Gary Burghoff - Gary Burghoff: To M*A*S*H and Back
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GARY BURGHOFF:
TO M*A*S*H AND BACK
MY LIFE IN POEMS AND SONGS
(THAT NOBODY EVER WANTED TO PUBLISH!)
My Life in Poems and Songs
(That Nobody Ever Wanted to Publish!)
2009 All Rights Reserved.
No part of this book may be reproduced in any form or by any means, electronic, mechanical, digital, photocopying, or recording, except for the inclusion in a review, without permission in writing from the publisher.
Published in the USA by:
BearManor Media
PO Box 71426
Albany, Georgia 31708
www.bearmanormedia.com
Edited by Lon Davis
Book design and layout by Valerie Thompson
Table of Contents
To My Brother David who remained
Faithful through the wounds
Which Fame inflicted.
To my three children
Gena, Miles and Jordan
For raising me right.
To the
M*A*S*H cast and crew
Who fought for excellence always.
And to the Creator for the
Life contained within.
FOREWORD
T he big trick will be to keep this from becoming a fan letter..
The hell with it Ill just go ahead and gush..
Gary Burghoff may be about the best actor Ive ever worked with..
Why?.
Maybe its because he possesses a talent as large as his heart, a heart whose size is enough to make even the great outdoors seem slightly claustrophobic. In my (not so really) humble opinion, what makes Gary the standout performer he is is the fact that his dramatic skills, skills that have been fueled by years of training and experience, have been honed by the trials and tests of real life which have shaped the man within.
Whatever the reasons, Gary brings a laser-like commitment to the roles he chooses, combining that dedication with a personal and professional standard that considers one hundred percent merely a starting point.
As an actor, he has the uncanny ability, one that is given to only a chosen few of those who ply the same craft: the added gift of enhancing a writers work, of adding breadth and depth to his or her creation, of breathing life into words in ways that are as unique as they are surprising. For those of you who enjoy cherries on top, by employing his special form of acting alchemy, Gary is able to slip inside the skin of any role he portrays in a way that makes him seem to inhabit a character instead of merely enacting one. Exhibit A; He has an uncommon way of making a funny line even funnier, of enhancing a poignant moment by making it all the more so. And whatever it is that he contributes to a bit of dialogue or mood of a scene is never once at the expense of however many other players he might be sharing the screen or the stage with.
With this book, Gary Burghoff puts his make-up and his wardrobe aside and Gary Burghoff, the author, makes his entrance and gives us a glimpse of what the far less public side, the off-stage, off-camera side of Gary Burghoff is all about.
What follows is a self-portrait of the human being, the face without the artiface; the husband and the father; the protector and the kindred spirit of every other species with whom we share this fragile planet; the Gary Burghoff that is ever-ready to act as their protector, their ombudsman and, through his most impressive painting skills, their Boswell.
Having raised five children, Ive become an old hand at paternal feelings. That is how I have always felt about Gary. Protective. Possessive. Concerned. Not that hes not perfectly capable of fending off an enemy (some of whom have turned out to be himself), but I find some comfort in thinking that Im always there to offer him as much of that commodity as I can.
The best kind of son a father (or even a father figure) can hope to have is the kind who grows up to become your friend and that is what Gary Burghoff surely has done.
So much for prologue. There is a life waiting to be told in the pages ahead.
I wont keep you or Gary waiting one word longer.
LARRY GELBART
SEPTEMBER 2008
Weep onward child of poets song,
Pasteled in hues of bluish void.
Weep onward child of Poe and Freud,
And dream your dream of sorrow.
The news is bad again today,
The papers sweet with deadly truth.
Weep onward child of twisted youth,
And more will come tomorrow.
POEM BY GARY BURGHOFF
1967
Chapter 1
I t was 1949. I was having the dream again. It was as if I were a living camera, looking out through my own lens. I viewed a quiet meadow, green with new spring grass. The sky was calm, clear, and very blue. At the bottom of a knoll, the lush green grass formed a bowl, filled with placid, clear ground water. It was always the same. I awoke, and felt euphoric. The feeling lasted for several minutes until I shook off sleep and began another day of life in my sixth year.
My father, mother, brother and I lived in a small Victorian home in the town of Forestville, Connecticut. I shared an upstairs bedroom with my brother David, who was six years older. Our two-story house was white with green shutters, much like all the homes on East Main Street, homes filled with normal, peaceful, average, dysfunctional middle-class American families. Dysfunctional? You bet, though we had no idea we were. Who knew? By whose standards did we judge ourselves? Sigmund Freud was long since dead and therapy was not a word in our vocabularies. Neither were words such as compassion, tolerance, sensitivity, ecology, understanding, and duality. That was all somehow functioning in our lives, but the words were never used, nor our neuroses identified.
The two words I did hear often were love and progress . If a week went by without my mother quoting a Methodist sermon entitled God is Love, or dad dismissing destruction of our natural environment with the phrase thats progress, my six-year-old mind would have been very confused. Those two words encompassed all I needed to know. If God is love, I was expected (having been created in His image) to be lovable and to love others. And, I was expected to overlook the destruction of natural beauty in the name of progress. Hmm! How simple! Too simple, I was to learn.
These were exciting times although I had no way of knowing it. Just four years earlier, we had won World War II. Everyone was rebuilding! A new concept had arisen in American home construction called tract housing . That meant a small network of streets lined with identical little homes, one blue, another white, then yellow, otherwise all the same, thirty feet apart, on very small lots. No room for vegetable gardens, chickens, goats, a family cow, horses, trees... just manicured green lawns and a one-car garage. This was new to us, and although we never owned a cow, some of our neighbors did, along with chickens, ducks, and goats. People still brewed dandelion wine in sheds. Some even had outhouses!
On weekends, I would be driven a few miles to the Rhineflesh Farm to spend two eagerly awaited days doing chores, riding the ponies, and plucking freshly killed chickens for dinner. Although the killing was, at my request, not one of my duties, I accepted it as the normal way of things. Evidently, God is Love did not extend to chickens! I remember feeling a mild sense of guilt because I did love chickens, and found the conflict between loving them alive and loving how they tasted discomforting.
One evening at the dinner table, at our house, I refused to chew my food..
Gary, what on earth is the matter? my mother asked..
Im trying not to crush the germs, was my answer..
What germs? asked Dad..
The germs we cant see. They live on everything, especially food. I read it in a book..
Here! Eat this part. Germs dont live on this part of the chicken..
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