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Meade Marion - The last days of Dorothy Parker : the extraordinary lives of Dorothy Parker and Lillian Hellman and how death can be hell on friendship

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Meade Marion The last days of Dorothy Parker : the extraordinary lives of Dorothy Parker and Lillian Hellman and how death can be hell on friendship
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Dorothy Parker biographer Marion Meade shares insight into the last days in the life of Dorothy Parkerthe horrible and the hilariousincluding her colorful friendship with Lillian Hellman, and the bizarre afterlife of Parkers remains from a file cabinet on Wall Street to a small burial site by the NAACP office in Baltimore. The Volney was a dignified residence hotel, favored by older women and their dogs, on Manhattans Upper East Side. Dorothy Parker died there, of a heart attack, on June 7, 1967. She was seventy-three and had been famous for almost half a century. As befitted a much-loved humorist, poet, and storywriter, the New York Times announced her exit in a front-page obituary. This was followed by a star-studded memorial service, also reported in the paper, which was attended by some 150 of her friends and admirers. More than twenty years later, on October 20, 1988, Parker was buried in Baltimore, in a memorial garden at the national headquarters of the NAACP. Why did it take more than two decades for Dorothy Parker to get a decent burial What accounts for her macabre Edgar Allan Poestyle ending, arguably one of the most ghoulish in modern literary history And just what happened to her during those twenty-one years Dorothy Parker biographer Marion Meade draws from new research to portray Parker in her last years and last days, with an emphasis on her posthumous existence. The story also features Parkers enduring friendship of over thirty years with playwright and screenwriter Lillian Hellman, along with other notable figures in Parkers circle, including Dashiell Hammett and John OHara. Always riotous and occasionally ghastly, The Last Days is utterly and completely Dorothy Parker. Read more...
Abstract: Dorothy Parker biographer Marion Meade shares insight into the last days in the life of Dorothy Parkerthe horrible and the hilariousincluding her colorful friendship with Lillian Hellman, and the bizarre afterlife of Parkers remains from a file cabinet on Wall Street to a small burial site by the NAACP office in Baltimore. The Volney was a dignified residence hotel, favored by older women and their dogs, on Manhattans Upper East Side. Dorothy Parker died there, of a heart attack, on June 7, 1967. She was seventy-three and had been famous for almost half a century. As befitted a much-loved humorist, poet, and storywriter, the New York Times announced her exit in a front-page obituary. This was followed by a star-studded memorial service, also reported in the paper, which was attended by some 150 of her friends and admirers. More than twenty years later, on October 20, 1988, Parker was buried in Baltimore, in a memorial garden at the national headquarters of the NAACP. Why did it take more than two decades for Dorothy Parker to get a decent burial What accounts for her macabre Edgar Allan Poestyle ending, arguably one of the most ghoulish in modern literary history And just what happened to her during those twenty-one years Dorothy Parker biographer Marion Meade draws from new research to portray Parker in her last years and last days, with an emphasis on her posthumous existence. The story also features Parkers enduring friendship of over thirty years with playwright and screenwriter Lillian Hellman, along with other notable figures in Parkers circle, including Dashiell Hammett and John OHara. Always riotous and occasionally ghastly, The Last Days is utterly and completely Dorothy Parker

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CONTENTS THE LAST DAYS OF DOROTHY PARKER Prologue Chapter 1 Chapter 2 - photo 1
CONTENTS

THE LAST DAYS OF DOROTHY PARKER

Prologue:

Chapter 1:

Chapter 2:

Chapter 3:

Chapter 4:

Chapter 5:

Chapter 6:

Chapter 7:

Chapter 8:

Epitaph:

PENGUIN BOOKS

THE LAST DAYS OF DOROTHY PARKER

M ARION M EADE is the author of Dorothy Parker: What Fresh Hell Is This? and Bobbed Hair and Bathtub Gin: Writers Running Wild in the Twenties . She has also written biographies of Nathanael West, Woody Allen, Buster Keaton, Eleanor of Aquitaine, Victoria Woodhull, and Madame Blavatsky, as well as two novels about medieval France. For Penguin Classics, Meade has edited The Portable Dorothy Parker and has introduced Parkers Complete Poems , The Ladies of the Corridor , and Alpine Giggle Week .

ABOUT THE BOOK

The Volney was a dignified residence hotel, favored by older women and their dogs, on Manhattans Upper East Side. Dorothy Parker died there, of a heart attack, on June 7, 1967. She was seventy-three and had been famous for almost half a century. As befitted a much-loved humorist, poet, and storywriter, the New York Times announced her exit in a front-page obituary. This was followed by a star-studded memorial service, also reported in the paper, which was attended by some 150 of her friends and admirers. More than twenty years later, on October 20, 1988, Parker was buried in Baltimore, in a memorial garden at the national headquarters of the NAACP. Why did it take more than two decades for Dorothy Parker to get a decent burial? What accounts for her macabre Edgar Allan Poestyle ending, arguably one of the most ghoulish in modern literary history? And just what happened to her during those twenty-one years?

Dorothy Parker biographer Marion Meade draws from new research to portray Parker in her last years and last days, with an emphasis on her posthumous existence. The story also features Parkers enduring friendship of over thirty years with playwright and screenwriter Lillian Hellman, along with other notable figures in Parkers circle, including Dashiell Hammett and John OHara. Always riotous and occasionally ghastly, The Last Days is utterly and completely Dorothy Parker.

THE LAST DAYS OF
DOROTHY PARKER

The Extraordinary Lives of
Dorothy Parker and Lillian Hellman
and How Death Can Be Hell on Friendship

Marion Meade

A PENGUIN SPECIAL

The last days of Dorothy Parker the extraordinary lives of Dorothy Parker and Lillian Hellman and how death can be hell on friendship - image 2

PENGUIN BOOKS

Published by the Penguin Group

Penguin Group (USA) LLC

375 Hudson Street

New York, New York 10014

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USA | Canada | UK | Ireland | Australia | New Zealand | India | South Africa | China

penguin.com

A Penguin Random House Company

First published in Penguin Books 2014

Copyright 2014 by Marion Meade

Penguin supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin to continue to publish books for every reader.

ISBN 978-1-101-62721-1

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AUTHORS NOTE

It is rare in the literary world to find close friendships between writers Hawthorne and Melville readily come to mind as well as James and Wharton but an intimate thirty-year bond between two renowned women is extraordinary. What is noteworthy about the relationship of Dorothy Parker and Lillian Hellman is not just its length but also the surprising sequel, a preposterous comic operetta that began with Parkers death in 1967.

When I was winding up a biography of Parker in the winter of 1987, I believed my subject had been buried two decades earlier at a cemetery in Westchester County, New York. By pure happenstance, I discovered this to be untrue. She was not interred at Ferncliff and furthermore was not a resident of any graveyard. In a peculiar twist of fate, the place to which she had found her way was truly creative, a shade chilling but no doubt the sort of gallows humor that she herself might have considered amusing.

Why did it take so many years for Parker to get a proper burial? What accounts for her Edgar Allan Poestyle ending, arguably one of the spookiest in modern literary history? What happened to her during those twenty-one years?

This story is not about Parker alone but Parker side by side with Hellman. It traces the life and death of two fiercely headstrong women, how their closeness endured over decades as each of them struggled to find their place in the world, how paths that had flowed comfortably parallel for years on end gradually diverged until only threadbare memories remained.

During the good times, an endless parade of particularly interesting people swept into and out of their lives: Dashiell Hammett and Alan Campbell, of course, but also larger-than-life characters such as Ernest Hemingway, John OHara, S. J. Perelman, Mary McCarthy, Samuel Goldwyn, Gloria Vanderbilt and Wyatt Cooper, Zero Mostel, Nora Ephron, William Styron, among others. Indeed, was there anyone in the fast lane they did not meet or know or admire, sleep or quarrel with? In the view of some, the friends eventually resembled an old married couple together so long that the prospect of change would be unlikely. But this notion, alas, turned out to be fanciful.

Afterward none of it seemed to matter because fantastic but true death can be hell on friendship.

Prologue
THE BIG CRACK-UP

Everyone was fox-trotting to Ive Got the World on a String when F. Scott Fitzgerald composed a eulogy for the 1920s, a joyful ten-year period that was obviously as dead as were the Yellow Nineties in 1902. His essay, Echoes of the Jazz Age, was both a farewell and a confession of his own failure and despair. Somebody had blundered and the most expensive orgy in history was over.

As he published those words, in Scribners Magazine , it was November, 1931, and he was broke, cracked up, a Gatsby in pieces. The spree that had bore him up, flattered him, and gave him more money than he had dreamed of had dissipated into a blur of memory:

Good-bye to the whoopee flappers and their hip-flask Romeos.

Good-bye to speakeasies that served Bushmills Irish Whiskey in thick white mugs.

Good-bye to knees, round and rosy, that had disappeared, again, as skirts dropped.

Good-bye to the Oak Park boy, at La Closerie des Lilas in Paris, using lead pencils to write clean sentences in blue notebooks.

Good-bye to the Black Bottom and Basin Street Blues.

Once the music died, bankers and brokers jumped from buildings in Times Square, and the homeless lined up below for bowls of lukewarm soup with a hunk of bread. The rest of the country was waiting for the cure. It was simply a matter of time before the market went up wait until spring, folks insisted, wait and see and then everything would be normal somehow.

But would it? The big money was gone, the expatriates limped home, hemlines plunged, even the end of Prohibition rolled into sight. About the only thing that had not changed were people trying to get as inebriated as possible, a condition that Fitzgerald in particular knew all too well.

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