• Complain

Joan Schenkar - The Talented Miss Highsmith: The Secret Life and Serious Art of Patricia Highsmith

Here you can read online Joan Schenkar - The Talented Miss Highsmith: The Secret Life and Serious Art of Patricia Highsmith full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 2010, publisher: St. Martins Publishing Group, genre: Non-fiction. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

Romance novel Science fiction Adventure Detective Science History Home and family Prose Art Politics Computer Non-fiction Religion Business Children Humor

Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.

Joan Schenkar The Talented Miss Highsmith: The Secret Life and Serious Art of Patricia Highsmith
  • Book:
    The Talented Miss Highsmith: The Secret Life and Serious Art of Patricia Highsmith
  • Author:
  • Publisher:
    St. Martins Publishing Group
  • Genre:
  • Year:
    2010
  • Rating:
    5 / 5
  • Favourites:
    Add to favourites
  • Your mark:
    • 100
    • 1
    • 2
    • 3
    • 4
    • 5

The Talented Miss Highsmith: The Secret Life and Serious Art of Patricia Highsmith: summary, description and annotation

We offer to read an annotation, description, summary or preface (depends on what the author of the book "The Talented Miss Highsmith: The Secret Life and Serious Art of Patricia Highsmith" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.

Patricia Highsmiths The Price of Salt is now a major motion picture (Carol) starring Cate Blanchett and Mia Wasikowska, directed by Todd Hayes
A 2010 New York Times Notable Book

A 2010 Lambda Literary Award Winner
A 2009 Edgar Award Nominee
A 2009 Agatha Award Nominee
A Publishers Weekly Pick of the Week
Patricia Highsmith, one of the great writers of twentieth-century American fiction, had a life as darkly compelling as that of her favorite hero-criminal, the talented Tom Ripley. Joan Schenkar maps out this richly bizarre life from her birth in Texas to Hitchcocks filming of her first novel, Strangers on a Train, to her long, strange self-exile in Europe. We see her as a secret writer for the comics, a brilliant creator of disturbing fictions, and an erotic predator with dozens of women (and a few good men) on her love list. The Talented Miss Highsmith is the first literary biography with access to Highsmiths whole story: her closest friends, her oeuvre, her archives. Its a compulsive page-turner unlike any other, a book worthy of Highsmith herself.

Joan Schenkar: author's other books


Who wrote The Talented Miss Highsmith: The Secret Life and Serious Art of Patricia Highsmith? Find out the surname, the name of the author of the book and a list of all author's works by series.

The Talented Miss Highsmith: The Secret Life and Serious Art of Patricia Highsmith — read online for free the complete book (whole text) full work

Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "The Talented Miss Highsmith: The Secret Life and Serious Art of Patricia Highsmith" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.

Light

Font size:

Reset

Interval:

Bookmark:

Make
Acknowledgments

To the many people around the world who offered their time, their minds, and their materials, I owe too much to tell here. This book is the down payment on my very great debt to them.

The iridescent conversation and radiant spirit of the late Theodora Keogh, my dearest friend, sustained me through much of this work. Don Coates, Pats closest living relative and an invaluable resource, opened his archives, his family history, and his Texas connections without reserve. Kate Kingsley Skattebol did the same, placing her considerable intelligence at my service and giving me a clear idea of just how lucky Pat was to have her support during their fifty years of friendship. Jim Amash guided me through the Golden Age of American Comics, introduced me to its living creators, and generously shared his research, his knowledge, and his classic comic books.

Daniel Keel, fonder of Diogenes Verlag and Pats literary trustee, allowed me to read the Highsmith diaries and notebooks, provided hitherto unknown details of Pats life, and is publishing this biography in Switzerland. Anna von Plantas experience as Pats editor at Diogenes and her astute critical suggestions enriched both my writing and my thinking. At St. Martins Press, Tim Bent gave me the entre into Highsmith country, and Michael Flamini adopted the manuscript as his own, and allowed me the time I needed to write the book I wanted. Vicki Lame picked up the dropped stitches, Ellis Levine unpicked the legal knots, and John Morrone proffered crucial solutions. Russell Galens agenting has been, as always, my best support.

The following people opened their private collections to me, greatly enhancing the scope of this work: Jim Amash, the late Jerry Bails, the late Ruth Bernhard, Ronald Blythe, Monique Buffet, Frdrique Chambrelent, Donald Oscar Coates, Ruda Brandel Dauphin, Peter Goedel, Janine Hrisson and Henri Robillot, the late Buffie Johnson, Priscilla Senn Kennedy, Ogden Kruger and Nora Ellen Lewis, Nolle Loriot, Marijane Meaker, Christa Maerker, Christopher Petit, Annebelle Potin, Janice Robinson, Francis Wyndham.

For repeated interviews in the United States, Canada, the United Kingdom, France, Germany, and Switzerland, I am deeply grateful to: Marion Aboudaram, Dr. Gerald Albert, Jim Amash, Larry Ashmead, the late Mark Barty-King, the late Sybille Bedford, Daniel Bell, Pearl Kazin Bell, Bettina Berch, the late Ruth Bernhard, Caroline Besterman, the late Ginette Billard, the late Karl Bissinger, Ronald Blythe, Tabea Blumenschein, Monique Buffet, France Burke, Miriam Burstein, Philippa Burton, Camilla Butterfield, Liz Calder, Claire Cauvin, Frdrique Chambrelent, Heather Chasen, Sarah Clapp, the late Dan Walton Coates, Don Coates, Jean-tienne Cohen-Sat, the late Betty Comden, Betty Curry, Ruda Brandel Dauphin, Vivien De Bernardi, the late David Diamond, Bert Diener, the late Julia Diener-Diethelm, Joan Dupont, Dorothy Wheelock Edson, the late Will Eisner, the late Vince Fago, Michael Feldman, Gary Fisketjon, Peter Goedel, Robert Gottlieb, the late Elizabeth Hardwick, Janine Hrisson, Patrice Hoffman, Tanja Howarth, the late Anita Huber-Speck, Peter Huber, Helen Kandel Hyman, Peter Hyun, Al Jaffee, Marc Jaffee, the late Buffie Johnson, Olivia Kahn, Deborah Burstein Karp, Stanley Kauffmann, Daniel Keel, Priscilla Senn Kennedy, Jonathan Kent, the late Theodora Roosevelt Keogh, Everett Ray Kinstler, Jack Klaff, M. Knet, Ogden Kruger, Linda Ladurner, Marie-Jaqueline Lancaster, Alice Gershon Lassally, Ricky Leacock, Bob Lemstrom-Sheedy, Nora Ellen Lewis, Marianne Liggenstorfer-Fritsch, Nolle Loriot, Robert Lumpkin, Christa Maerker, Marijane Meaker, Anne Morneweg, DD Moser, Patricia Schartle Myrer, Phyllis Nagy, Samuel Okoshken, Otto Penzler, the late Judith Conklin Peters, Patrick Peters, Christopher Petit, the late Phillip Lloyd Powell, H. M. Qualunque, John Rhodes, Donald S. Rice, Henri Robillot, Janice Robinson, Edward J. Roche, Barbara Roett, Florence Rosen, Jean Rosenthal, Juliette Ryan, Bruno Sager, Sam, Josyane Savigneau, Richard Schroeder, Marylin Scowden, Rita Rohner Semel, Kate Kingsley Skattebol, Myra Sklarew, the late Dame Muriel Spark, David Streiff, Mike Sundell, Anne Elisabeth Suter, the late Alex Szogyi, Philip Thompson, Tereska Torres, Tommy Tune, Anna von Planta, Wim Wenders, Donald Windham, the late William Woolfolk, Francis Wyndham.

For important help from individuals and institutions, I am indebted to: Constance A. Brown, registrar, Barnard College; Donald Glassman and Astrid Cravens, archivists, Barnard College Archives (Patricia Highsmith records et al.), New York, New York; Elisabeth Laye, Calmann-Lvy Archives (dossier Patricia Highsmith), Paris, France; Columbia University Rare Book and Manuscript Library (Harper & Row Archives), New York, New York; Maria Webb and Caitlin James, the Library at Fairleigh Dickinson University, Madison, New Jersey; Donna S. Kruse, Fort Worth Public Library ( Fort Worth Star-Telegram Archives), Fort Worth, Texas; Gary Fisketjon, Alfred A. Knopf (the Fisketjon publishing files concerning Patricia Highsmith), New York, New York; Tara Wenger, the Harry Ransom Humanities Research Center (Alfred A. Knopf Archives, William Aspenwall Bradley Archives, Jane Bowles Archives), University of Texas, Austin, Texas; Birgitta H. Bond, the James A. Michener Art Museum (Patricia Highsmith records), Doylestown, Pennsylvania; Geraldine Amaranda, archivist, the Menil Collection (Rosalind Constable Archives), Houston, Texas; LOffice National Metorolgique, Paris, France; New York Public Library (Yaddo Archives, The New Yorker Records), New York, New York; Mary Pisido, Public School 122 (Patricia Highsmith Records), Astoria, Queens, New York; Ridgewood Public Library, Ridgewood, New Jersey; Chris Hayes, the Assessors Office of the Village of Ridgewood, New Jersey; Stphanie Cudr-Mauroux and Ulrich Weber, archivists, Swiss Literary Archives (Patricia Highsmith Archives), Bern, Switzerland; Julie McLoone, archivist, University of Iowa Libraries Special Collections Department (Papers of Lil Picard, 191594), Iowa City, Iowa; Tate Gallery Archives (Barbara Ker-Seymer Papers, 192581), London, England; University of Maryland Libraries (Djuna Barnes Collection), College Park, Maryland; The New York Society Library, New York, New York; Dean M. Rogers, Vassar College Library, Special Collection (Mary McCarthy Archives), Poughkeepsie, New York; Lesley Leduc and Candace Wait, Yaddo, Saratoga Springs, New York.

For research, information, visual aid, referrals, quotes, kind letters, and other favors, I thank: Phillippe Apeloig, Wynne Alexander, Deirdre Bair, Stanley Bard of the Chelsea Hotel, the late Ginette Billard, Mary Blume, Edith Brandel, the late Hortense Calisher, Valrie Caillon-Gervier, Teresa Davidson, Marianne de Pury, Joe Goodrich, Madeleine Harmsworth, Sally Higginson Begley, Merlin Holland, Miles Hyman, Dannie Jost, Keith Kahla, Marlies Kornfeld, the late Paula Lawrence, Stan Lee, Robert Lumpkin, the late Norman Mailer, Judy McCombs, Honor Molloy, Michael Neal, Robert Nedelkov, Laurence Parade, Ned Rorem, Steven Rowe, David Scribner, Marian Seldes, Liz Smith, Jane Stevenson, Roy Thomas, Julia Van Haaften, Dr. Michael Vasallo, Gore Vidal, Allen Waddle, Camilla Wespe, The Village Voice Bookstore (Paris), the late INSIDE Restaurant (New York), the Cornelia Street Caf (Greenwich Village).

For early readings of the manuscript, I thank: Deirdre Bair, Stphanie Coudr-Mauroux, and Ulrich Weber.

For the following permissions, I thank: Marion Aboudaram for her photograph; Monique Buffet for photographs of and letters from Patricia Highsmith; Florence Sultan of Calmann-Lvy for quotations from Calmann-Lvys dossier Patricia Highsmith Daniel Keel of Diogenes Verlag for quotations from the novels, cahiers, and diaries of Patricia Highsmith; Diogenes Verlag for the photograph of Daniel Keel and Patricia Highsmith; the Barnard College Archives for photographs, college transcripts, and other materials; Olivia Kahn for Joan Kahns letters; Priscilla Senn Kennedy for photographs of Kathleen Wiggins Senn; Ruda Brandel Dauphin for photographs of Marc Brandel and Patricia Highsmith; the Swiss Literary Archives for photographs relating to Patricia Highsmith; Vassar College Library Special Collections for Mary McCarthys letters; the late Buffie Johnson for her writings and photographs; the late Ruth Bernhard for her portrait of Patricia Highsmith; the University of Iowa Libraries for letters and photographs of Lil Picard; Bettina Berch for her unpublished interview with Patricia Highsmith; Richard Schroeder for his portrait of Patricia Highsmith; Annebelle Potin for The Jeannot Album the Corporation of Yaddo for Joseph Levys photograph of West House.

Next page
Light

Font size:

Reset

Interval:

Bookmark:

Make

Similar books «The Talented Miss Highsmith: The Secret Life and Serious Art of Patricia Highsmith»

Look at similar books to The Talented Miss Highsmith: The Secret Life and Serious Art of Patricia Highsmith. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.


Reviews about «The Talented Miss Highsmith: The Secret Life and Serious Art of Patricia Highsmith»

Discussion, reviews of the book The Talented Miss Highsmith: The Secret Life and Serious Art of Patricia Highsmith and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.