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Olivia de Havilland - Every Frenchman Has One

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Back in print for the first time in decades--and featuring a new interview with the author, in celebration of her centennial birthday--the delectable escapades of Hollywood legend Olivia de Havilland, who fell in love with a Frenchman--and then became a Parisian
In 1953, Olivia de Havilland--already an Academy Award-winning actress for her roles inTo Each His OwnandThe Heiress--became the heroine of her own real-life love affair. She married a Frenchman, moved to Paris, and planted her standard on the Left Bank of the River Seine. It has been fluttering on both Left and Right Banks with considerable joy and gaiety from that moment on.
Still, her transition from Hollywood celebrity toparisiennewas anything but easy. And inEvery Frenchman Has One,her skirmishes with French customs, French maids, French salesladies, French holidays, French law, French doctors, and above all, the French language, are here set forth in a delightful and amusing memoir of her early years in the City of Light.
Paraphrasing Caesar, Ms. de Havilland says, I came. I saw. I was conquered.

Olivia de Havilland: author's other books


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Miss de Havilland Tells All C HICAGO T RIBUNE About Her seven-year stint as - photo 1

Miss de Havilland Tells All

C HICAGO T RIBUNE

About:

Her seven-year stint as Mme. Pierre Galante, a sharp-eyed Franco-U.S. housewife and what she found out about French husbandsa happy Jean Kerrish accounta funny one

L IFE

About:

An unending battle with law, custom, society, fashionsales clerk and landlordWho laughs last laughs best. She does and you along with her.

N EW Y ORK H ERALD T RIBUNE

Results:

A rib-ticklerexcellent.

N EW Y ORK M IRROR

Lively and pleasantwicked and roguish.

O AKLAND T RIBUNE

Nostalgic, provocative.

N EW Y ORK T IMES

Copyright 1961 1962 2016 by Olivia de Havilland All rights reserved - photo 2Copyright 1961 1962 2016 by Olivia de Havilland All rights reserved - photo 3

Copyright 1961, 1962, 2016 by Olivia de Havilland

All rights reserved.

Published in the United States by Crown Archetype, an imprint of the Crown Publishing Group, a division of Penguin Random House LLC, New York.

crownpublishing.com

Crown Archetype and colophon is a registered trademark of Penguin Random House LLC.

Originally published in slightly different form in the United States by Random House, Inc., an imprint of Penguin Random House LLC, in 1961.

Portions of this book have appeared in McCalls Magazine.

Library of Congress Cataloging-in-Publication Number: 62-12725

ISBN9780451497390

ebook ISBN9780451497406

Cover design by Muriel Nasser

Cover photograph John Engstead/mptvimages.com

v4.1

ep

TO R. Because you said

You should.

TO F. Because you said

You must.

TO J. Because you said

Why dont you?

TO P. Because you said

Voil la machine crire.

Faites-le!

Contents
Olivia de Havilland began her film career at the age of eighteen playing Hermia - photo 4Olivia de Havilland began her film career at the age of eighteen playing Hermia - photo 5

Olivia de Havilland began her film career at the age of eighteen playing Hermia in Max Reinhardts motion picture presentation of Shakespeares A Midsummer Nights Dream. Her films include The Adventures of Robin Hood, Gone with the Wind, The Snake Pit, and HushHush, Sweet Charlotte. Over the course of her esteemed career, she has won two Academy Awards (for her leading roles in To Each His Own and The Heiress), as well as two New York Critics Awards, two Golden Globes, and a National Board of Review Award. In 2008, she received the National Medal of Arts, and in 2010, the French Legion of Honour. She lives in Paris.

I never will forget the day I went to see a movie which you know all about if - photo 6I never will forget the day I went to see a movie which you know all about if - photo 7

I never will forget the day I went to see a movie which you know all about if youve been watching television lately: Anthony Adverse. I wont mention the year I saw it, but it had just come out, and I was in it, and I was just nineteen. I went in the afternoon, to the very first matinee at Graumans Chinese Theatre in Hollywood. Because Id been in films only a year and this was the fifth and best Id so far made, I was very thrilled and excited, sitting in the dark waiting for the picture to begin. I was also enjoying the rest, because, as youve surmised, I was just a little overworked.

The grand moment came, and with treble voice, her hair hanging down her back, Angela, the character I played, made her first appearance. As she did so, I heard a lady behind me exclaim to another beside her, Thats Olivia de Havilland!

There followed a silence disturbed only by the muted flapping of my ears. Then the second woman queried, I wonder how old she is?

There was no silence this time as the first lady replied with promptness and with certitude, Why, shes thirty if shes a day!

This incident has marked me, and because of it Im not at all sure if you know that Im alive. I have the idea that anyone who has ever heard my name has the distinct impression that I was put under the sod years ago just before they buried Lillian Russell. And so, when I wonder if you know that I live in France, Im sure you dont, because I am certain that you think me peacefully interred, and in good old native American soil.

If thats the case, youre in for a surprise. By golly, Im alive, all right, and I do live in France, and not under but on top of solid Parisian limestone. Furthermore, I speak First Class Foreign French, and if Ive stunned you into immobility by all this startling information, you just keep seated and keep quiet, and Ill tell you how it all came about.

About nine years ago I was living (yes, even then) a life both sober and sobered, although conducted in Hollywood. I had very regretfully come to realize that a divorce from my first husband was necessary, and in August of 1952 had filed for and been granted an interlocutory decree of divorce. In the early spring of 1953 a film Id been in, My Cousin Rachel, had just come out, and I was staying very much at home reading scripts for another one and keeping my eye on the apple of my eye, my three-year-old son, Benjamin Briggs Goodrich. If that sounds like a feat, it was, as he is the most active apple I have ever encountered.

While I was thus engaged, Louella was unhappy, Hedda was unhappy, and the publicity department at Fox, where Id made Rachel, was unhappy. They wanted me to fall in love. And you dont do that if you stay at home with your nose in a script and your eye on its apple, because, among other things, you are just too contorted to do so. Louella, Hedda, my agent, and Fox just didnt understand; they wagged their heads and remarked sadly, Theres only one male she loves, and thats Ben.

About six thousand miles away, on the other side of the Atlantic, the French government was busying itself with its usual occupations and, in addition, preparing for the Cannes Film Festival. As the chestnut trees along the Champs lyses were getting ready to bloom, the office of the Secrtaire Gnral put a lot of white envelopes in the mail; one of them was addressed to me.

When it arrived at my Hollywood apartment, I deflected my gaze from Benjamin for a moment and read the enclosed invitation. Id never been to France and Id never been to a Festival, and after a fifth of a second of solemn deliberation I decided to accept. Forthwith I sent a message to the French government, which had graciously agreed to provide my transportation to and from the Festival, that Id be happy to come if it would send me two airplane tickets instead of one.

Do you know, that simple, frank little request absolutely rocked the French government? And its a government thats had its ups and downs. The Secrtaire Gnral of the Festival went right over to see the Secrtaire Gnral of

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