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Sachs - I Know Nothing-The Autobiography Rubl

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Sachs I Know Nothing-The Autobiography Rubl
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    I Know Nothing-The Autobiography Rubl
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I Know Nothing-The Autobiography Rubl: summary, description and annotation

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Berlin, 1938. In a crowded restaurant a small boy watches fearfully as his Jewish father is arrested by Hitlers Gestapo. Days later, as Nazis burn and loot Jewish shops, his resourceful Catholic mother prepares an escape plan to take her family to England. So began Andreas Siegfried Sachs life in London, a new life at times no less bizarre or madcap than the world of Fawlty Towers and its hapless Spanish waiter, Manuel. Now, as one of Britains best-loved actors, Andrew Sachs recounts tales of his hilarious struggle to come to terms with all things English and his early foray into the w. Read more...
Abstract: Recounting his extraordinary life, national treasure Andrew Sachs shines in this autobiography. Read more...

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For Melody this book would never
have been written without her.

I n writing this very personal book, I have been mindful of the many people who have played an important part in my life, from my mongrel childhood on my brave and dear parents in particular, and my wife Melody, who really has brought music into my life. Without her enthusiasm, together with the encouragement of my agent, Lynda Ronan, I might well have given up writing the book halfway through.

I was lucky to have in David Cohen a skilled and sensitive editor who was always understanding when the day job got in the way. My publisher, Jeremy Robson, has been caring and supportive throughout.

Additional important parts have been played by Brian Rix, impresario of impresarios; Roy Hudd, for kindly donating his timely birthday poem; and Nick Horridge, whose splendid drawing of Manuel I am delighted to include which brings me to that supreme hotelier, John Cleese. Always a loyal and inspiring friend, it was John who brought Manuel into my life, and nothing has been quite the same since. So, thank you John! Gracias Manuel.

Contents

I am delighted that Andy Sachs asked me to pen this brief foreword to his memoirs, because it gives me a chance to express my appreciation of him, both as a great farceur and as a friend of forty years.

The first time I set eyes on him was at the Lyric Theatre, Shaftesbury Avenue, in the autumn of 1973. Andy was appearing with Sir Alec Guinness in Alan Bennetts Habeas Corpus, an exquisitely crafted sex-farce about the impact of the permissive society on a respectable family in Brighton in the 1960s. Andy was playing the role of a piano tuner, but the magnificent Margaret Courtenay mistook him for the man who was coming to measure her for a custom-made bra. When Andy started on the standard pianists hand-and-finger stretching routine, she began to register anticipation of nameless carnal delights, producing one of the funniest farcical moments I have ever seen. Weak with laughter, I managed to open my programme and underline his name.

Only a few weeks later, I was casting a short film called Romance with a Double Base, and I asked Andy to join us for a few days shooting. It turned out to be a very happy collaboration , and I observed what a wonderfully inventive comic actor I was working with. Luckily, Connie Booth and I were already writing the pilot episode of Fawlty Towers, and so I had the inspired idea of casting Andy as Manuel.

Inspired? Let me explain something. If you met Andy socially it would never occur to you for one moment that he was an actor. You would guess he was a senior civil servant, or a physician , or an academic, or perhaps a research scientist. He is quiet, thoughtful, beautifully mannered, well informed, observant and extremely kind. But once you put that moustache on him Ole! Manuel appears, as if from nowhere.

I salute you, Andy. You created one of the great comic characters.

John Cleese

I write in peaceful Kilburn today, the north London suburb where my wife and I live. I have spent much of my career trying to make audiences laugh and being very happy when I have managed to do so. Since I turned fifty, Ive been rather identified with a much abused Spanish waiter called Manuel, who was born in Barcelona and, somehow, landed a job at Fawlty Towers, a surreal seaside hotel which glories in the worst of British cooking and the best of British chaos. People sometimes , in fact, think I am Manuel.

But my beginnings were far away from the safety of leafy Kilburn. They were in the increasingly dark world of 1930s Berlin, where I was born to a Jewish father and a Catholic mother, and that is where I spent the first eight years of my life, quite unaware of what was to come.

O n 30 January 1933, Adolf Hitler became Chancellor and Germany became the worlds most wonderful country in which to live if you happened to be a Nazi, or a Nazi sympathiser , that is. Many Germans hoped nervously that a strong leadership might restore the prosperity and self-confidence that had been lost as a result of their defeat in the First World War. The country was desperate for an end to mass unemployment and hunger.

But not all Germans were optimistic, given Hitlers policies; many were afraid and some were in total despair, and others could not face the reality of the Nazis taking power. The result was a discordant hubbub with a headlong dive into apathy.

My aunt Barbara echoed a popular opinion when she declared that Hitler and his cronies were a bizarre affliction that would surely self-destruct within a few months. The man himself, after all, was a clown.

Then a wise old rabbi spoke. My good people, tell me please if this devil man is a clown, where are his jokes? Ill tell you: in a circus of horrors, thats where. And you meshuggeners, you crazy people, want to buy tickets to see the show. Do me a favour!

The Jews slapped their foreheads. Gevalt! they called out in unison. Youre right, Rabbi. What is a Jew if he cant have a laugh? Lets get out fast!

Getting out fast is a fine Jewish skill honed over centuries of practice as the strategy of Last Resort.

Over the following months and years, some but tragically all too few packed their bags and saved their lives as, indeed, Albert Einstein did. He renounced his German citizenship, dare I say, at the speed of light and infuriated the Nazis. They were angry they had not managed to revoke his passport before he told Hitler what black hole in the universe he should disappear down.

As for me, I was neither flushed with optimism nor in despair. I was having fun just being alive. That fateful January day was two months short of my third birthday. I was learning how to laugh and gurgle and get attention. I was learning how to scream louder than the day before and how to turn a full potty upside down to get attention.

Dont be alarmed, Katarina, said my Jewish father to his wife, but theres something going on with our youngest.

Im trying to make dinner, she said.

Hes worried about Hitler. I can tell.

My mother sighed. Oh, for heavens sake, she might have said, putting her arms about him. Everyones worried nowadays. Well, a lot of people are. Well get through this. I write she might have said because I dont have a photographic memory and I could be criticised because this book reports many conversations dating back to the 1930s. Let me plead guilty and not. These remembered conversations may not be word perfect, but they are accurate as to their general sense and the feelings evoked. I once wrote a play called Dramatic Licence, so Im taking some. Let me carry on with my memory of what my father said:

How? Let me in on the secret. What does our future hold, dear mother of three?

It holds dinner so get your hands washed. And theirs. And dont try so hard to be miserable.

Only when I was much older did I begin to appreciate the difficulties my parents had to cope with during the 1930s. And they turned out to be among the lucky ones: the survivors.

My parents were, and still are, my heroes. My father, Hans Sachs, was born in 1885 and married when he was quite young. He had a son but the marriage didnt last. He and his first wife divorced so he was free again. He met my mother, who had never been married, at a dance and it was love at first waltz. She fell for him. (I presume he danced well, a trait I did not inherit.) They got married in early 1925, not long before my older sister Barbara was born.

My fathers family were bankers and business people. They had a huge house but, after the First World War, they lost everything as a result of hyperinflation. Maybe not quite everything. A family story says that their circumstances were so reduced they were down to a mere four servants.

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