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Bond Edward - Spring Awakening

Here you can read online Bond Edward - Spring Awakening full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. City: London, year: 2012, publisher: Bloomsbury Publishing;Methuen Drama, genre: Non-fiction. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

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Spring Awakening: summary, description and annotation

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Cover; Title Page; Contents; Introductions by Edward Bond 2009; 1974; A Note on the Play by Elisabeth Bond-Pabl; A Note on the Language by Edward Bond; The Plot; Commentary; The historical context of Spring Awakening; Structure and setting; Characterisation and language; Principal characters; Individuals and types; The teachers; The children; Themes; Gender and sexuality; Education; Generational conflict; Comedy and tragedy; Naturalism and Expressionism; Intertexts; Freud; Goethes Faust; Spring Awakening on the stage; Censorship; Early productions; Post-war productions.;A Student Edition of Wedekinds classic 1891 expressionist play aboutadolescent sexuality. Wedekinds notorious play Spring Awakening influenced a whole trend of modern drama and remains relevant to todays society, exploring theoppression and rebellionof adolescents among draconian parents and morals. This seminal work looks at the conflict between repressive adulthood and teenage sexual longings in a provincial German town. Highly controversial and with themes of sexuality, social attitudesand adolescence, the play is a popular and provocative text for study, especially at undergraduate level.

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CHARLOTTE RYLAND studied at Selwyn College Cambridge St Johns College - photo 1

CHARLOTTE RYLAND studied at Selwyn College, Cambridge, St Johns College, Oxford, and University College London, where she completed a doctorate on the German-language poet Paul Celan. She teaches German at Oxford University, and her research interests are in twentieth-century German literature, with a particular focus on the impact of the Holocaust.

Methuen Drama Student Edition

Methuen Drama, an imprint of Bloomsbury Publishing Plc

10 9 8 7 6 5 4 3 2 1

This edition first published in the United Kingdom in 2012 by Methuen Drama

Methuen Drama
Bloomsbury Publishing Plc
50 Bedford Square
London WC1B 3DP
www.methuendrama.com

This translation first published in 1980 by Eyre Methuen Ltd

Copyright in this translation and translators introduction 1980, 2009
by Edward Bond

Commentary and notes copyright 2012 Methuen Drama

Edward Bond has asserted his rights under the Copyright, Designs and Patents Act 1988 to be identified as the translator of this work

Epub ISBN: 978 1 408 15716 9

Print ISBN: 978 1 408 14089 5

Available in the USA from Bloomsbury Academic & Professional,
175 Fifth Avenue/3rd Floor, New York, NY10010.
www.bloomsburyacademic.com/

A CIP catalogue record for this book is available from the British Library

Typeset by Country Setting, Kingsdown, Kent CT14 8ES
Printed and bound in Great Britain by CPI Group (UK) Ltd, Croydon CR0 4YY

CAUTION

All rights in this play are strictly reserved and application for performance etc. should be made to Casarotto Ramsay and Associates Ltd, Waverley House, 712 Noel Street, London W1F 8GQ. No performance may be given unless a licence has been obtained.

This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, resold, hired out, or otherwise circulated in any form of binding or cover other than that in which it is published and without a similar condition, including this condition, being imposed on the subsequent purchaser.

This book is produced using paper that is made from wood grown in managed, sustainable forests. It is natural, renewable and recyclable. The logging and manufacturing processes conform to the environmental regulations of the country of origin.

Contents

Introductions by Edward Bond
2009

1864

24 July: Emilie Wedekind, ne Kammerer (18401915) gives birth in Hanover, Germany, to the second of her six children: Benjamin Franklin (Frank) Wedekind. Father: Friedrich Wilhelm Wedekind (18161888), doctor of medicine. The parents had just come back from America.

1872

Dr Wedekind purchases Castle Lenzburg near Aarau in Switzerland where the family settles. Frank attends the Gemeindeknabenschule, then the Bezirksschule from 1875, then from 1879 the Kantonsschule in Aarau.

1879

He writes Der Hnseken, a childrens epic for his youngest sister; writes poems and scenes (mostly parodies), in which he acts himself, for the school literary society.

1884

Matriculation. Enrols first at the University of Lausanne to study German philology and French literature. In the autumn, at his fathers insistence, enrols at Munich University to study law. Theatres, concerts, art museums become his principal haunts.

1886

Starts his first play. Meets Michael Georg Conrad and becomes a friend of Karl Henckell. Open quarrel with his father. November 1886 to July 1887: advertising manager of the Maggi soup firm near Zurich.

1887

Contact with the socialist group Young Germany around Gerhart and Carl Hauptmann and John Henry Mackay. Starts to write for the Neue Zricher Zeitung. September: makes his peace with his father.

1888

11 October: sudden death of Dr Wedekind.

1889

MayJuly: in Berlin. Then Munich. Contact with Otto Julius Bierbaum, Oskar Panizza, Hans Freiherr von Gumppenberg. Friendship with Willy Rudinoff and Richard Weinhppel.

1891

To Easter 1891: writes Spring Awakening. December: to Paris, where he stays with interruptions until 1895.

1892

Fascinated by the theatre, ballet, varits and the circus, whose way of life will help him to shape his philosophy. Friendship with Emma Herwegh; probably first contact with Willy Grtor. Begins Lulu plays.

1894

JanuaryJune: in London. Meets Max Dauthendey, Georg Brandes; back in Paris, meets Albert Langen, his future Munich publisher.

1895

Returns to Germany: February in Berlin; summer in Munich. Tries to get his plays performed, without success. Autumn: Lenzburg, then Zurich; gives public readings mainly from Ibsens plays, using the pseudonym Cornelius Minehaha. Starts his best known novel Mine-Haha. Langen publishes Earth-Spirit (Erdgeist), the first of the Lulu plays.

1896

Summer in Munich. Has more contributions than any other author in Langens successful new periodical Simplicissimus.

1897

Contact with Kurt Martens of the Leipzig Literary Society. Readings.

1898

25 February: first performance in Leipzig of Earth-Spirit. Under the pseudonym Heinrich Kammerer, Wedekind plays the part of Dr Schn. The director, Carl Heine, and his wife Beate along with Kurt Martens become lifelong friends. Heine tours Earth-Spirit with his Ibsen Theater: Wedekind is actor and theatre secretary. Back in Munich, Georg Stollberg, director of the Schauspielhaus, employs him as a dramaturg, director and actor. On 29 October, after the Munich premiere of Earth-Spirit, Wedekind is given a hint that he is going to be arrested because of some political poems published in Simplicissimus under the pseudonym Hieronymus Hobs. Flees to Switzerland, then to Paris. Roughs out The Marquis of Keith.

1899

With The Marquis of Keith complete, he hands himself over to the German police in June. Accused of lsemajest and sentenced to seven months imprisonment, a sentence later commuted to confinement in a fortress (Festungshaft), in fact, Knigstein near Leipzig. While Wedekind is still there, The Singer, also known as TheTenor (Der Kammersnger), has its first night in Berlin (10 December).

1900

3 March: back to Munich. Contact with Max Halbe and his literary circle. 28 September: The Love Potion (Der Liebestrank or Fritz Schwigerling) premiered in Zurich.

1901

April: joins the new cabaret The Eleven Executioners (Die Elf Scharfrichter) in Munich, and is the only member not using a pseudonym. 11 October: first night in Berlin of The Marquis of Keith (Der Marquis von Keith).

1902

22 February: first night in Munich of King Nicolo (So ist das Leben or Knig Nicolo).

1904

1 February: first night in Nuremberg of Pandoras Box (Die Bchse der Pandora) the second, more hostilely received of the Lulu plays. 23 March: confiscation of the first published edition. 1905 1 February: first night in Munich of

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