• Complain

Shaka Senghor - Writing My Wrongs: Life, Death, and Redemption in an American Prison

Here you can read online Shaka Senghor - Writing My Wrongs: Life, Death, and Redemption in an American Prison full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 2016, publisher: Convergent Books, genre: Non-fiction. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

Romance novel Science fiction Adventure Detective Science History Home and family Prose Art Politics Computer Non-fiction Religion Business Children Humor

Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.

No cover
  • Book:
    Writing My Wrongs: Life, Death, and Redemption in an American Prison
  • Author:
  • Publisher:
    Convergent Books
  • Genre:
  • Year:
    2016
  • Rating:
    5 / 5
  • Favourites:
    Add to favourites
  • Your mark:
    • 100
    • 1
    • 2
    • 3
    • 4
    • 5

Writing My Wrongs: Life, Death, and Redemption in an American Prison: summary, description and annotation

We offer to read an annotation, description, summary or preface (depends on what the author of the book "Writing My Wrongs: Life, Death, and Redemption in an American Prison" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.

In 1991, Shaka Senghor was sent to prison for second-degree murder. Today, he is a lecturer at universities, a leading voice on criminal justice reform, and an inspiration to thousands.

In life, its not how you start that matters. Its how you finish.

Shaka Senghor was raised in a middle class neighborhood on Detroits east side during the height of the 1980s crack epidemic. An honor roll student and a natural leader, he dreamed of becoming a doctorbut at age 11, his parents marriage began to unravel, and the beatings from his mother worsened, sending him on a downward spiral that saw him run away from home, turn to drug dealing to survive, and end up in prison for murder at the age of 19, fuming with anger and despair.
Writing My Wrongsis the story of what came next. During his nineteen-year incarceration, seven of which were spent in solitary confinement, Senghor discovered literature, meditation, self-examination, and the kindness of otherstools he used to confront the demons of his past, forgive the people who hurt him, and begin atoning for the wrongs he had committed. Upon his release at age thirty-eight, Senghor became an activist and mentor to young men and women facing circumstances like his. His work in the community and the courage to share his story led him to fellowships at the MIT Media Lab and the Kellogg Foundation and invitations to speak at events like TED and the Aspen Ideas Festival.
In equal turns,Writing My Wrongsis a page-turning portrait of life in the shadow of poverty, violence, and fear; an unforgettable story of redemption, reminding us that our worst deeds dont define us; and a compelling witness to our countrys need for rethinking its approach to crime, prison, and the men and women sent there.
From the Hardcover edition.

Shaka Senghor: author's other books


Who wrote Writing My Wrongs: Life, Death, and Redemption in an American Prison? Find out the surname, the name of the author of the book and a list of all author's works by series.

Writing My Wrongs: Life, Death, and Redemption in an American Prison — read online for free the complete book (whole text) full work

Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "Writing My Wrongs: Life, Death, and Redemption in an American Prison" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.

Light

Font size:

Reset

Interval:

Bookmark:

Make
Copyright 2013 2016 by Drop a Gem Publishing LLC All rights reserved - photo 1
Copyright 2013 2016 by Drop a Gem Publishing LLC All rights reserved - photo 2Copyright 2013 2016 by Drop a Gem Publishing LLC All rights reserved - photo 3

Copyright 2013, 2016 by Drop a Gem Publishing, LLC

All rights reserved.

Published in the United States by Convergent Books, an imprint of the Crown Publishing Group, a division of Penguin Random House LLC, New York.

www.crownpublishing.com

CONVERGENT BOOKS and its open book colophon are registered trademarks of Penguin Random House LLC.

Originally published by Drop a Gem Publishing, LLC, in different form, in 2013. Selected material originally appeared on the authors blog at medium.com/@shakasenghor.

Library of Congress Cataloging-in-Publication Data is available upon request.

ISBN9781101907290

eBook ISBN9781101907306

Cover design by Christopher Brand

Cover photograph by Northbound Films

v4.1_r1

ep

Contents

To Ebony, thank you for everything you do to support

my dream and vision. You are my rock, and I deeply appreciate you for being the rare jewel of a woman that you are.

You truly are my everything, and its an honor to be sharing

this journey with you.

To my children Lakeisha Todd, James Angelo White II, and

Sekou Senghor, I love you more than words can express.

To my parents James and Marie White and Ronald (RIP) and Arlene Howard, thank you for your love and support.

To my brothers on lockdown who are working hard

to make a difference and transform their lives,

you inspire and motivate me.

To the victims of crimes throughout the world,

your pain will never be forgotten.

The unexamined life is not worth living.

Socrates, Platos Apology

FOREWORD

On July 1, 2012, the MIT Media Lab announced that we would be creating an Innovators Guilda team of scholars, executives, and designers that would go to communities around the world using the power of innovation to help people. Our first focus was Detroit.

Three weeks later the Knight Foundation, which was funding our trip, organized a meeting with the citys community leaders. We gave presentations about MIT and the Media Lab and about how we had come to Detroit to explore how we could create innovative solutions to long-standing problems.

Then, during the Q&A, a tough-looking Black man with dreadlocks stood up. Many well-meaning people come to Detroit with a missionary mentality, he said. Then they get discouraged when they realize just how tough our problems are. If you want to make a real impact, you have to go out among the people in the communities and not buy into the romanticized view of Detroit based on midtown and downtown. Although there were other comments expressing skepticism toward our efforts, this one stood out. We realized we were staring reality in the face.

After the meeting, the man introduced himself as Shaka. He said that if we were willing he would show us the real Detroit. We immediately accepted the offer. On our next trip, we avoided downtown altogether and went straight to Brightmoor on Detroits West Side, a neighborhood full of burned-out, vacant homes and liquor stores fronted with bulletproof glass. Shaka told us stories that had none of the romance, but they were true.

We quickly realized that we couldnt just fly in, do good, and go home. We needed to introduce ourselves to the community, learn about the people who lived there, and build trust. If we wanted to have a positive impact on Detroit, we had to be there for the long haul.

In the following weeks, my team from the Media Lab and creatives from the design firm IDEO flew to Detroit, working with Shaka and others to come up with a plan for how we might be able to join the community and work together. We then invited Shaka and the Detroit team to the MIT Media Lab to meet students and faculty and see and learn about what we do. Bonds began forming between the Lab and the Detroiters.

In October, we all converged on Detroit, setting up a base at the headquarters of OmniCorpDetroit, a vital local organization. We were an eclectic group of community leaders, chief innovation officers, students, and designers. Each team started working on projects ranging from solving the streetlight issue to urban farming. Shaka emerged as our natural leader, keeping the energy high and the teams working together.

By the end of an insanely productive three days, I had a plan. I would make Shaka an MIT Media Lab Fellow. Hed be our man in Detroitour connection to the incredibly important world he represents. Since then, Shaka and the Media Lab team have started to work together extensively, and Shaka continues to inspire and challenge us.

In December, Shaka e-mailed me that he had a rough draft of his memoirs and asked if I was interested in reading it. I read the entire book in two sittings. Shaka is, among his other talents, an amazing storyteller. The book is funny and moving and astute, and by the end I felt as if I had been the one convicted of murder, as if Id spent seven years in the hole, and gone through the dramatic transformation from angry, scared young boy to enlightened teacher and leader.

And by the end, I could begin to see how a generation of bright children full of promise are channeled into a system that sees them as little more than felons-in-waiting. Yet again, Shaka has inspired me to help right the wrongs, in this instance by helping him write the wrongs.

The book may be about Shakas past, but it points to a future in which we all take the next step to build a more just society.

Joi Ito

Director, MIT Media Lab

January 2013

PROLOGUE

OAKS CORRECTIONAL FACILITY

Manistee, Michigan

2001

I stared at the mirror, watching the tears roll slowly down my face, each drop carrying the pain of my childhood. I was on my second year of a four-and-a-half-year stint in solitary confinement. It was my deepest moment of reflection, a sacred moment of clarity when I came face-to-face with true forgiveness.

I walked over to the steel sink-toilet combo that was next to my cell door. The cell was spartan in appearance, with a brick slab and a plastic green mattress for a bed. The mirror was a sheet of polished steel, because in prison they didnt allow real mirrors.

I stared at the battle-scarred image in front of me and knew I needed to begin the long, tedious process of making peace with my past. I opened up deep wounds that had been stuffed with the gauze of anger and self-hatred. I forgave all of the people who had teased me in my childhood, making fun of my jack-o-lantern-sized head by calling me Pumpkin. I forgave everyone who had made fun of my gap-toothed smile. I ran my hands through my long dreadlocks and forgave everyone who ever called me nappy-headed, making me feel insecure about the crown my Creator had bestowed upon me. The words from my past ricocheted around in my mind like errant bullets, hurting no less now than they had back then.

I forgave my mother for all of the ass whoppings she gave me, remembering the fire of the belt cutting into my tender flesh. I forgave her for all of the moments she wasnt there when I needed her. I forgave the guy who shot me when I was seventeen and made me feel like I had to carry a gun. I forgave my siblings and homies for abandoning me at the lowest point in my life.

Next page
Light

Font size:

Reset

Interval:

Bookmark:

Make

Similar books «Writing My Wrongs: Life, Death, and Redemption in an American Prison»

Look at similar books to Writing My Wrongs: Life, Death, and Redemption in an American Prison. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.


Reviews about «Writing My Wrongs: Life, Death, and Redemption in an American Prison»

Discussion, reviews of the book Writing My Wrongs: Life, Death, and Redemption in an American Prison and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.