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Hubbard Kate - Devices and desires: Bess of Hardwick and the building of Elizabethan England

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Hubbard Kate Devices and desires: Bess of Hardwick and the building of Elizabethan England

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The critically acclaimed author of Serving Victoria brilliantly illuminates the life of the little-known Bess of Hardwick-next to Queen Elizabeth I, the richest and most powerful woman in sixteenth-century England.Aided by a quartet of judicious marriages and a shrewd head for business, Bess of Hardwick rose from humble beginnings to become one of the most respected and feared Countesses in Elizabethan England-an entrepreneur who built a family fortune, created glorious houses-the last and greatest built as a widow in her 70s-and was deeply involved in matters of the court, including the custody of Mary Queen of Scots. While Bess cultivated many influential courtiers, she also collected numerous enemies. Her embittered fourth husband once called her a woman of devices and desires, while nineteenth-century male historians portrayed her as a monster-a woman of masculine understanding and conduct, proud, furious, selfish and unfeeling. In the twenty-first century she has been neutered by female historians who recast her as a soft-hearted sort, much maligned, and misunderstood. As Kate Hubbard reveals, the truth of this highly accomplished woman lies somewhere in between: ruthless and scheming, Bess was sentimental and affectionate as well. Hubbard draws on more than 230 of Besss letters, including correspondence with the Queen and her councilors, fond (and furious) missives between her husbands and children, and notes sharing titillating court gossip. The result is a rich, compelling portrait of a true feminist icon centuries ahead of her time-a complex, formidable, and decidedly modern woman captured in full as never before.;Prologue: Hardwick Hall, 1590 -- Derbyshire beginnings -- Sir William Cavendish -- Acquisition -- Every man almost is a builder -- My honest swete Chatesworth -- This devils devices -- Countess of Shrewsbury -- The Scots Queen -- A dubious honour -- Close dealing -- Great turmoil doth two houses breed -- The old song -- Send me accres -- Civil wars -- Mocking and mowing -- The old hall -- Smythsons Platt -- London, 1591 -- More glass than wall -- Houshold stuff -- A scribbling melancholy -- It doth stick sore in her teeth -- Not over sumptuous -- Afterword: Hardwick Post Bess.

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Contents

Guide

NON-FICTION

Serving Victoria: Life in the Royal Household

FOR CHILDREN

Charlotte Bront: The Girl who Turned her Life into a Book

Queen Victoria: The Woman who Ruled the World

Rubies in the Snow: Diary of Russias Last Grand Duchess 19111918

Bess c 1560 by a follower of Hans Eworth Central square of The Cavendish - photo 1

Bess, c. 1560, by a follower of Hans Eworth

Central square of The Cavendish Hanging c 1570 worked on by Bess and Mary - photo 2

Central square of The Cavendish Hanging, c. 1570, worked on by Bess and Mary, Queen of Scots

Sir William Cavendish c 1550 Besss second and best-loved husband Penelope - photo 3

Sir William Cavendish, c. 1550, Besss second and best-loved husband

Penelope a classical heroine from the Virtues hangings with whom Bess liked - photo 4

Penelope, a classical heroine from the Virtues hangings, with whom Bess liked to identify

Needlework cushion of the platt of Chatesworth House in the long gallery at - photo 5

Needlework cushion of the platt of Chatesworth House, in the long gallery at Hardwick in 1601

Elizabethan Chatsworth before 1750 by Richard Wilson George Talbot 6th - photo 6

Elizabethan Chatsworth, before 1750, by Richard Wilson

George Talbot 6th Earl of Shrewsbury 1580 Besss fourth husband before love - photo 7

George Talbot, 6th Earl of Shrewsbury, 1580, Besss fourth husband, before love turned to hate

Mary Queen of Scots c 1578 by or after Rowland Lockey probably painted - photo 8

Mary, Queen of Scots, c. 1578, by or after Rowland Lockey, probably painted during her captivity

Elizabeth I c 1599 commissioned by Bess for Hardwick Embroidered panel - photo 9

Elizabeth I, c. 1599, commissioned by Bess for Hardwick

Embroidered panel decorated with cloth-of-silver strapwork and gold and silver - photo 10

Embroidered panel, decorated with cloth-of-silver strapwork and gold and silver thread

Letter from Bess to her daughter Mary Talbot 1580s The Evidence Room at - photo 11

Letter from Bess to her daughter, Mary Talbot, 1580s

The Evidence Room at Hardwick Longleat the south front showing Robert - photo 12

The Evidence Room at Hardwick

Longleat the south front showing Robert Smythsons rooftop banqueting houses - photo 13

Longleat, the south front, showing Robert Smythsons rooftop banqueting houses

Smythsons design for a two-storeyed bay window at Longleat c 1568 Smythsons - photo 14

Smythsons design for a two-storeyed bay window at Longleat, c. 1568

Smythsons designs for tools including a saw for blackstone and a sieve for - photo 15

Smythsons designs for tools, including a saw for blackstone and a sieve for sifting lime

Hardwick Old Hall the north front with the New Hall to the left anonymous - photo 16

Hardwick Old Hall, the north front, with the New Hall to the left, anonymous 17th-century drawing

The New Hall the west front 1959 by Edwin Smith showing the house battered - photo 17

The New Hall, the west front, 1959, by Edwin Smith, showing the house battered and blackened by coal dust

Allegorical figure of Architecture from the Liberal Arts hangings c 1580 - photo 18

Allegorical figure of Architecture, from the Liberal Arts hangings, c. 1580

Smythsons plan for the house gardens and courts at Wollaton Wollaton Hall - photo 19

Smythsons plan for the house, gardens and courts at Wollaton

Wollaton Hall Smythsons design for a hall screen at Worksop A variant plan - photo 20

Wollaton Hall

Smythsons design for a hall screen at Worksop A variant plan by Smythson - photo 21

Smythsons design for a hall screen at Worksop

A variant plan by Smythson for Hardwicks ground floor showing the lesser - photo 22

A variant plan, by Smythson, for Hardwicks ground floor, showing the lesser stairs in their original position

Hardwick north elevation 1831 sketch with the ruins of the Old Hall on the - photo 23

Hardwick, north elevation, 1831 sketch, with the ruins of the Old Hall on the right

Long gallery at Hardwick 1839 watercolour by David Cox Detail of the - photo 24

Long gallery at Hardwick, 1839, watercolour by David Cox

Detail of the plasterwork frieze of the court of Diana in the High Great - photo 25

Detail of the plasterwork frieze of the court of Diana, in the High Great Chamber

William Cavendish 1576 1st Earl of Devonshire Arbella Stuart aged two - photo 26

William Cavendish, 1576, 1st Earl of Devonshire

Arbella Stuart aged two 1577 commissioned by Bess Gilbert Talbot 7th Earl - photo 27

Arbella Stuart, aged two, 1577, commissioned by Bess

Gilbert Talbot 7th Earl of Shrewsbury Mary Talbot Countess of Shrewsbury - photo 28

Gilbert Talbot, 7th Earl of Shrewsbury

Mary Talbot Countess of Shrewsbury The saucy overmantel in Besss bedchamber - photo 29

Mary Talbot, Countess of Shrewsbury

The saucy overmantel in Besss bedchamber William Seniors map of Hardwick - photo 30

The saucy overmantel in Besss bedchamber

William Seniors map of Hardwick 1610 showing the Old and New Halls and - photo 31

William Seniors map of Hardwick, 1610, showing the Old and New Halls and gardens

Hanging showing Faith looking rather like Elizabeth I and Muhammad made from - photo 32
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