's been across the universe, and now she's going to the recycling unit. The great thing about robots, even these Robo sapiens , is that nobody feels sorry for them. They are only machines.

She stands there, while the silver-suited saviours shake the Presi-dent's hand. She's going to tell us all about the chemical and mineral composition of the new planet, its atmospheric readings, its possible history and potential evolution. Then, when the public part is done, she'll go backstage, transfer all her data, and open her power cells until her last robot flicker.

The End.

It's a kind of suicide, a kind of bleeding to death, but they show no emotion because emotions are not part of their programming.

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