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Fraser Sarah - The prince who would be king: the life and death of Henry Stuart

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Fraser Sarah The prince who would be king: the life and death of Henry Stuart

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Henry Stuarts life is the last great forgotten Jacobean tale. Shadowed by the gravity of the Thirty Years War and the huge changes taking place across Europe in seventeenth-century society, economy, politics and empire, his life was visually and verbally gorgeous. Henry Stuart, Prince of Wales was once the hope of Britain. Eldest son to James VI of Scotland, James I of England, Henry was the epitome of heroic Renaissance princely virtue, his life set against a period about as rich and momentous as any. Educated to rule, Henry was interested in everything. His court was awash with leading artists, musicians, writers and composers such as Ben Jonson and Inigo Jones. He founded a royal art collection of European breadth, amassed a vast collection of priceless books, led grand renovations of royal palaces and mounted operatic, highly politicised masques. But his ambitions were even greater. He embraced cutting-edge science, funded telescopes and automata, was patron of the NorthWest Passage Company and wanted to sail through the barriers of the known world to explore new continents. He reviewed and modernised Britains naval and military capacity and in his advocacy for the colonisation of North America he helped to transform the world. At his death aged only eighteen, and considering himself to be as much a European as British, he was preparing to stake his claim to be the next leader of Protestant Christendom in the struggle to resist a resurgent militant Catholicism. In this rich and lively book, Sarah Fraser seeks to restore Henry to his place in history.

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William Collins

An imprint of HarperCollinsPublishers

1 London Bridge Street

London SE1 9GF

WilliamCollinsBooks.com

This eBook first published in Great Britain by William Collins in 2017

Copyright Sarah Fraser 2017

Cover image shows detail from Henry, Prince of Wales with Robert Devereux, 3rd Earl of Essex in the Hunting Fieldc. 1605 by Robert Peake (active 15801635) Royal Collection Trust/ Her Majesty Queen Elizabeth II 2017

Sarah Fraser asserts the moral right to be identified as the author of this work

Maps by Martin Brown

A catalogue record for this book is available from the British Library

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

Source ISBN: 9780007548101

Ebook Edition May 2017 ISBN: 9780007548095

Version: 2018-02-13

For my sons, Sandy and Calum

CONTENTS

Spelling and punctuation unstable in this period are modernised to assist - photo 1

Spelling and punctuation, unstable in this period, are modernised to assist comprehension, and to prevent interruption of the narrative by lexical curiosities that might catch the eye and distract from the narrative flow. Even James VI and I revised his Basilikon Doron for publication to ease readability.

Contractions are expanded (thus mistie becomes Majesty). The spelling of proper names has been standardised. For example, Henry also spelled his name Henrie, but I have opted here for Henry. Individuals born with several titles, or those who changed name on receipt of them, can be a particular problem for the biographer writing for a non-specialist audience. Cecil was not the monolith Salisbury when James VI negotiated in treasonable secrecy with Secretary Robert Cecil to inherit Elizabeths thrones. I note in media res when an important change has taken place and from then on, I use the new name. With regard to place names, Great Britain as a term for the multiple Stuart territories is a bit of an anachronism, but I use it as it is so apposite. Place names are modernised and standardised (thus Finchingbrooke becomes Hinchingbrooke).

For dates, the year begins on 1 January not 25 March (as it did on this side of the Channel).

British currency was in pounds, shillings and pence: s. d. One English pound was worth 12 Scots. To understand what a particular amount would represent today you can add two zeros to the figure, to get a rough approximation.

PREFACE

How much music you can still make with what remains

ITZHAK PERLMAN

In the conservation room at Westminster Abbey lies the wreck of a life-sized wooden manikin, stretched out on a white table. This is what remains of Henry Frederick Stuart, Prince of Wales.

Recalling a cast of the nameless dead at Pompeii, the figures mute appeal touched me. Its ruined state tells of Henrys importance, but also what happened to his legacy. After Henry died, visitors ransacked this likeness for relics someone even stole his head. His effigy was unique in 1612. Up until then, they were made to honour monarchs and their consorts, not their offspring.

Who was Henry Stuart, to earn this effigy, and the state funeral that went with it itself unprecedented in England, in scale and magnificence?

This book sets out to recreate Henry, an important but almost forgotten piece of historys puzzle. Restoring Henry in his time and place reveals paths running through his court, from Elizabeth I to the Civil War, to a Puritan republic, and the British Empire in America; but also, to the transformation of the navy into a force achieving global domination of the high seas, and the breaking down and recreation of Britains armed forces into a world-class fighting machine.

Henry re-founded the Royal Library, amassing the biggest private collection in England. He began to create a royal art collection of European breadth paintings, coins, jewellery and gem stones, sculpture, both new and antique, on a scale no royal had attempted before. These went on to become world-class collections under his brother, Charles I, and form the backbone of the British Library and the Queens Royal Collection today. Henry began the grandest renovations of royal palaces in his father King James VI and Is reign, and mounted operatic, highly politicised masques. His court maintained a dozen artists, musicians, writers and composers. Ben Jonson, Michael Drayton, George Chapman and Inigo Jones all created work for him. He responded with enthusiasm to the vogue for scientific research, putting time, money and men into buying state-of-the-art scientific instruments telescopes and automata that tried to model the heavens. He financed projects business schemes to try and extract silver from lead, and make furnaces more fuel efficient.

Henry and his circles curiosity and ambition reflected the eras desire to sail through the barriers of the known world. He persuaded his father the king to let him begin a full-scale review and modernisation of Britains naval and military capacity. He was raised in the ancient culture of chivalry, but welcomed active servicemen from the front line of Europes religious wars. Henrys court was where the latest developments in the art of warfare were received and developed. He became patron of the Northwest Passage Company, established to find a sea route across the top of America and open up the lucrative oriental trade to British merchants. He and his court were important promoters of the project to realise the decades-long dream of planting the British race permanently in American soil. Whatever we think of colonialisation now, such men transformed the world.

As a man and prince, Henry saw himself to be European as much as British, using as one of his mottoes the expansionist Fas est aliorum quaerere regna, It is right to ask for the kingdoms of others. At his death aged eighteen, he was preparing to go and stake his claim to be the next leader of Protestant Christendom in the struggle to resist a resurgent militant Catholicism. He was a devout, Puritan-minded Protestant. In the arena of politics, there is a case for seeing Henrys court as a significant waystation between the abortive aristocratic uprising in 1601 when the 2nd Earl of Essex sought to force Queen Elizabeth to name James VI of Scotland as her heir in Parliament and the regicides who shivered in the Palace of Westminsters Painted Chamber, ready to sign the death warrant of Henrys little brother, Charles I, in January 1649. By the time of Henrys death, you could see the prince and his court positioning themselves at the front line of so much that came to define Britain in its heyday.

I am aware that when I say, Henry did this, and Henry did that, one question arises at once. Who was Henry?

Henry was a son, brother, friend, master, patron. Henry was the crown prince. The inverted commas around his name allude to the medieval idea of the kings two bodies ordinary man and the monarchy, the Crown. The natural man decayed and died. The Crown merely suffered a demise and passed to the next bearer. Crown Prince Henry possessed a physical body and a body politic. He was a boy and the crowns united: the first Prince of Wales born to inherit the united kingdoms of Britain.

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