Paytress Mark - Bowie Style

Copyright 2000 Omnibus Press
This edition 2010 Omnibus Press
(A Division of Music Sales Limited, 14-15 Berners Street, London W1T 3LJ)

ISBN: 978-0-85712-364-0

The Author hereby asserts his / her right to be identified as the author of this work in accordance with Sections 77 to 78 of the Copyright, Designs and Patents Act 1988.

All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer who may quote brief passages.

Every effort has been made to trace the copyright holders of the photographs in this book, but one or two were unreachable. We would be grateful if the photographers concerned would contact us.

A catalogue record of this book is available from the British Library.

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Omnibus Press wishes to thank:
Steve Pafford for his many vital contributions. He edits Crankin Out, the irregular but excellent international David Bowie fan club magazine, personally endorsed by David in 1994.

Gavin Evans/Retna: Front & back
cover, 89; Mark Allan:122t; Joel
Axelrad/Retna:79b; Brian Aris:
147tr; Clive Arrowsmith/Camera
Press:120; Glenn A. Baker/
Redferns: 79r; BBC: 64br, 147b;
Brendan Beirne/Rex: 6; Edward
Bell: 128; Paul Bergen/Redferns:
153tl; Peter Brooker/Rex:136t;
Larry Busaca/Retna:153c; James
Cameron/Redferns:101tc; George
Chin/Redferns:152; Corbis: 54b;
Fin Costello/Redferns: 106b;
Courtesy of Crankin Out Collection:
11, 13b, 18cl&b, 27bl, 31c, 33, 49, 5
5tr&br, 59r, 64cl, 65, 66, 67, 83tl, 94
br, 95bl, 112t, 118b, 142tl,
148lt&b, 149, 154tl&r; Bill Davila
/Retna: 136l; Debi Doss/Redferns:
16br; EMI:36t, 37, 139t; Mary
Evans Picture Library: 51t&b, 100c,
147tc&bl; Chris Floyd/Camera
Press:158; Chris Foster/Rex: 43l,
69t; Ron Galella: 55bl; Guglielmo
Galvin:29; Harry Goodwin:34r, 35tr,
c&bl, 73r, 107cl, 118l; Alison Hale/
Crankin Out: 112b; Dezo Hoffman/
Rex: 4, 6, 15, 19, 97t; Dave Hogan/
Rex: 150; Hulton Getty:32t, 55tl,
92, 108b, 114tl, 125br, 127, 133c,
141ct; Mick Hutson/Redferns:21br;
Nils Jorgensen/Rex: 34tc, 135;
AndyKent/Retna:9, 111, 114c, 125c;
Jak Kilby/Retna:10, 44t; King
Collection/Retna:1; John Kirk/
Redferns: 70b; Christian Koller/
CrankinOut:154c; Jean Pierre Leloir
/Redferns: 34b; London Features
International:1, 3, 4, 6, 7, 9, 10, 12, 1
4t, 16tr, 20, 21tl, c&cr, 22t, 34tl&c, 5
3tl&br, 54l&br, 64b, 69b, 73t, 74, 75
br, 81, 82bl, 84, 85t&bl, c&t&br, 91br,
103, 106l, 107tl&r&cr, 108tl, 109,
110, 111c&b, 119, 125tr&bl, 129,
131b, 132b, 134, 137, 139b, 140cr,
141bc, 142bl&r, 143, 144, 145,
146b, 151, 154b, 159bl; Doug
McKenzie: 26, 27br, 36tl; MEN
Syndication; 21tr; Pearce
Marchbank:100/101b; Robert
Matheu/Retna: 148t; Jeffrey Mayer:
153tr; Catherine McGann, 155;
Mirror Syndication Int: 57,
108cl; Keith Morris/Redferns:79t;

MTV Europe: 140bl; G. Neri/
Sygma:126tl; Michael Ochs
Archive/Redferns: 80t, 106cl, 156;
Frank W. Ockenfels III: 54c; Alex
Oliveira/Rex: 51c; Terry ONeill:
98t&bl, 102, 146t; Denis ORegan/
Idols: 55t; Scarlet Page/Retna:
48b, 130; PA News:159tr; Courtesy
of Penguin Books: 146r; Kenneth
Pitt: 5, 44br, 45, 48l, 52; Pictorial
Press:1, 3, 9, 14b, 36cr&b, 40, 42b,
43r, 46tc&r, 47, 48tr, 53cr, 54t, 56t,
60, 61t, 80r, 82tc, 83bc&r, 87tl,
88tr, 99, 104tr, 114tr, 115, 133r, 14
0bc, 141br; Photofest/Retna: 6,
114bl; Barry Plummer: 46br, 87b,
117b; Pat Pope/Rex:155; Neal
Preston/Retna:139c, 140c, 148r;
Michael Putland/Retna:6, 73l; RCA:
118r, 121l, 126b; David Redfern:
23; Redferns: 35tl, 105; Lorne
Resnick/Retna: 9; Retna:108tr,
141r; Rex Features: 9, 10, 22b, 27t,
28bl, 42l, 50rt&b, 55b, 76, 82tl, 83t
r, 83bl, 85t&bc, 86, 88br, 96, 97bl,
100tr, 104b&l, 107bl, 116, 117t,
121cr, 131t, 136bl, 138, 141c, 146cl,
160; Ebet Roberts/Redferns:78b;
Copyright Mick Rock; 1, 16tl&c,
38, 39, 42t&r, 68, 71, 72, 73b, 75l,
77, 78tl, 87tr, 90, 93, 94t, 95t, 113,
132t, 133tl&b, 140cl, 141t;
Photograph by Ethan A. Russell
copyright 1972-2000: 106tr;
Nina Schultz: 122b; Wendy
Smedley/Crankin Out: 112c; Steve
Smith/Crankin Out:153br;
Snowdon/Camera Press: 123, 124;
Bob Solly Collection: 32b; Ray
Stevenson/Retna:10, 4144bl,
46bl&c, 53cl, tc, tr&bl, 59b, 61b,
82bl; Masayoshi Sukita: 17, 91b,
112bl, 148c; Charles Sykes/Rex: 8;
Artur Vogdt: 101c; Wall/MPA/Retna:
157; Chris Walter: 91t; Brian Ward:
2, 63, 70t, 75t; Barry Wentzel: 140br;
Kevin Wisniewski/Rex:159c;
Richard Young/Rex: 31cb, 94bl, 31cb, 94bl,
95br, 139br, 142tr, 159br.

At manager Ken Pitts flat, London. 1967. Bowie renn embers: At th is time I was wondering whether I WAnted to be a serious, mime or whether I should carry on with music. Thats an incredible top. Pitt: It was an Arabic bolero from Palestine, and belonged to my mother.