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Chaplin Charlie - My Autobiography

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Best autobiography ever written by an actor. An astonishing work. Chicago Tribune Chaplins heartfelt and hilarious autobiography tells the story of his childhood, the challenge of identifying and perfecting his talent, his subsequent film career and worldwide celebrity. In this, one of the very first celebrity memoirs, Chaplin displays all the charms, peculiarities and deeply-held beliefs that made him such an endearing and lasting character. Re-issued as part of Melville Houses Neversink Library, My Autobiography offers dedicated Chaplin fans and casual admirers alike an astonishing glimpse into the the heart and the mind of Hollywoods original genius maverick. Take this unforgettable journey with the man George Bernard Shaw called the only genius to come out of the movie industry as he moves from his impoverished South London childhood to the heights of Hollywood wealth and fame; from the McCarthy-era investigations to his founding of United Artists to his reverse migration back to Europe, My Autobiography is a reading experience not to be missed.

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PENGUIN BOOKS

My Autobiography

Charles Chaplin was born on 16 April 1889 in East Street, Walworth, London. His parents, both music hall performers, separated before he was three. His father was to die of alcoholism at 37, while his mother suffered permanent mental breakdown; and Charles and his older half-brother Sydney experienced periods in institutions for destitute children. At 10 he began his professional life as a member of a juvenile clog-dance troupe, went on to act on the legitimate stage in touring productions of Sherlock Holmes, and finally became a star of Fred Karnos music hall sketch companies. Touring the USA with Karno, in 1913 he was recruited by the Keystone Film Company, and in his second one-reel comedy created the character of the Little Tramp which was to become universally recognized and loved. He soon began to direct as well as perform in his own films. In search of greater independence and bigger salaries he passed in turn to the Essanay, Mutual and First National companies. Among his most notable films from this period are Easy Street, The Immigrant, Shoulder Arms and The Kid. In 1919, with Douglas Fairbanks, Mary Pickford and D. W. Griffith, he established United Artists, through which he distributed such masterworks as A Woman of Paris, The Gold Rush, The Circus, City Lights, Modern Times, The Great Dictator, Monsieur Verdoux and Limelight. As a foreigner and suspected radical, in the late 1940s he fell victim to Americas McCarthyist witchhunts, and from 1952 made his home in Europe, where he directed two more films, A King in New York and A Countess from Hong Kong, as well as completing his autobiography. Following a chequered marital and romantic life, in 1943 he married Oona ONeill (daughter of the playwright Eugene ONeill), by whom he had eight children. In 1972 he briefly re-visited the United States to receive an honorary Academy Award; and in January 1975 he was appointed KBE. He died on Christmas Day 1977 at his home in Vevey, Switzerland.

CHARLES CHAPLIN

My Autobiography

Picture 1

PENGUIN BOOKS

PENGUIN BOOKS

Published by the Penguin Group
Penguin Books Ltd, 80 Strand, London WC2R 0RL, England
Penguin Putnam Inc., 375 Hudson Street, New York, New York 10014, USA
Penguin Books Australia Ltd, 250 Camberwell Road, Camberwell, Victoria 3124, Australia
Penguin Books Canada Ltd, 10 Alcorn Avenue, Toronto, Ontario, Canada M4V 3B2
Penguin Books India (P) Ltd, II Community Centre, Panchsheel Park, New Delhi 110 017, India
Penguin Books (NZ) Ltd, Cnr Rosedale and Airborne Roads, Albany, Auckland, New Zealand
Penguin Books (South Africa) (Pty) Ltd, 24 Sturdee Avenue, Rosebank 2196, South Africa

Penguin Books Ltd, Registered Offices: 80 Strand, London WC2R 0RL, England

www.penguin.com

First published by the Bodley Head 1964
Published in Penguin Books 1966
Published as a Modern Classic 2003
6

Copyright Charles Chaplin, 1964
Introduction copyright David Robinson, 2003
All rights reserved

The moral right of the author has been asserted

Except in the United States of America, this book is sold subject
to the condition that it shall not, by way of trade or otherwise, be lent,
re-sold, hired out, or otherwise circulated without the publishers
prior consent in any form of binding or cover other than that in
which it is published and without a similar condition including this
condition being imposed on the subsequent purchaser

ISBN: 978-0-14-191249-3

illustrations

All photographs unless otherwise specifically acknowledged are the copyright of the Roy Export Company Establishment

. Charles Chaplin

. Charles Chaplin Sr

. Hannah Chaplin

. Hannah Chaplin in her house in California

. Chaplin (circled) at the Hanwell Schools, 1897 (National Film and Television Archive)

. Sydney Chaplin

. Chaplin as the Inebriate one of the roles he played for Karno

. Chaplin with Alf Reeves

. On the ship to the USA

. Keystone with Mabel Normand in Mabel at the Wheel

. Chaplin Studios on the building site in 1917

. United Artists Douglas Fairbanks, Chaplin, D. W. Griffith and Mary Pickford

. Washington Liberty Bond Tour, 1918 (AKG)

. Mildred Harris

. Chaplin c. 1918

. Visiting London, 1921

. With Lord and Lady Mountbatten, 1921

. With Jackie Coogan in The Kid, 1921

. Jackie Coogan visiting Chaplin on the set of Modern Times, 1935

. Clare Sheridan working on her bust of Chaplin

. Chaplin with Anna Pavlova

. Edna Purviance (centre) in A Woman of Paris, 1923

. City Lights with Virginia Cherrill, 1931

. Winston Churchill with Chaplin on the set of City Lights, 1929

. Chaplin with Professor and Mrs Einstein at the premiere of City Lights

. Chaplin with Arnold Schoenberg

. Modern Times, 1936

. Chaplin with Paulette Goddard in Modern Times

. The Great Dictator, 1940

. Chaplin with Oona, Geraldine and Michael

. Chaplin with his sons Charles and Sydney on the set of Monsieur Verdoux, 1947

. With Claire Bloom in Limelight, 1952

. With Dawn Addams in A King in New York, 1957

. With Oona in Switzerland

. With Michael, Josephine and Eugene

ACKNOWLEDGEMENTS

Grateful acknowledgements are due to Alfred A. Knopf, Inc. for permission to reprint an extract from Government by Assassination by Hugh Byas; to the authors and William Heinemann Ltd for the passage from A Writers Notebook by W. Somerset Maugham, and for lines from The Widow in the Bye Street from The Collected Poems of John Masefield; to Liveright Publishing Corporation for White Buildings from The Collected Poems of Hart Crane.

The publisher would like to thank the Association Chaplin for its help in preparing this edition.

To Oona

introduction

by David Robinson

CHAPTER One begins in forthright Victorian biographical style: I was born on 16 April 1889, at eight Oclock at night, in East Lane, Walworth. When My Autobiography appeared in 1964, this was itself a revelation. The hundreds (quite literally) of books that had been devoted to Chaplin had vaguely placed his birth here, there and everywhere (even Fontainebleau), and no birth certificate exists to settle the question. But here for the first time we had Chaplins word for it, and into the bargain his credentials as a true South Londoner, since only a local would name East Street (its official name) as East Lane the style lane being popularly applied to any metropolitan thoroughfare that boasts a market. And thereafter the revelations, particularly about the privations of his early life and the precocious discovery of his gifts as a performer, were prodigal. At seventy-five years old, Charles Chaplin finally told his own story, at length.

On its first appearance the book attracted enormous and worldwide attention (it has been translated into upwards of twenty-five languages) as well as scepticism on various counts. It must, some said, have been written in collaboration with a ghost, because that is how Hollywood biographies are made. All the evidence, though, is that the book was a solo authorial effort. His family remembered how Chaplin would kiss his wife Oona goodbye and retire to his library for three concentrated sessions every day, just like going to the office. Chaplin himself complained to Ian Fleming that his secretary was forever trying to improve his English: He said he was not surprised, as he had taught himself the language and suspected that his secretary knew it far better than he did but, even so, he liked his own version and hoped that some of what he had actually written would survive the process of editing. Leonard Russell, anticipating serial publication of the book in the

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