• Complain

Bowie David - At the birth of Bowie: life with the man who became a legend

Here you can read online Bowie David - At the birth of Bowie: life with the man who became a legend full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. City: England, year: 2019, publisher: John Blake Publishing, genre: Non-fiction. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

Romance novel Science fiction Adventure Detective Science History Home and family Prose Art Politics Computer Non-fiction Religion Business Children Humor

Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.

Bowie David At the birth of Bowie: life with the man who became a legend
  • Book:
    At the birth of Bowie: life with the man who became a legend
  • Author:
  • Publisher:
    John Blake Publishing
  • Genre:
  • Year:
    2019
  • City:
    England
  • Rating:
    4 / 5
  • Favourites:
    Add to favourites
  • Your mark:
    • 80
    • 1
    • 2
    • 3
    • 4
    • 5

At the birth of Bowie: life with the man who became a legend: summary, description and annotation

We offer to read an annotation, description, summary or preface (depends on what the author of the book "At the birth of Bowie: life with the man who became a legend" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.

Chapter One: Little drummer boy -- Chapter Two: Germany calling -- Chapter Three: Meet our singer, Davie Jones... -- Chapter Four: One fourth of a third -- Chapter Five: Mandy Rice-Davies meets Mary Poppins -- Chapter Six: Those marquee nights -- Chapter Seven: The birth of Bowie -- Chapter Eight: Davie Jones is back in his locker -- Chapter Nine: Paris -- the beginning of the end -- Chapter Ten: Cant help thinking about me -- Chapter Eleven: Bowie and beyond -- Chapter Twelve: Sunday, 10 January 2016.;It is 1965, and Swinging London is coming into its prime years. The streets are alive with mods and rockers, playboys and good-time girls, all revelling in the blossoming artistic, creative and cultural energies of the decade. Amid the colour and chaos is a boy sporting drainpipe jeans, an immaculately tailored sports coat and a half-inch wide tie. A devoted fan of The Who, he looks the part in his pristine mod gear. As the lead singer of the Lower Third, his talent is shaping itself into something truly special. His name is Davy Jones. In ten years, he will be unrecognisable as fresh-faced boy of 1965, and in just over fifty years, his death will be mourned by millions, his legacy the story of the greatest rock star of all time. And through Bowies transition from pop group member to solo performer, Phil Lancaster was by his side. As the drummer in Bowies band, the Lower Third, Phil was there as the singers musical stripes began to show, and was witness to his early recording techniques, his first experimental forays into drug-taking, and the bands discovery of his bisexuality in shocking circumstances. In this riveting and often very funny memoir, Phil tells the story of life alongside the insecure yet blazingly talented boy who became Bowie, at a critical crossroad of time and place in music history. What follows is an intimate, personal and important perspective on the genesis of one of the most iconic musicians of the twentieth century one that gets under the skin of the man himself, before the personas and alter-egos masked the fascinating figure beneath them. At the Birth of Bowie is essential reading for anyone who knows what happened on Bowies journey, but wants to understand how, and why, it ever began.

Bowie David: author's other books


Who wrote At the birth of Bowie: life with the man who became a legend? Find out the surname, the name of the author of the book and a list of all author's works by series.

At the birth of Bowie: life with the man who became a legend — read online for free the complete book (whole text) full work

Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "At the birth of Bowie: life with the man who became a legend" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.

Light

Font size:

Reset

Interval:

Bookmark:

Make

For Christine, Stefan, Jenny
and David Jones

CONTENTS

BY
DENIS TAYLOR

W hen we met him for the first time, David Robert Jones was a fresh-faced lad, just turned eighteen, from a small terraced home in Plaistow Grove in Bromley, Kent.

In early May 1965, we The Lower Third were holding auditions at a club called La Discotheque in Wardour Street, in the West End of London, where we had a residency. Many musicians and singers turned up that day, but more for a jam session than for an audition, I think.

Among the gathered assortment of musicians were a couple of sax players and another drummer (which we didnt need at that time or even advertise for). In among all these people there were also singers (which we did advertise for) including Steve Marriott, later of Small Faces fame but at that time in a band called Marriotts Moments. He sang with us that afternoon, with others joining in, on an old rock-and-roll standard called Rip It Up.

As the afternoon drifted on and people meandered away, among those who stayed was David, who had also brought along his alto sax and had apparently started out at the audition just playing that. He had probably been hanging around in the background, checking out the competition first, as you do. In fact, I hadnt noticed him at all until he asked to sing (he was still wearing the leather collar and clip he attached to his sax). We let him, of course, but partly because we were getting desperate by this time. Suffice to say that we were all impressed, not only with the range of his voice but also with his distinctive look. Shortly after, and following a bit of thought and discussion, we unanimously decided that This is the guy. In retrospect, I think we chose rather well!

Anyhow, a couple of days later we formally asked him to join us. I thought he was a good singer, but I have to admit I didnt think he would last the distance in the world of professional music. I wasnt sure if he was strong enough. But I thought we would be OK with him.

I was a lot older than he was, so I already knew what was in store for him. It wasnt going to be a bed of roses. All this, of course, before I knew he was already a minor star, or certainly known, due to his very long, blondish hair and appearance in a BBC2 TV interview.

A man with long hair in those days just wasnt the thing. Its difficult to imagine today, but it really was shocking and even upset many people back then. It certainly got him noticed, though.

He was new to songwriting at that time, so would experiment with ways to write songs. I remember strange times when he was at our flat in Pimlico, London (which certainly wasnt a posh area of town in 1965), and he would ask me to come into the bedroom with my guitar. We would sit on the bed and he would say, Just place your fingers anywhere on the fret and hit the strings. So I would, and from that he would attempt to come up with a new song on his twelve-string, just from the random sounds it made. This didnt always work out and more often we would just laugh a lot and create daft songs from the noise (as noise is all I can call it) that we made. This gave us a lot to chuckle about and possibly led to a few ideas for David to develop further. We had some great moments, all the same, but I dont know what the others must have been thinking in the other room, hearing the racket we made.

David and I used to go to Denmark Street almost daily. Next door to La Gioconda our favourite caf was a small demo studio that producer Shel Talmy had allowed David to use at any time. So we were often dragged in there with no idea of what David was going to play on his acoustic after our impromptu noise jams. The ideas seemed to change a bit by the time we got there. He must have been thinking about it during the journey to the studio. It was always interesting and I never knew what he would finally come up with. It was a nice little set-up where David and the rest of us could experiment with and listen back to the results. If the session worked, we might take away some demo discs.

About a month after David joined us, our drummer, Les, decided he was homesick and really missed his girlfriend in Ramsgate. David said it was no problem, he would find us another drummer straight away. He certainly did, and what a drummer! That was Phil Lancaster, who just happens to be the author of this book. What are the chances of that!

When Phil joined us, for some reason I was under the impression that he had previously been in a large Mexicano-type band, or something like that. I havent a clue why I thought that or why that stayed with me!

There is no need for me to tell you any more, as Phil has a far better memory of these events than me.

From here on, he will tell you how it all went for us the highs and the lows, and some of the bits in between. Its a great read.

Over to you, my friend

Denis T-cup Taylor
Lead Guitarist The Lower Third

S o there we stood, like a face-off in a B-movie: all the characters fixed firm with their own agendas, looking for things to work out as we hoped they would. The equipment our drums, guitars and amplifiers was already partly unloaded in the car park outside the venue.

The scene in this particular movie has Ralph Horton, manager of David Bowie and The Lower Third, trying to face us down me (Phil Lancaster, the drummer), lead guitarist Denis T-cup Taylor and bassist Graham Rivens. Meanwhile, David is schoolboy-like, walking back and forth along the top of a hotels boundary wall, listening as the exchange becomes more and more heated.

Of all the places this could have taken place, it probably didnt help that it was an important location for David his old haunt, The Bromel Club in Bromley, just a short hop from his family home. Significantly, David has separated himself from us and remains clear of the argument, but neither is he standing alongside Ralph. He wants the gig to go ahead, dearly wants it to go ahead. He cant openly agree with Ralph and alienate us completely, as that would aggravate the situation, but at the same time he is pissed off, upset that we three are making a stand at this venue a hometown event.

It was an impasse. We werent going to budge, but nor was Ralph. No pay, no play, we stated. This was our mantra, agreed earlier that same afternoon at the Marquee when, once again, we left the venue without payment. Our courage to do the unthinkable, renege on a gig commitment, came as the last straw in our dealings with Ralph and the changing relationships between him, David and the rest of us.

Well if you are not going to play, then I want the equipment Ive paid for, said Ralph.

So thats it, then, said Denis.

With that, Denis and Graham unloaded the remaining amps due to Ralph from the ambulance (our tour bus). We were finished as David Bowie and The Lower Third. I offered my hand to Dave as a parting gesture, but he declined it. He was torn between Ralph and us, or more likely between playing what was to him an important homecoming gig and ditching the Third.

Or was there more to it?

Was it actually the outcome they had been working towards all the time, or had it, rather inconveniently, occurred more prematurely than they had planned?

*

The year 1965 was one of exciting change both for record companies and the fashion industry alike (particularly London-led fashion). The music that was coming through was certainly more individual, more idiosyncratic than at any time before. Legendary early sixties pioneers such as The Beatles and The Rolling Stones had already paved the way and had defiantly broken away from the conventional format that pop music had once had. Up to this point, British pop had been characterised by ballads and show tunes, older types of music that were beginning to sound dated to the new, younger generation (or baby boomers, as we post-war kids were labelled in the fifties). The UK may have taken its time to adapt, but it was now or so it felt at the time ripe for a damn good shake-up.

Next page
Light

Font size:

Reset

Interval:

Bookmark:

Make

Similar books «At the birth of Bowie: life with the man who became a legend»

Look at similar books to At the birth of Bowie: life with the man who became a legend. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.


Reviews about «At the birth of Bowie: life with the man who became a legend»

Discussion, reviews of the book At the birth of Bowie: life with the man who became a legend and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.