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Mary King Rodge - Where the creosote blooms: a memoir

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Where the Creosote Blooms A Memoir by Mary King Rodge title - photo 1
Where the Creosote Blooms
A Memoir by
Mary King Rodge

title:Where the Creosote Blooms : A Memoir Chisholm Trail Series ; No. 19
author:Rodge, Mary King.
publisher:Texas Christian University Press
isbn10 | asin:0875651933
print isbn13:9780875651934
ebook isbn13:9780585042367
language:English
subjectRodge, Mary King,--1914- --Childhood and youth, El Paso (Tex.)--Biography, El Paso (Tex.)--Social life and customs.
publication date:1999
lcc:F394.E4R63 1999eb
ddc:976.4/96062/092
subject:Rodge, Mary King,--1914- --Childhood and youth, El Paso (Tex.)--Biography, El Paso (Tex.)--Social life and customs.
Number Nineteen in the Chisholm Trail Series
Copyright 1999 by Mary King Rodge
Library of Congress Cataloging-in-Publication Data
Rodge, Mary King, 1914
Where the creosote blooms / by Mary King Rodge.
PPicture 2cm. (The Chisholm Trail series : no. 19)
ISBN 0-87565-193-3 (paperback: alk. paper)
Rodge, Mary King, 1914- Childhood and youth. 2. El Paso
(Tex.)Biography. 3. El Paso (Tex.) Social life and customs.
TitlePicture 3II. Series
F394.E4R63Picture 4Picture 51999
976.496062-092dc21
[b]Picture 6Picture 7Picture 8Picture 9Picture 1098-14193
Picture 11Picture 12Picture 13Picture 14Picture 15CIP
Book design by Barbara M. Whitehead
Acknowledgments
This book was made possible by my enrollment in the Master of Liberal Arts Program at the University of North Carolina, Asheville. Thanks to all my professors who stimulated my interest in creative writing and especially to Peggy Parris, Sandra Obergfell and David Hopes, who served on my MLA Project Committee.
Thanks to my editor, Tracy Row, who early on spotted a few grains of wheat among the bushels of chaff and helped me sort it out.
Finally, thanks to my sister, Rebekah King Conrad of New Orleans, for sharing the memories and insisting I could do it.
The story of the pigeon raising fiasco was first published in The Journal of Graduate Liberal Studies (Vol. II, No. 1, Fall 1996).
For Becky
Page 1
Prologue
I wasn't born in El Paso. We moved there from California during the summer of 1924 just before my tenth birthday. I remember that move very well, how we settled down in our brick bungalow on Mountain Avenue and thought it would be forever. Mama was so happy about that little house; and after all our moving around in California Papa felt good about his permanent job as overseer of the dye house at The Lone Star Cotton Mills. Of course my little sister Becky and I loved it, all that blue sky and open space. That's the word that describes El Paso best: openness.
That move was a long time ago. Years have passed and I have lived in many different places, but to this day when someone asks me where I am from, I respond happily, "Well, I grew up in El Paso." Just the sound of that musical name, El Paso, and the years roll away and I am transported back to that sunny, desert city. The adolescent years are important to all of us; but with me it's more than
Page 2
the years, more than time passing. It's the place. It's the desert and the mountains, the cloudbursts and sandstorms, and the sun, always the sun.
Looking back, way back before World War II and even before the Depression, I see an eager, impulsive little girl, growing up in the sun-baked city. Her brown curls, cut short in the new boyish bob, are blown almost straight by the dry desert wind, and her naturally blue eyes look even bluer against her suntanned face. In spite of Mama's warnings she can never remember to wear a sun hat. In her sleeveless, sun-back dresses and brown sandals she roams the desert, watches the sunrise, the sunset, the ever-changing shadows, gathers odd-shaped pods and seeds, and unconsciously, day after day, puts down her own roots as tough and enduring as those of the desert plants she loves.
Mountain Avenue was the last paved street on the northern rim of the city. The black asphalt pavement started at the foothills of Mount Franklin on the west and ran downhill in a straight line all the way to Fort Bliss on the east. Our block, on the steep, upper end of the hill, consisted of seven or eight look-alike red-brick bungalows. Each house had a wide front porch shaded by Virginia creeper which against all odds managed to flourish in the dry, desert air. The only exception to the brick bungalows was the small flat-roofed, Spanish-style stucco building on the lower corner of the block next to Copia Street. Its white walls glistened in the sun like a spatter of rhinestones. The large letters, scratched with Bon Ami on the plate glass window facing Mountain Avenue, announced the building's useful purpose: HAIR CUTS 25 CENTS.
On across Copia, with plate glass windows facing both Copia and Mountain, was Quinn's Grocery and Market. The plainness of its red brick walls was broken by the brown canvas awnings that Kerry Quinn let down every morning to protect the fresh produce behind the windows from the merciless sun. A truck, bearing the sign "Quinn's Grocery and Market," and beneath that, in smaller letters, "Free Delivery," was parked on the Copia side of the store, if Kerry didn't have it out on delivery. Mrs. Quinn worried about the way Kerry drove, always cutting around corners on two wheels, and even sneaking the truck out at night and taking it to Juarez. She
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