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Francesca Cartier Brickell - The Cartiers: The Untold Story of the Family Behind the Jewelry Empire

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Francesca Cartier Brickell The Cartiers: The Untold Story of the Family Behind the Jewelry Empire
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The Cartiers: The Untold Story of the Family Behind the Jewelry Empire: summary, description and annotation

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An enchanting jewel of a book.--Douglas Smith, author ofFormer People: The Final Days of the Russian Aristocracy
The captivating story of the family behind the Cartier empire and the three brothers who turned their grandfathers humble Parisian jewelry store into a global luxury icon--as told by a great-granddaughter with exclusive access to long-lost family archives

The Cartiersis the revealing tale of a jewelry dynasty--four generations, from revolutionary France to the 1970s. At its heart are the three Cartier brothers whose motto was Never copy, only create and who made their family firm internationally famous in the early days of the twentieth century, thanks to their unique and complementary talents: Louis, the visionary designer who created the first mens wristwatch to help an aviator friend tell the time without taking his hands off the controls of his flying machine; Pierre, the master dealmaker who bought the New York headquarters on Fifth Avenue for a double-stranded natural pearl necklace; and Jacques, the globe-trotting gemstone expert whose travels to India gave Cartier access to the worlds best rubies, emeralds, and sapphires, inspiring the celebrated Tutti Frutti jewelry.
Francesca Cartier Brickell, whose great-grandfather was the youngest of the brothers, has traveled the world researching her familys history, tracking down those connected with her ancestors and discovering long-lost pieces of the puzzle along the way. Now she reveals never-before-told dramas, romances, intrigues, betrayals, and more.
The Cartiersalso offers a behind-the-scenes look at the firms most iconic jewelry--the notoriously cursed Hope Diamond, the Romanov emeralds, the classic panther pieces--and the long line of stars from the worlds of fashion, film, and royalty who wore them, from Indian maharajas and Russian grand duchesses to Wallis Simpson, Coco Chanel, and Elizabeth Taylor.
Published in the two-hundredth anniversary year of the birth of the dynastys founder, Louis-Franois Cartier, this book is a magnificent, definitive, epic social history shown through the deeply personal lens of one legendary family.

Francesca Cartier Brickell: author's other books


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Copyright 2019 by Francesca Cartier Brickell All rights reserved Published in - photo 1
Copyright 2019 by Francesca Cartier Brickell All rights reserved Published in - photo 2
Copyright 2019 by Francesca Cartier Brickell All rights reserved Published in - photo 3

Copyright 2019 by Francesca Cartier Brickell

All rights reserved.

Published in the United States by Ballantine Books, an imprint of Random House, a division of Penguin Random House LLC, New York.

B ALLANTINE and the H OUSE colophon are registered trademarks of Penguin Random House LLC.

Black-and-white photo credits are located on .

Color-insert photo captions and credits are located on .

Hardback ISBN9780525621614

International edition ISBN9780593158098

Ebook ISBN9780525621621

randomhousebooks.com

Book design by Jo Anne Metsch, adapted for ebook

Cover design: Nick Misani

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Contents
JEWELRY SPOTLIGHTS

Captions and credits for the color insert can be found on .

The three Cartier brothers with their father From left to right Pierre - photo 4
The three Cartier brothers with their father From left to right Pierre - photo 5

The three Cartier brothers with their father. From left to right: Pierre, Louis, Alfred, and Jacques.

FOREWORD
by Diana Scarisbrick

Many books have been written over the years on Cartier, but none have delved so deep into the true story of the family behind the firm. When the late Hans Nadelhoffer published his pioneering history Cartier: Jewellers Extraordinary, he told me how much he regretted having to work in the dark, handicapped by the lack of personal information about the members of the family who created this international empire, synonymous with twentieth-century elegance and luxury. Thereafter, although the exhibitions on Cartier over recent decades have shown so many beautiful objects, almost all the people most responsible for designing, making, and selling them have remained in the shadows.

Now the veil has been lifted and the real story of the creation of Cartier has finally emerged. In this book, Francesca Cartier Brickell tells us of her dramatic discovery of old family letters and her ten-year quest to fill the gaps in the family history and provide new insights into both the business and the private lives of the personalities involved. The Cartiers follows four generations, from Louis-Franois, the scholarly founder, to Jean-Jacques, the authors late grandfather, but at its heart are the three brothers, Louis, Pierre, and Jacques, whose close bond and distinctive individual contributions coalesced to create one great name and style in the early twentieth century.

Through their own words, unearthed by Francescas impeccable research, we can understand how Cartier survived revolutions at home and abroad, two world wars, financial crises, and the catastrophic recession of the 1930s, when so many rivals went under. Their history consists of a series of innovations closely linked to changes in fashion, social mores, and the prevailing economic situation. Yet whether in the traditional garland style of the Belle poque, the modernist Art Deco style, or the sumptuous style of the postWorld War II period, every item from the smallest tie pin to the grandest tiara was imbued with a look and finesse that were distinctly different from those of their rivals and could be identified immediately as Cartier.

As the great-granddaughter of Jacques and the granddaughter of Jean-Jacques, the indefatigable author has succeeded in bringing the Cartier story to life. No one could have done it better. Besides drawing upon the incomparable resource of her familys correspondence and journals, she has recorded many reminiscences from Jean-Jacques himself and tracked down veteran employees, who recalled nostalgically that working for Cartier was like being part of a family. She has left nothing to chance, following in her forebears footsteps from Paris, London, and New York to Sri Lankan sapphire mines and Middle Eastern bazaars. She has traveled to the palaces Jacques visited in India, met the descendants of his clients, and examined the jewels he sold them. Her achievement has been to synthesize ten years of intense biographical research into an engaging and accessible account of the greatest success story of twentieth-century jewelry. Jean-Jacques would be immensely proud.

INTRODUCTION

A few years ago, four generations of my family gathered at my grandfathers house in the South of France to celebrate his ninetieth birthday. As we all sat on the terrace that warm July morning, enjoying our usual holiday breakfast of fresh croissants and jam, I barely stopped to think how this wonderful man at the head of the table had lived through more than we could imagine. Born in 1919, Jean-Jacques Cartier hadlike so many of his remarkable generationwitnessed cataclysmic world events firsthand. Hed seen the devastating lows of the Depression and fought in the Second World War. He had experienced more years of the Roaring Twenties than of the twenty-first century. And yet, that day, watching him open his birthday cards, he was simply Grandpa, with his neatly combed white hair and mustache and smiling blue eyes. But all that was about to change. I was just moments away from making a discovery that would bring me face-to-face with not only his past but the lives of many of my ancestors.

Finishing off the cafetire of coffee, we made relaxed plans for the day. We wanted to spoil my grandfather, but he hated being the center of attention. As usual, Grandpa just wanted the day to be about others. When we were younger, my siblings and I had been amazed at how he would rather give presents than receive them on his own birthday. One year it had been a large wooden sandbox that suddenly appeared on his terrace, another time a couple of bikes on which we could tear around his garden. This year, he announced he had been saving a bottle of vintage champagne.

Offering to fetch it for him, I headed down to his cellar. In the dim light, I scoured the shelves, and when I couldnt see the bottle, I began searching the rest of the room. My grandfather was known never to throw anything away, so there were plenty of things lying around, from boxes filled with manuals for long-defunct electrical appliances to cases of old clothes smelling of mothballs, along with umpteen copies of Horse & Hound magazine. Everything, it seemed, except the champagne. I was about to admit defeat and return empty-handed when, just as I was leaving, I noticed a large trunk in the corner nearest the door. Like most other things down there, it was covered with dust and a random mix of objects. It seemed unlikely to house the missing champagne, but I was intrigued.

I set to work removing a tall, thin metal wine rack holding a solitary bottle of out-of-date Orangina and made my way past some yellowing 1970s newspapers until the traveling trunk was revealed in its full battered glory. Black with brown leather straps, its surface was clear of any markings but its sides held clues to a different era: faded stickers from Parisian railway stations and exotic Eastern hotels. Kneeling, I carefully unbuckled the worn straps, willing them not to break off in my hands. And slowly, in that half-dark cellar, all alone, I lifted the lid.

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