I refuse to acknowledge time, famously so. Ive made a lot of jokes and memes about it, but its a very real belief for me. I cried on my eighteenth birthday. I thought I was a failure because I didnt have a record deal yet. That was my only goal. It was as if I was holding my breath until I could hold a physical thing, an album that had Mariah Carey printed on it. Once I got my deal I exhaled, and my life began. From that day on, I calculated my life through albums, creative experiences, professional accomplishments, and holidays. I live Christmas to Christmas, celebration to celebration, festive moment to festive moment, not counting my birthdays or ages. (Much to the chagrin of certain people.)
Life has made me find my own way to be in this world. Why ruin the journey by watching the clock and the ticking away of years? So much happened to me before anyone even knew my name, time seems like an inadequate way to measure or record it. Not living based on time also became a way to hold on to myself, to keep close and keep alive that inner child of mine. Its why I gravitate toward enduring characters like Santa Claus, the Tooth Fairy, and Tinker Bell. They remind me we can be timeless.
It is a waste of time to be fixated on time. Often time can be bleak, dahling, so why choose to live in it? Life is about the moments we create and remember. My memory is a sacred place, one of the few things that belong entirely to me. This memoir is a collection of the moments that matter, the moments that most accurately tell the story of who I am, according to me. It will move back and forth, up and down, moment to moment, adding up to the meaning of me now.
My intention was to keep her safe, but perhaps I have only succeeded in keeping her prisoner.
For many years, shes been locked away inside of mealways alone, hidden in plain sight before masses of people. Theres significant evidence of her in my early work: often she can be found looking out of windows, dwarfed by a giant frame, barefoot, staring at an empty rope swing swaying from a lone tree against a purple dusk sky. Or else shes two stories up in a brownstone, watching the neighborhood children dancing on the sidewalk below. Shes shown up in a school auditorium in OshKosh overalls, holding a ball on the sidelines, waiting and wanting to be chosen. Sometimes she is caught in a rare moment of joy, on a roller coaster or flying by on skates with her hands in the air. Always she lingers, though, as a dull longing just behind my eyes. Shes been scared and alone for so long, and yet through all the darkness, shes never lost her light. She has made herself known through my songsher yearning heard over the airwaves or seen on screens. Millions of people know of her, but have never known her.
She is little Mariah, and much of this will be her story, as she saw it.
Some of my earliest memories are of violent moments. Because of that, I have always carried a heavy blanket with which I cover up large pieces of my childhood. It has been a burden. But I can no longer stand the weight of that blanket and the silence of the little girl smothering beneath it. I am a grown woman now, with a little girl and boy of my own. I have seen, I have been scared, I have been scarred, and I have survived. I have used my songs and voice to inspire others and to emancipate my adult self. I offer this book, in large part, to finally emancipate that scared little girl inside of me. It is time to give her a voice, to let her tell her story exactly as she experienced it.
Though you cannot dispute someones lived experience, without a doubt, details in this book will differ from the accounts of my family, friends, and plenty of folks who think they know me. Ive lived that conflict for far too long, and Im weary of that too. Ive held my hand over the mouth of that little girl in an attempt to protect others. Even those others who never tried to protect me. Despite my efforts to be above it all, I still got dragged and sued and ripped off. In the end, I only hurt her more, and it almost killed me.
This book is a testimony to the resilience of silenced little girls and boys everywhere: To insist that we believe them. To honor their experiences and tell their stories.
To set them free.
Early on, you face
The realization you dont
Have a space
Where you fit in
And recognize you
Were born to exist
Standing alone
Outside
There was a time in my early childhood when I didnt believe I was worthy of being alive. I was too young to contemplate ending my life but just old enough to know I hadnt begun living nor found where I belonged. Nowhere in my world did I see anyone who looked like me or reflected how I felt inside.
There was my mother, Patricia, with paler skin and straighter hair, and my father, Alfred Roy, with deeper skin and kinkier hair, and neither had faces with features just like mine. I saw them both as riddled with regret, hostages of a sequence of cruel circumstances. My sister, Alison, and brother, Morgan, were both older and darker, and not just in terms of the hues of their skin, though they were slightly browner. The two of them had a similar energy that seemed to block light. They had an approach to the world that made little room for whimsy and fantasy, which was my natural tendency. We shared common blood, yet I felt like a stranger among them all, an intruder in my own family.
I was always so scared as a little girl, and music was my escape. My house was heavy, weighed down with yelling and chaos. When I sang, in a whispery tone, it calmed me down. I discovered a quiet, soft, light place inside my voicea vibration in me that brought me sweet relief. My whisper-singing was my secret lullaby to myself.
But in singing I also found a connection to my mother, a Juilliard-trained opera singer. As I listened to her doing vocal exercises at home, the repetition of the scales felt like a mantra, soothing my frightened little mind. Her voice went up and down and up and up and upand something inside me rose along with it. (I would also sing along with the beautiful, angelic, soulful Minnie Ripertons Lovin You and follow her voice up into the clouds.) I would sing little tunes around the house, to my mothers delight. And she always encouraged me. One day, while practicing an aria from the opera